Sentences with phrase «loved figurative artists»

The exhibition will include previously unseen studies and drawings and provide a new understanding of the work of one of Britain and Portugal's most loved figurative artists.

Not exact matches

At the same time I have a real love of figurative artists who construct their pictures with a sense of rigor: Piero, or more recently Euan Uglow or Balthus.

Along with Stettheimer, who is an obvious reference point, I was reminded of Peter Dean, who was a member of the Rhino Horn group, as well as Bob Thompson — figurative artists who packed a composition with stuff and loved to jam color next to color.

At the time, I imagined that our nonrepresentational, process - or - performance - based, and conceptual art would save Chicago from a group of artists whom I now love, the figurative surrealists — Jim Nutt, Roger Brown, Christina Ramberg, Gladys Nilsson, and Jeff Koons's teacher Ed Paschke — known as Chicago Imagists.

Divine Love is an original, one - of - a-kind figurative painting signed by artist Laurentiu Dimisca.

Man And The Universe (Love) is an original, large one - of - a-kind figurative painting signed by artist Teimuraz Kharabadze.

Mother»S Love is an original, one - of - a-kind figurative painting signed by artist Najmaddin Huseynov.

Love Flying is an original, large one - of - a-kind figurative painting signed by artist Hildegarde Handsaeme.

Love Story is an original, one - of - a-kind figurative painting signed by artist Laurentiu Dimisca.

The Lovers Of Love is an original, large one - of - a-kind figurative painting signed by artist Laurentiu Dimisca.

So those two are really important, and then there are all of the figurative artists that I love, because I think of myself as a figurative painter.

Free Love is an original, one - of - a-kind figurative painting signed by artist Laurentiu Dimisca.

Love is an original, one - of - a-kind figurative painting signed by artist Najmaddin Huseynov.

Love is an original, large one - of - a-kind figurative painting signed by artist Najmaddin Huseynov.

Using figurative representation and playful geometric abstraction, Brooklyn - based artist Ted Lawson is someone who loves to combine digital technology — such as 3D printing — with traditional art methods to create organic fine art as well as large - scale sculptures that explore humanity.

The figurative painter Frank Auerbach is widely - regarded as one of Britain's best loved living artists, his intense working methods and uncompromising attitude to his own work have made him a celebrated exponent of painting in the 21st century.

Connections to Matisse, of course, are abundant and obvious in the inhabited spaces of Diebenkorn's figurative work, especially in the strong collection of drawings on view; both artists loved to draw, and Diebenkorn, like Matisse, had a great feeling for grays, even if he worried over his lack of the French artist's long cultivation of the figure.

First and foremost a figurative artist («my favourite subjects are people and animals»), Cassidy loves painting people involved in activities like music, dancing, theatre and the circus («I try to capture the energy of a moment during a performance»).

More significantly, she was able to unmask taboos around sex, pain, love, and mental health with her raw, candid work — and influence generations of both figurative and abstract artists in the process.

Sotheby's led the way with a fine group of paintings by School of London artists — figurative painters associated with Francis Bacon and Lucian Freud during the post-war years, who combined a gritty realism with a love of thick paint.

Humour, sadness, elation, depression; pathos, ebullience, turbulence; love, hate, attraction, revulsion; pointing, pushing, pulling, cavorting; turning, tossing, tumbling, twisting; rock and roll, victory and defeat; all the elements, in fact, of intense human interaction and drama that were once the province of figurative art, particularly figurative painting — where they formed the pretext upon which was built a profound diversity of imaginative visual constructs — are seemingly no longer at the behest of figurative art, which languishes in states of mock - academia or faux - avant - gardism, by turns bathetic, mundane or grotesque... all that human content is now, surprisingly but necessarily, the prerogative of the abstract artist.

He loved to talk and would share with me his experiences with Fernand Léger, Hans Hofmann and the Figurative Artists Alliance in New York.