Sentences with phrase «loved moving paint»

«Matisse loved moving paint around.

Not exact matches

Every skill is welcome: from lending a loving hand to care for local pets, to cleaning, painting, move brigades, among other tasks.

Anyway, I love the feeling I get when I am moved by art — photographs, paintings, drawings, etc..

I still work full time, whilst trying to establish myself and I guess that will always be the most challenging aspect; I would love to be able to paint and expand my skills further so hopefully I will be able to establish myself as an artist and eventually move to Cornwall»

I love Himalayan salt in general, so was pretty easily won over by the concept of a salt lamp and got one immediately when I moved and my new place smelled like fresh paint.

I'd love to do something like that to our room... too bad I'd have to paint it back in a year when we move from this base to another..

Once she determined it was the Teen Vogue bedding ensemble loved, we moved on the choosing the right paint color and decorating...

We consider ourselves to be a true Lincolnshire dating site, that is why we cover all of these areas I love to paint, play free lincolnshire dating sites more vikinggod71 Brooklyn, NY 6ft I work out Im a hard work just moved back to ny from Chicago I work for Mercedes - Benz as a technician I can cook a lil more 87italian North Chicago, IL Hi names Ronnie.

The resulting examination of the personal toll of political unrest is slow - moving yet sensitive and intimate yet intriguing, painting a powerful portrait of love and loyalty — aptly illustrated by the connection with Bonny the cat that provides the feature's undercurrent of emotion — against the odds.

for me I still play mario 64 now as we speak, It's stil very unique concept think about it, jumping through paintings in the love of your lifes houses who has cameras follow there moves to observe marios moves that was interesting, Galaxy is pretty far out there.

Chilean - born Ruiz is a director whose love of storytelling and narrative play is often more engaging than the films themselves but with Mysteries of Lisbon, an epic based on a classic Portuguese novel (one yet untranslated into English), his engagement with the characters and their defining stories guides his direction, and his graceful camerawork and unerring eye for images both classical (like paintings in a cinematic frame) and fluid (his camera moves with purpose and grace) are in the service of the trajectories of the characters.

At the heart of why «Loving Vincent» stops short of satisfying is in the strange middle ground between still painting and moving image.

The bottom line: There are no broadly - painted, black - and - white villains here, and this move could, in the long run, be better for people who love comics.

Her writing passion stems from her immense love for art, which began with drawing at age five and moved into oil painting by age eight.

Final conclusion: Outcast: Second Contact is a love letter to fans of the original game, it has everything the original had (including its bugs) but with a new coat of paint and some useful new moves.

We think that all of his speed paintings are amazing, so head on over to LittleBigPlaye's YouTube Channel to check out the rest of his brilliant LittleBigPlanet Speedarts and if you feel that you're a skilled Move Paint artist yourself, tweet us your creations @LittleBigPlanet because we would love to see them!

We love to see the sheer creativity of our community bursting out from the screen and LittleBigPlaye's series of LittleBigPlanet SpeedArt videos captures this perfectly, as they show you their entire painting process when they break out their artistic skills with the PlayStation Move Paint Tool!

Fire made from flowing pieces of yarn, puffy clouds created with frayed wool, and the always moving ground under Yoshi's feet paint a picture of a handcrafted world that players will quickly come to love.

Teaching is something I love doing almost as much as painting and rather than moving my family to a trendy artist community I have found a way to bring the artist community to me.

This interview is such a moving gift to all of us who love this painter, and who love painting.

This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.

Indulging his lifetime love of science fiction and fantasy, he's currently illustrating a new historical role - playing game for Iron Throne Publishing and developing life - sized promotional cutouts of zombies for WorldWorks Games while also putting the finishing touches on 30 oil paintings for a summer exhibition — all proof of his incredible comfort moving between the worlds of commercial and fine art.

Organized by VMFA in partnership with the Munch Museum in Oslo, Jasper Johns and Edvard Munch examines how Johns (born 1930), one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and death.

Tiffany Bell and Frances Morris — the loving curators who put the London survey of her work together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other paintings of its kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart of the natural world.

«What I love about a painting is the way it becomes a world, another world that moves you and draws you in.»

Having said that, our collection is still probably 95 percent painting and 5 percent sculpture — we love painting, and have been actively trying to understand and find what moves us in sculpture.

The following year, prompted by the birth of his son and his love of the west - coast lifestyle, he moved to Los Angeles, where he now lives and devotes all his time to painting.

De Staël is the best example of what I mean; Robert Medley was simplifying form and moving in and out of abstraction — he loved Guston's still - life paintings; Nicholson and Scott were also concerned with that particular balancing act.

Exploring themes of love, beauty, tragedy and death, these powerful and moving paintings will create a spectacular display.

I often find that careful measuring takes me away from my natural way of seeing so I tend to avoid doing too much of it... I usually don't invent things or move things, but I will bend or stretch or shrink things to fit a compositional need, not always consciously... I do paint a lot at street level and have over the years, but I have loved being high up for as long as I can remember... I believe my first 10 years living in Washington Heights at one of the highest points in Manhattan with a view from the ninth floor toward the Cloisters created some kind of archetypal inner landscape.

After moving to the United States, she fell in love with painting and received a BFA from Kutztown University of Pennsylvania.

Now a ground - breaking exhibition entitled Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and deLove, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and delove, sex, loss and death.

Whitney Museum of American Art, New York, October 24, 2002 — January 26, 2003 (Catalogue) Watercolor, New York Studio School, New York, October 15 — November 16, 2002 Art Downtown: New York Painting and Sculpture (organized by Wall Street Rising, New York), 60 Wall Street, 25 Broad Street and 1 New York Plaza, June 14 — September 15, 2002 Painting on the Move: After Reality — Realism and Current Painting, Kunsthalle Basel, May 26 — September 8, 2002 I Love New York Benefit, Seventh Regiment Armory, New York, February 22 — 25, 2002

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Combining his love of graffiti and the paintings of Frank Stella, Vena employs the products of commercial art to move beyond the confines of abstraction.

Born in Detroit, Al Loving (1935 — 2005) studied painting at the University of Michigan, before moving to New York in 1968, where he found himself among a milieu that included artists Robert Duran, Alan Shields, Richard Van Buren and the dancer and choreographer Batya Zamir.

She also speaks of her love for the oil medium: «It moves like a skin when you paint.

None of the above, curated by John Armleder, Swiss Institute, New York About Painting, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Spring Power, Corruption and Lies, Roth Horowitz, New York Love / Hate: from Magritte to Cattelan, Masterpieces from the Museum of Contemporary Art, Chicago, Villa Manin - Centro d'Arte Contemporanea, Passariano, Udine Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Museum, New York Moving Outlines, curated by Leslie Shaffer, Contemporary Arts Museum, Baltimore

Roy Lichtenstein Drawing from the Artist Rooms» collection, this free exhibition at Tate Liverpool showcases 20 of Lichtenstein's iconic pieces, moving from his early love of landscapes to his regularly «homaged» pop art paintings.

The Monarch of the Glen by Sir Edwin Landseer, one of Scotland's best - loved paintings has been consigned to Christie's Auctioneers, in a move that could see it go abroad.

Debbie, can I give you a little loving, unsolicited advice about painting your walls if you are going to move in a couple years.

We moved into a new house last May and I love your door painted.

We just moved and I'm loving painting and redecorating.

I have been having some serious decorating ADD — can not make up my mind — just painted — going to paint some more — I think I have moved things are around like 47 times in the past 6 months I can help in CA — I am SUPER DIYer — I am a photographer in the San Francisco Bay are Ca and I LOVE using «Life as art» I am all about surrounding yourself with things you love... and or me that is amazing images on my waLOVE using «Life as art» I am all about surrounding yourself with things you love... and or me that is amazing images on my walove... and or me that is amazing images on my walls.

My lower level family room needs HELP and so does our bedroom — we haven't done anything to it for the 12 years we have been there No window coverings, paint is from when we first moved in, ugly, hodge podge furniture, WE LOVE YOU!

We just moved to Annapolis, Maryland and we have a 1950 Cape Code style house in need of some love... and some paint.

I would love to put the money towards a slip cover for our sofa - we currently have a large white paint stain after a calamity that involved turning our sofa upside down and accidentally pushing a can of paint over while moving it... oops!

We are moving to a new house in 2 weeks and I would love to try gliddens new paint!!!

While I always planned to update each and every space in my home over time to reflect what I love, when we considered moving it started to make more sense to keep our bathroom mostly as it is, but simply freshen it up with paint and accessories.

Layla, you post lots of pictures of the way you beautify your world (and the world of all of us who have grown to love you...) but nothing you've ever painted or sanded or moved or papered or refinished could be as beautiful or life - enhancing as what you're doing with Compassion... and especially in the life of this beautiful child of God.