Sentences with phrase «lovers of love stories»

Not exact matches

The love affair is recreated each time a Krishna bhakta participates in the communal singing of an episode from the story and especially when she or he, possessed by the spirit of one of the lovers, feels impelled to get up and ecstatically dance as the Lord or his beloved.
A book for lovers, dreamers, do - it - yourselfers, and fans of old houses, From Animal House to Our House: A Love Story recounts Ron and Jill's adventure, offering inspiration, insight, and hilarity as they hammer away at the American Dream of home ownership and true lLove Story recounts Ron and Jill's adventure, offering inspiration, insight, and hilarity as they hammer away at the American Dream of home ownership and true lovelove.
THE LOVERS AND THE DESPOT tells the story of young, ambitious South Korean filmmaker Shin Sang - ok and actress Choi Eun - hee, who met and fell in love in 1950s post-war Korea.
Though Lifshitz's attitude toward sex and sexuality ranks among the most progressive in contemporary movies, he doesn't belabor it; seen through his eyes, Wild Side is a love story in which love is unrestrained by matters of gender or sexual orientation or even the number of lovers.
The game is a complete fan service has lovers of movies, I played many hours and 100 percent complete and really loved it, but has to have come down frame rate and some repetitive missions and really would have liked a better story, but the game is good, like I said if you like movies you'll love the game
Unlike «Crying Game» (which, despite the gender confusion, definitely works as a love story for a general audience), the only emotion this movie evokes for its star - crossed lovers is an unpleasant sense of incredulity.
Related Reviews: Written and Directed by Jim Jarmusch: Down by Law • Dead Man • Only Lovers Left Alive 2004: The Life Aquatic with Steve Zissou • Spider - Man 2 • Around the World in 80 Days • Anchorman: The Legend of Ron Burgundy New to Disc: Space Jam • Café Society Anthology Films: New York Stories • Wild Tales • Four Rooms • New York, I Love You
Although the film is designed primarily for a young audience, adult themes of love and loss abound in its story of mourning lovers attempting to reach out across the dimensions.
This story of lovers who can never be together, and the boy who helps love to win out in the end, is still as awesome as it was 30 years ago.
Bitter Harvest, in theaters on February 24, is a powerful story of love, honor, rebellion and survival as seen through the eyes of two young lovers caught in the ravages of Joseph Stalin's genocidal policies against Ukraine in the 1930s.
2 (Gunn) After the Storm (Kore - eda) Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (Smith) God's Own Country (Lee) Lost in Paris (Abel and Gordon) Three Billboards Outside Ebbing, Missouri (McDonagh) A Quiet Passion (Davies) Logan Lucky (Soderbergh) 1922 (Hilditch) Cars 3 (Fee) Betting on Zero (Braun) People You May Know (Shilati) D + Wonderstruck (Haynes) T2 Trainspotting (Boyle) Raw (Ducournau) King Arthur: Legend of the Sword (Ritchie) It Comes at Night (Shults) Win It All (Swanberg) I Love You, Daddy (C.K.) Atomic Blonde (Leitch) Valerian and the City of a Thousand Planets (Besson) Alien: Covenant (Scott) Before I Fall (Russo - Young) Rough Night (Aniello) Take Me (Healy) Patti Cake $ (Jasper) A Cure for Wellness (Verbinski) Last Flag Flying (Linklater) The Big Sick (Showalter) The Babysitter (McG) To the Bone (Noxon) The Little Hours (Baena) Queen of the Desert (Herzog) Casting JonBenét (Green) D Personal Shopper (Assayas) A Ghost Story (Lowery) It's Only the End of the World (Dolan) Bright (Ayer) I Don't Feel at Home in This World Anymore (Blair) Good Time (The Safdies) The Lovers (Jacobs) Tulip Fever (Chadwick) The Bad Batch (Amirpour) The Vault (Bush) The Dinner (Moverman) Beauty and the Beast (Condon) War Machine (Michôd) Song to Song (Malick) War on Everything (McDonagh) Kong: Skull Island (Vogt - Roberts) Death Note (Wingard) The Mummy (Kurtzman) Girls Trip (Lee) Okja (Bong) Despicable Me 3 (Balda, Coffin and Guillon) Little Evil (Craig) Catfight (Tukel) Transformers: The Last Knight (Bay) Manifesto (Rosefeldt) D - Slack Bay (Dumont) iBoy (Randall) The 101 - Year - Old Man Who Skipped Out on the Bill and Disappeared (The Herngrens) XX (Benjamin, Clark, Kusama and Vuckovic) Woodshock (The Mulleavys) Super Dark Times (Phillips) The Layover (Macy) Fifty Shades Darker (Foley) The Boss Baby (McGrath) xXx: Return of Xander Cage (Caruso) F The Emoji Movie (Leondis) Shimmer Lake (Uziel) The Incredible Jessica James (Strouse) Baywatch (Gordon) Sandy Wexler (Brill)
Yet even Wright didn't completely know what was in store for his screening of «Wild at Heart,» David Lynch's trippy love story with Nicolas Cage and Laura Dern as lovers on the lam.
Let's be honest, regardless of the fact that she's never onscreen, she plays one of two lovers in a love story.
This unique and heartwarming story is a witty tale of survival and will appeal to the dog lover in all of us (or anyone who has ever loved a pet).
For a film mainly guided, stylistically, by feeling more than by thought, Wong Kar - wai's In the Mood for Love opens rather pragmatically: A simple exchange in an apartment hallway between a landlord and her two prospective tenants, Mrs. Chan (Maggie Cheung) and Mr. Chow (Tony Leung Chiu Wai), introduces the principal elements of what is, in essence, a straightforward story of star - crossed lovers and their unconsummated relationship — a romance thwarted as much by tragic circumstance as by the story's central cinematic contrivance.
He produced man - of - the - moment Jonathan Glazer's Sexy Beast and more recently Jim Jarmusch's lush and deadpan vampire love story, Only Lovers Left Alive.
While we're used to love stories in which people are brought together, Possession is more about how these sets of lovers are kept apart.
Set in WWI Russia by way of claustrophobic sets transformed into Maddin's dreamland imagery, this story of a one - legged soldier (Maddin regular Kyle McCulloch) caught in a romantic triangle between his lovesick landlady and a married nurse (Kathy Marykuca) who resembles his dead lover is less a parody of silent cinema than a loving crackpot tribute.
Check out some Cannes sales art, as well as a stack of new images from Jim Jarmusch's crypto - vampire love story Only Lovers Left Alive, which stars Tilda Swinton, Tom Hiddleston, Mia Wasikowska, John Hurt and Anton Yelchin.
A major flaw that a lot of people have alluded to here is one that deserves as much emphasis as it can get — if you want the love story to be secondary, then don't cast Keira Knightley and James McAvoy as the lovers!
2 — B (Review — The Film Experience) Happy End — A -(TIFF Review — The Film Experience) Home Again — B - Hostiles — B The House — C - I, Tonya — B - In the Fade — C Ingrid Goes West — B - It — C + It Comes At Night — B + (Review — The Film Experience) Jane — B Justice League — D + (Review — The Film Experience) Kiki — B + (Review) The Killing of a Sacred Deer — A (TIFF Review — The Film Experience) King Arthur: Legend of the Sword — C (Review — The Film Experience) Kong: Skull Island — C + (Review — The Film Experience) Lady Bird — A (TIFF Review — The Film Experience) Lady Macbeth — B Landline — B Last Flag Flying — C The Last Word — C - The Lego Batman Movie — B - Life — C The Little Hours — C + (Review — The Film Experience) Logan — C - Logan Lucky — B + (Review — The Film Experience) The Lost City of Z — B + (Review — The Film Experience) The Lovers — B + (Review) Loving Vincent — C - The Lure — B Manifesto — C + Marjorie Prime — C + Mark Felt: The Man Who Brought Down the White House — D - Maudie — B -(Review) Menashe — B (Review) The Meyerowitz Stories (New and Selected)-- A - Molly's Game — B - mother!
Fair enough, but when a few months later she shows up at the house of her lover, there is a strange Mrs. Danvers - vibe with the housekeeper (Rossy de Palma); that story arc too is abandoned, in favour of Julieta's inner monologue about her love - striken heart.
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««The Seagull» is the heartbreaking and funny story of friends and lovers, all of whom are in love with the wrong person,» Sony Classics said in a statement.
The point of the love story is to keep the lovers apart, and dramatists often bend over backwards to find ways, but «Call Me By Your Name» reminds us that we do a pretty fine job on our own.
The film becomes a biting critique of American culture in 1960s, a heist picture, a tale of Cold War - era espionage, a monster movie, a fairy tale, and, perhaps above all else, a tender love story between two unlikely lovers.
Perhaps not for the eager sex / violence / profanity movie lovers of the 21st century, but anyone who truly loves a great story will enjoy this one.
He doesn't skimp on his hard - R, horror movie instincts and lets blood spill where it must — sorry cat lovers, not all felines make it out of the movie with their heads in tact — which is what makes this love story so uniquely del Toroian.
The story: Celebrated fashion designer Reynolds Woodcock (Daniel Day - Lewis) is a man whose genius is matched only by his love for having a firm grip on every aspect of his life, including his lovers.
The story itself begins as a love triangle melodrama of star - crossed lovers ripped apart by war and transforms into a veritable love story between two men, comrades in arms brought together by battle and the mutual love of the same woman, but this is no romanticized portrait of courage and comradeship forged under fire.
At its core, Only Lovers Left Alive is a love story, but it's more about the ebbs and flows of life, the way relationships and settings change and evolve, writ large through the lens of two immortal beings who know the real writer of Hamlet and hung out with Lord Byron.
But this isn't the trite romantic comedy of beautiful young lovers It's the heartfelt story of love between two imperfect people, both of them living, with separate strategies, with autism.
More than anything else, though, I would never have guessed before seeing The Fly that Goldblum, a magnificent jester, would be at the center of one of the most moving love stories ever filmed, as ardent as any lover in cinema history.
All of these films will join the others we've been announcing over the last few months at this new edition of the Festival, marked by the new manifestations of evil, as is the case with Only God Forgives, the new film from Nicolas Winding Refn; Jim Jarmusch's most recent work, Only Lovers Left Alive, a unique story of eternal love between two vampires; a bizarre, surreal, comedy from Roman Coppola, A Glimpse Inside the Mind of Charles Swann III; The Congress, the spectacular Stanislaw Lem adaptation directed by Ari Folman; Real, director Kiyoshi Kurosawa's return to fantastic cinema; or La danza de la realidad, the new work by multifaceted Alejandro Jodorowski.
The flagship of the Festival, section Oficial Fantàstic, presents some of the most eagerly awaited movies of the year, such as Only God Forgives by Nicolas Winding Refn - director of Valhalla Rising and Drive; Jim Jarmusch's latest film Only Lovers Left Alive, an eternal love story between two vampires; A Glimpse Inside the Mind of Charles Swann III, a surrealist comedy by the hand of Roman Coppola; The Congress, a spectacular adaptation of Stanislaw Lem directed by Ari Folman - responsible for Vals with Bashir -, that combines animation with a science - fiction story starring Robin Wright and Harvey Keitel; Sitges 2013 will also represent the return of Kiyoshi Kurosawa to the fantastique genre with Real.
Jordan Peele's exquisitely nasty race satire Get Out has four, along with Star Wars: The Last Jedi, and Luca Guadagnino's passionate love story Call Me By Your Name, one of which is for Timothée Chalamet's tremendous lead performance as one of the lovers.
In the Shadow of Women — Philippe Garrel, France North American Premiere A Parisian documentary filmmaker becomes embroiled in a romantic triangle in this luminous love story from the great director Philippe Garrel (Frontier of Dawn, Regular Lovers).
I saw films with stories about finding happiness even with cancer (Me and Earl and the Dying Girl), the struggles of addiction (I Smile Back), transgender women in Los Angeles (Tangerine), post-apocalyptic love triangles (Z for Zachariah), a teenage girl's sexual awakening (The Diary of a Teenage Girl), relationships between interviewer and interviewee (End of the Tour, True Story), washed up Olympians (The Bronze), two kids who go for a joy ride (Cop Car), psychological studies (The Stanford Prison Experiment), lesbian lovers coming - of - age (The Summer of Sangaile), being a single parent (People, Places, Things), and geeky kids learning how to grow up (Dope).
Therese is no Ripley: she is not manipulative or parasitical in the way she might be in another sort of story — the sort, in fact, that might want to insist on an unhappy ending for gay love — but the two lovers take off together, on the lam almost.
The love story between two coworkers (Nicholas Hoult and Kristen Stewart) has enough electricity to keep the story compelling; there's a kind of built - in old - timey chastity when a movie's lovers aren't supposed to even touch each other.
Instead, it is the most sumptuous, classical star cross'd lovers romance — a «Juliet and Juliet» story — in which the central love affair is presented just as legitimately as those that dotted the Hollywood films of the Golden Era (films whose narratives French film theorist Raymond Bellour memorably likened to machines designed to produce heterosexual couples).
That's right: The extreme South Korean director of Oldboy and Stoker has made a love story, one where the lovers aren't related or vampires or anything!
The story of attractive young lovers (Douglas Booth, Hailee Steinfeld) braving parental and social disapproval for crossing boundaries in pursuit of romantic love is deathless.
Director Richard Linklater achieves this complicated magic with Before Midnight, the highly anticipated follow - up to his existential romances Before Sunrise and Before Sunset, which tell the story of two young lovers who fall in love during a night in Vienna together, only to lose touch and reunite nine years later during an afternoon in Paris.
In one story, «The Room,» a female character remarks to her lover, «Love makes the most of pity, or pity does of love, I don't know whLove makes the most of pity, or pity does of love, I don't know whlove, I don't know which.
Who Do You Love is a little steamier than most of Weiner's books, which is to be expected in a story about two star - crossed lovers who don't even live in the same town til they're in their 20s.
A «powerful story of love and survival» (Pulitzer Prize finalist David Gates), Harnett's novel is a must - read for lovers of literary fiction.
The first book in the new series of devotionals for fiction lovers, 21 Days of Grace: Stories that Celebrate God's Unconditional Love, released this month.
Lily is the main character in the short story «Multiplying Love,» included in the Fiction Lover's Devotional, 21 Days of Love: Stories that Celebrate Treasured Relationships, compiled by Kathy!
As Megan Fishmann writes in a review in the January issue of BookPage, «Avery weaves historical fact with electrically charged narrative... Filled with fabulous literary anecdotes and characters that seem to leap off the page, The Last Nude is a novel perfect for lovers of the 1920s, of Paris or simply of love stories
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