Spiegelman argues that the English language
loves iambic pentameter — that is, Shakespeare's meter — and he even goes so far as to say that this meter is English's default setting... with some notable exceptions.
Not exact matches
I would
love to see Whedon and his cast take on more
iambic pentameter with another adaptation.
In particular, students learn how metaphor, the sonnet structure, rhyme, and
iambic pentameter help the poet to get across his message about
love.