Sentences with phrase «loving genre film»

Each of those audiences will include visiting filmmakers from around the world, press from the likes of Birth Movies Death, IFC, ScreenCrush, TwitchFilm, Fangoria, SlashFilm, Film Threat, Ain't It Cool News, Variety, USA Today and more, plus a legion of the most devoted, intelligent, fun - loving genre film fans on the planet.

@ninja TOTALLY agree about Black Swan and Inception — I would love a genre film to get the best picture win.

I will admit that I was a bit disappointed with Pineapple Express, but knowing how much David Gordon Green loves genre films, I seriously can not wait to see what he comes up with here.

Coralie Fargeat (CF): I had this desire to make a genre film because I love genre films.

Not exact matches

You may love films, football and cycling, but what about your passion for cooking, or your favourite genre of books?

I am a fun, caring and an easy going person I love spending time with family and friends, I love all types of music and a wide genre of films but I am an ultimate Harry Potter fan.

I am very smart, very ambitious, love music, almost all genres, love to play instruments, talk, read, cook, watch good films (especially foreign films).

I am happy outdoors hiking or being with my horse, dog and sheep but also love independent film, whole food, red wine, eclectic music genres, NPR and a good book.

Any horror movie fan can see that this film has been made with a gleeful love of the genre, flaws and all, and the final half - hour delivers one of the greatest visually spectacular finales I have seen all year (even compared to that of another Joss Whedon project, The Avengers).

Because of the physical comedy needed to pull off this genre the film often walks a fine line between being expressive and cartoonish: the way Sorvino bows for example or how Shaw reacts to a declaration of love.

With shadowy, black - and - white production, a slow - burning jazz soundtrack, and a wide ensemble of characters that runs the gamut of crime movie archetypes, Dick Hopper serves as a love letter to film noir, even as it skewers the genre with no mercy.

he underdog sports film is one of those genres that Hollywood loves to milk.

By pulling in Brian De Palma to direct, having the legendary Robert Towne, join red - hot David Koepp and the ever - amazing Steven Zaillian to write the story, the film helped launch a revival of the genre like nothing since the Roger Moore trilogy of The Spy Who Loved Me, Moonraker and For Your Eyes Only.

Writer - director Thom Eberhardt (Captain Ron, The Night Before), who had just come off of a similar survivalist horror tale, Sole Survivor, imbues his film with a tongue planted firmly in his cheek, and a genuine love for the various B - movie genres that gives the film the necessary sense of fun needed in order to not get bogged down in deadly seriousness that would have done the film in for sure.

Said Focus World touting the feature:» Focus World acquired writer / director Julia Ducournau's Raw out of Cannes where we fell in love with her bold and original voice and the genre - bending style; Raw is a film that both hard - core genre fans and art - house audiences will absolutely love.»

It's a film that bothered a lot of people, if I remember correctly, because like a lot of films I fell in love with this year it almost seemed to change genres mid way through its runtime.

Directed with an obvious love for the genre, «Live By Night» is a stylish — man did they know how to dress back then — film that overcomes some obvious errors with a first rate cast.

Kill Bill Vol.1 (2003) Continuing with his love for heroines the director delivers his most ambitious project to date, a mixture of genres and visual styles that expanded over two films.

His latest movie, Baby Driver, is the writer / director's love letter to the great car chase films from the likes of Walter Hill (The Driver), William Friedkin (The French Connection) and George Miller (Mad Max), all driven by a non-stop soundtrack that features both popular and obscure tracks of such diverse genres as rock»n' roll, punk, soul and hip hop.

It's less that an inspiring based - on - a-true-story film is a rarity during the awards season — voters for the Oscars often love those — but that Spielberg has become so known for this genre.

director Mike Mendez — that, while it has a charming sense of humor about itself, leans too heavily on CGI blood; The Girl With All The Gifts (B), a well - shot British zombie film that attempts to inject new life into a tired genre, and almost succeeds thanks to young star Sennia Nanua; and the disappointing Phantasm: Ravager (C --RRB-, a low - budget labor of love which, while it plays like a Phantasm fan film, ultimately undercuts the emotional closure it attempts to bring to the franchise by failing to resolve the central conflict between good and evil.

I love del Toro as a director and as a human being — the guy has his hands in all aspects of genre entertainment, from films to TV to comic books to video games — and he knows how to build beautifully realized worlds.

Sure, it may be tedious at times, but it definitely is worth seeing if you love this genre of film.

Director Claire Denis is choosing a more diverse range of film projects than any other time in her career - and it's best exemplified by Let the Sunshine in, a romcom that subverts genre expectations on the hunt for true love.

Directors Glenn Ficarra and John Requa (Crazy, Stupid, Love) breathe life into the genre with Focus, a frisky con film with plenty of flashy diversion, compliments of leads Will Smith and Margot Robbie keeping you from seeing too far beneath the surface.

And I'm glad I did because some of the issues I'd had the first time (I'd found its metaphor a little scattered) came more into focus, and I was reminded of its many strengths - Peele juggles all sorts of genre and tonal trickery with ease, and I love every single performance in the film (yes even whatever Caleb Landry Jones is doing).

One of the reasons that I love fantastic genre film is that it can often find the most relevant and interesting metaphors for dealing with issues of social life, be they cultural, political, or sexual.

Even the films I like from this year I do nt have clear memories of (I saw Women in Love when I was way too young for it in the 1980s), don't truly love (big Altman fan but MASH, is more of a «like»), or I love them more for their historical value or genre personality than for actual quality (Boys in the Band, Aristocrats, Bloody Mama, On a Clear Day You Can See ForevLove when I was way too young for it in the 1980s), don't truly love (big Altman fan but MASH, is more of a «like»), or I love them more for their historical value or genre personality than for actual quality (Boys in the Band, Aristocrats, Bloody Mama, On a Clear Day You Can See Forevlove (big Altman fan but MASH, is more of a «like»), or I love them more for their historical value or genre personality than for actual quality (Boys in the Band, Aristocrats, Bloody Mama, On a Clear Day You Can See Forevlove them more for their historical value or genre personality than for actual quality (Boys in the Band, Aristocrats, Bloody Mama, On a Clear Day You Can See Forever).

The film garnered rave reviews for its layered psychodrama within a noir genre piece, as well as its complex, interwoven metaphors involving survivor trauma, denial in the face of unspeakable horror, and the instability of love.

Kurt [LOVED]-- Herzog goofs on genre cinema, films iguanas in extreme close - up and allows Nicholas Cage to «release the wild pig.»

In their previous screenplays, Wright and Pegg have very shrewdly thrown genre conventions on their collective ear; they clearly love horror movies and action flicks and buddy comedies, and they understand the structure of those films with such clarity that they can rewrite the rules, scramble up our expectations and wind up with a creation that's both an homage to and a subversion of past classics.

If you are a fan of this genre, you will love this film.

An elevated genre film dealing with love, loss and vampires, The Transfiguration stars Ruffin as a 14 - year - old misfit who gets bullied at school and immerses himself in the world of vampires to escape his solitude when he returns home.

I love how these directors bitch and whine about not getting financing and how the big studios will not finance a film unless it's a «genre picture».

Reinventing the romantic - comedy genre and pushing up a notch, this terrific summer film bringing forth one of the best ensembles of the year, inhabits a strong sense of family, friendship, and of course, love.

I love films that are able to bridge genres in ways that feel effortless and earned, but While We're Young manages neither.

I love that each film is a blend of genres as they add their comedic style to a zombie horror film or in this case tackling the sci - fi genre and the apocalypse.

Noted Marchetti: «As we get closer to the home video / digital release, we'll be releasing new trailers and new materials to make sure the genre fans, who love to collect films like this, know what kind of wild ride they're in store for.»

Like a wondrous love letter to the genre in the 70s and early 80s, the film feels both fresh and familiar.

The casting of Ray Romano to Scorsese's Netflix film The Irishman now has Robert De Niro, Al Pacino, Joe Pesci, which will return Scorsese to the genre we know and love him for, crime drama.

For the most part, Last Action Hero is a funny and irreverent good time, not only for action movie junkies, but for film buffs that know and love all of the conventions that the action genre holds.

Before I begin my review, I would like to point out that even though I am not a fan of most modern horror films, I do love the horror comedy genre and horror films from the 70s and 80s.

Love Me or Leave Me is a strange film, a hybrid of conflicting genres which never quite merges into a whole, but is part of the film's unnerving power.

With the exception of an eleventh - hour declaration of love, which feels both out of character and present out of necessity to fit the genre of the film, Run and Jump is, to its credit, more mellow drama than melodrama.

Daggers, however, is director Zhang Yimou's follow - up to the callowly beautiful Hero and, like that movie and a number of others (Ashes of Time, Bride with the White Hair, Crouching Tiger, Hidden Dragon, Kill Bill, Zatoichi, Warriors of Heaven and Earth, and, in a way, Goodbye Dragon Inn), it belongs to a martial arts / art - house genre of films by hip young directors upgrading genres they loved as teenagers - «martial arts plus.»

Tarantino once again shows his unparalleled love of cinema as he personifies the spaghetti western genre in the same regards and respect as he accomplished with Death Proof for grindhouse films.

A great comedy with A great cast.the Broken Lizard group is too good and funny, as always.this would definetaly be one of the funniest films i have ever seen.Broken Lizard delievers again with this super comedy.many people don't like dumb comedy, but you'll love this dub comedy.not only can this film do new things to the genre, but it creates something better: A comedy with actually lovabe characters.

Midnight horror comedies always my go to films at film festivals because while I do enjoy a good horror film, I love the genre of Horror / Comedy even more.

The film is a bizarre blend of genres when a romantic love story unfolds during a life threatening hostage situation.

Together with director Edgar Wright, actors Simon Pegg and Nick Frost created two of the funniest and most loving tributes to genre films in recent memory: The zombie spoof «Shaun of the Dead» and the action movie «Hot Fuzz.»