This past weekend the Merrry Karnowsky gallery (one of the more established galleries for the so called «
Low Brow Art» in Los Angeles) presented an exhibition of four artists Tara McPherson, Lady Aiko, Deedee Cheriel and Lindsay Way.
As a self - taught artist my works vacillate between high brow and
low brow art.
Not exact matches
Image © Edinburgh Festival Fringe Society Written for eHarmony by Ben Clover Each August Edinburgh is home to the world's largest
arts festival, showcasing everything from the highest of high culture to the
lowest of the
low -
brow.
With his rock star dalliances and a desire to marry high -
art style and
low -
brow subjects, Cubitt sits at the photographic edge.»
Bolshoi Confidential deftly shatters the distinctions between high -
brow and
low -
brow,
art and politics, authority and violence.»
As in much of Friedman's practice, which culls from
art historical tradition with an intent to subvert, the work combines an investigation of
low -
brow materials — in this case, baking tins — with massive scale and the permanence of steel.
When most of these artists go to
art school they're usually forced into the decision of either wiping out their past identity and conforming to the look of «high
art», or the more prideful yet limiting path of rejecting the
art world entirely and pursuing a more «
low brow»
art.
Disciplines, genres and styles encompass conceptual and post-conceptual works,
low -
brow and street
art, photography and illustration, and architecture.
There is a mutual fascination between the two fields, and yet it seems that the
art world would prefer to keep its consorting with the fashion industry confined strictly to social events, rather than consider fashion (so
low -
brow!)
A juxtaposition of high and
low brow materials combined with a rough finish attribute a cynical element to her work that mocks
art's desirability in today's overly moneyed global
art market.
Arrested Motion: Online magazine providing exclusive worldwide coverage of the
low brow, urban and contemporary
art scene on the daily.
By day,
Low Brow Artique is an
art supply store with the focus on everything street
art.
A general category describing works of
art which focus on relatively
low -
brow subjects to do with eveyday life, as opposed to the «ideal» or romantic settings employed by artists up until the 19th century.
Pop -
Art also shared Dada's subversive approach, by deliberately inflating the aesthetic significance of
low -
brow objects and imagery, much to the consternation of many «serious» critics and curators.
Important themes since 1960, such as the formal and contextual extension of the term «
art», the «upgrading» of the trivial, and the ensuing related debate on whether
low -
brow and high -
brow are equal in status are at the center of extensive groups of works by Joseph Beuys, Andy Warhol, Dan Flavin, Donald Judd, Georg Baselitz, Jeff Wall, Rosemarie Trockel, and Anselm Kiefer.
Viewed as a signature movement of artists immersed in subversive or
Low Brow culture, Street
Art is increasingly making its way into fine art practi
Art is increasingly making its way into fine
art practi
art practice.
The main contribution of abstract expressionism to «modern
art» was to show that good
art could be
low -
brow, and could be made of anything.
Second, in contrast to many of the traditions of fine
art painting but firmly in keeping with Dada philosophy, he believed that
art could be made out of anything, no matter how
low -
brow or trivial.
Pop -
art was often scorned by critics for its
low -
brow focus.
In 1994 he founded Juxtapoz, a successful
art magazine that presents a diversity of artistic formats, both
low -
brow and high -
brow.
He was iconoclastic, innovative, intellectual and could provide a highly coherent explanation of his vision of
low -
brow art, made out of ordinary materials, in which the spectator was entangled and obliged to participate.
Although not as highly thought of, by
art critics, as his friend and fellow artist Jean - Michel Basquiat (1960 - 88), Haring attracted a widespread following for his brand of public
art, exhibited with New York's most influential dealer Leo Castelli, and successfully bridged the gap between contemporary
art proper and the more
low -
brow mass market.
Blending high
art with
low brow, he mixes the ambiguous lines and shapes with a rigid, design - oriented punk rock sensibility from his early days in the Southern California punk scene.
By combining
low -
brow references, kitsch religious imagery, and high -
art quotations, Smithson developed a visual cornucopia in which Jesus was sexy and bikers were godlike.
In addition, by including a range of
low -
brow «found objects», his pop
art also addresses many of the issues tackled by the movement as a whole: such as, what can
art be made from?
Nice - based GCA Gallery, one of the finest
art spaces on the Côte d'Azur, is a contemporary
art gallery that is probably best known for its focus on graffiti, street
art and
low brow.