Sentences with phrase «low end of the films»

Not exact matches

But the film stoops to its lowest level by ending with a disingenuous attack on Benedict XVI: «Months after associating Islam with «things only evil and inhuman,» Benedict XVI reversed reforms of Vatican II to authorize a Good Friday Mass that includes a previous disavowed prayer ¯ for the conversion of Jews.»

I was eager to watch the film from Monday night when the Bills found a way to both limit Gronk to season lows in receptions (2) and yards (37) while also keeping him out of the end zone.

A newcomer to our year - end report cards, Cohen releases foreign films and a variety of low - budget English - language indies.

Unless you're one of those people that is taken completely by surprise when you see a flock of birds in a film and they end up pooping on someone, usually as the punctuation to a scene to embarrass or get revenge, this is scraping mighty low in the gag department to turn this into a comedy.

The idea of shooting an intimate human drama in 3D is interesting but ends up adding nothing, bar making Benoit Debie «s photography feel muddier and dimmer in a film already rendered in a low - contrast palette of browns and greys.

Stephen Frears» directorial debut Gumshoe, a cockeyed detective film starring Albert Finney as a small - time bingo caller who plays at being a private detective for fun and ends up in the middle of a real mystery, and Arch Oboler's 1951 end - of - the - world drama Five, a low budget, high concept film he produced independently, also arrive under the «Martini Movies» imprint.

As hard as director Peter Segal tries to convince us that this is a film ultimately about the relationship between chemistry - free pair of Sandler and Marisa Tomei, in the end it instead confirms that it's truly about how far formula and shallow stunt casting can go to win the lowest common denominator box office buck.

But I will say this: the film at least afforded fans of KISS to watch Paul Stanley and Gene Simmons stoop to a new low by making a totally awkward cameo towards the end of the film.

A long, silent shot on Neeson's face at the end of the film, where the actor looks like he's about to crumble as his lower lip quivers ever - so - slightly, is marvelous, and a reminder that Neeson still has some great performances left in him.

A mess of a film this one.Plot lines confused and blurred.It seems to have been made up as they filmed.All the American cliques are there.Ugly brutal men in a one horse town, yet the place is full of emotionally wounded gorgeous women.The men are macho and the women inconsequential.The acting is rather uneven, veering from impressive, going down to Benny Hill.This is Cages best role thus far, but his normal low standards means his acting is still below par.The plots descends into a quagmire of nuttiness and by the end is daft romantic nonsense.A tighter script was needed, the director needed to be replaced to stop the film's plot wandering off in all directions and finally someone with greater gravitas was needed to take on Nicholas Cage's part...

A very low - budget film noir from the end of that genre's initial period of popularity, 1959's City of Fear seems a criminal carrying a canister of radioactive material (which he believes to be something else) around Los Angeles, threatening himself and others.

He's also been on the low end of the Best Actor contenders but this is his first appearance in Supporting for the film.

In all likelihood, The Last Knight will end up being the lowest global grosser of the five Transformers films, behind the $ 709 million the first film took in worldwide in 2007.

A flurry of surround effects and an internal - organ - stirring low end put the listener into the world of the film.

Lady Bird... * The Magic Kingdom, The Florida Project... * Bradlee (Tom Hanks) and Kay Graham (Meryl Streep) in low - key conference over brunch — actorly badminton in The Post... * The transcendent finale of Five Came Back: why we fight, why we film... * At the end of Dunkirk, reading Churchill's speech from a borrowed newspaper... * Three Billboards Outside Ebbing, Missouri: Dixon (Sam Rockwell) fails to catch Milk Dud in his mouth, turns, lurching casually, and looks up at another angle as if more Milk Duds might be raining....

Steven Soderbergh shot the creepy psychological thriller «Unsane» on an iPhone 7 Plus, and while it certainly doesn't have even a low percentage of the visual richness and vibrant light and fill - the - screen magnificence of high - end Soderbergh films such as «Erin Brockovich,» «Ocean's Eleven» and «Logan Lucky,» let's not kid ourselves:

Ashby captures this tension in a brilliant sequence near the end of the film, when Copee, who is threatening Elgar with an axe after learning that his wife is carrying Elgar's child, stops and slowly lowers his weapon.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Susan Sarandon laid low for most of the film, until the very end where she made a grand finale performance.

Useless to discuss at length, The Chorus is essentially another in a line of literally dozens of films in which an inspirational teacher changes the lives of a group of troubled / lower - class / underestimated children through will, kindness, and a rogue spark of crinkly - eyed genius that irks to no end the evil dean / headmaster / school board / community.

This film hits the lower end of the PG - 13 classification, but still has some issues parents will want to be aware of.

Thankfully this screen outing is much better than some of his recent work (Hollywood Ending was a particularly low point, basically being a one joke film).

The centrepiece of the supplementary material, a «Black Ops Field Manual» superimposes a running tally of the casualties (it maintains such fidelity to context that the «injured» count is lowered after the corresponding character is «killed»), including intermittent freeze - frame analysis that describes relevant traumas; the 96 hours from Kim's kidnapping (ending at «00:01» — the moment she is rescued from total ravagement — in true movie - countdown tradition) and the distance Bryan travels throughout the film in miles and kilometres (beginning with his treks around Los Angeles, before the plot is set into motion!)

Collet - Serra understands the essential truth of these Neeson films, that they are thinly disguised rags - to - riches tales, in which a worthy person starts off low and ends up high.

A 15 slides powerpoint with questions about the film and activities Nice end of year activity with year 7 or lower KS3 sets.

It was actually just filmed in the hallway where we tested the games with a low - end video camera, a few lights, and a piece of black cloth as the backdrop.

Either they haven't worked on a game before (or film / tv for that matter) or they previously held positions on the low end of their respective fields.

She was also commissioned to create a work for Frieze Projects 2017, a short film that ends with a drone flying low over what appears to be the artist, lying broken in the wake of a bombing.