Sentences with phrase «low on dialogue»

It is almost a living painting, low on dialogue and just generally low on movement of any kind.

Genre becomes a kind of backdoor to innovation, the excuse to make a Hollywood movie so low on dialogue.

Not exact matches

The aim of the dialogue was to exchange ideas on the topic of low - carbon city development as well as share research conducted on climate change, renewable energy, and environmental governance in both Canada and China.

We do not need less dialogue, we need more, centring on the question of how we should best prepare for extreme flooding in the future»; they propose that, in future, flood mitigation measures should be based on four pillars to keep damage levels as low as possible and to distribute the burden fairly:

It participated in the formation of a group called the Cartagena Dialogue, an informal space for countries committed to a low - carbon economy to work on a legally binding regime in the United Nations Framework Convention on Climate Change.

Clicking on a location — one of the dots — brings up a dialogue balloon that displays the store's name and address and whether it carries fresh fruit and vegetables, whole grain bread, low - fat dairy and other healthy options.

Yet Dargis goes on to say that something must have gotten lost in the translation from noble idea to low - budget reality: «the entire [opening] scene, from the camerawork to the stilted, stop - and - go dialogue, can be read as a Brechtian enterprise, but mostly it feels like Mr. Schrader isn't in control of his material.»

Even more important is the dazzling role of the title figure, Val (Regina Casé), a live - in domestic blessed with terrific dialogue by writer - director Anna Muylaert, whose previous contributions include «Smoke Gets in Your Eyes,» about a cigarette - addicted lower - middle - class guitar teacher is on the outs with her two sisters.

Rating: 4/10 — somehow grabbing an extra point just by virtue of how barmy it all is, Once Upon a Time in Venice is a low - brow crime caper that contains way too much bad acting, way too much bad dialogue, and way too much bad everything else; but somehow it's a movie you can laugh with instead of at, and it's a movie that has to be seen to be believed... on so many levels.

The accompanying audio, in not - dissimilar 7.1 DTS - HD and 5.1 Dolby Digital EX configurations, mainly adds low - end to the original mono mix (also on board) and broadens its dynamic range so that the dubbed dialogue, for example, sounds less squelched.

Hans Zimmer's organ - and - strings score, determined to conjure up All The Feels, is low on Inception - style BRRRMMMMS because it doesn't need them: the dialogue honks all on its own.

Largely low - key and with a subtle Japanese input befitting the themes of the story, the composer sensibly knows when to hold back and resist imposing on the dialogue - heavy narrative, making the score's more fulsome moments all - the - more powerful as a result.

The dialogue is frustratingly on the nose and low on nuance, with several moments playing out with the simplistic instincts of a TV movie of the week.

With Survival of the Dead, George A. Romero's Dead series has officially crossed into irrelevance - as the movie suffers from an egregiously low - rent sensibility that's perpetuated by an emphasis on wholly unappealing elements (ie characters, dialogue, visuals, etc, etc).

«While We're Young» lacks the easy charm of Baumbach's previous film «Frances Ha» (another take on youth), but even at its lowest points, the dialogue provides some pleasures.

The 5.1 DTS - HD master audio soundtrack, on the other hand, is full of peaks and valleys to an annoying degree, forcing you to watch with a remote in hand, ready to lower the volume for powerful action effects, then raise it again to hear the dialogue.

No other film on the list inspired such low expectations from me before viewing it, but celebrated Irish playwright Martin McDonagh has kick - started the played - out Brit gangster genre with a dose of existential neurosis, refreshingly languid pacing and ream upon ream of rapid - fire, ferociously literary dialogue that credits its audience with as much intelligence as its audience.

Greta Gerwig is something of a millennial indie darling, known for her string of mumblecore films — low - budget movies with an emphasis on naturalistic acting and dialogue — that have become popular over the past decade.

When Peter Salovey, or any university President, asks my advice on strategies for success with low - income students, I urge them to do two things: First, start a campus - wide dialogue on the question of whether success with low - income students is central to their mission.

As part of College Success Arizona's mission to build public will for college completion and support an increase in degree earners, especially among low - income and first - generation students across the state, we are committed to produce needed data on college success rates and economic impact in the state and to create dialogue on the findings.

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It allows for the dialogue on college savings to begin, and it helps families realize that saving even small amounts in a low - cost, flexible UESP account can make a difference in making college more affordable for families.»

The second episode's dialogue will likely be on all hunts after «low rank» monsters.

It's got a classic design, no doubt — mellow pacing, low - impact dialogue trees, inventory items with mysterious uses, puzzles that require you to ponder and backtrack and click on everything.

They are dialogues with society and commentaries on art history that often reference political issues, mixing high and low cultural values.

For the occasion, two concurrent exhibitions will be on view at the gallery's Chelsea and Lower East Side locations, featuring new work by Opie that underscores her on - going dialogue with the history of photography and constructs of identity, both integral aspects of her practice.

Through his work Grant opens a dialogue on geopolitical issues with colorful landscapes, structures and technology drawn from ideas of various utopian and dystopian fictions, drawing influences from the constructivist / supremacist movement, Persian miniaturists, op, pop, advertising, comics, science fiction films, and contemporary low - brow.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

The two countries are expanding their ongoing and robust program of cooperation through policy dialogue and technical work on clean energy and low greenhouse gas emissions technologies.

Toward this end, both countries intend to transition to a low - carbon economy, carry out policy dialogue and cooperate on capacity building and research, development and deployment of climate - friendly technology.

The Ministers call on Dialogue Partners, International Organisations, and the the private sector to support AMS to adopt low - emission coal as part of their commitment to the Paris Agreement, with particular reference to international financial institutions.

Innovate4Climate 2018 will convene global leaders from industry, government and multi-lateral agencies for a one - day Summit, workshops and a Marketplace, to work and dialogue on development of innovative financing instruments and approaches to support low - carbon, climate - resilient development pathways; mobilization of private investments in climate action; support to developing countries in their NDCs implementation; development of ideas on how market - based and non-market based climate finance instruments identified in the Paris Agreement can best be designed to maximize impact and minimize costs.

Toward this end, both countries intend to transition to a low - carbon economy, carry out policy dialogue and cooperate on capacity - building and research, development and deployment of climate - friendly technology.

The sustainable investment forum gathers around 300 stakeholders from national and regional governments, international finance, private industry and carbon management sectors — the perfect event where we think we can share with our peers regarding the trends, the best practices but also participate in progressing the dialogue on the development of effective public - private funding mechanisms for scaling low carbon innovation.

to kokoda 6:07 pm You shall find some comments on that paper on the web site «climate dialogue» of Marcel Crook and other dutch scientists http://www.climatedialogue.org/the-missing-tropical-hot-spot/ that complements well truth n ° 9 The «kriging» or homogeneization perpetrated by Sherwood seems to lower the credibility of the «data» used.

This event will convene global leaders from industry, government and multi-lateral from industry, government and multi-lateral agencies to work and dialogue on development of innovative financing instruments and approaches to support low - carbon, climate - resilient development pathways; mobilization of private investments in climate action; support to developing countries in their NDCs implementation; development of ideas on how market - based and non-market based climate finance instruments identified in the Paris Agreement can best be designed to maximize impact and minimize costs.

Our two countries already have a robust program of cooperation, including the highly successful U.S. - India Partnership to Advance Clean Energy (PACE) umbrella program, and we will expand policy dialogues and technical work on clean energy and low greenhouse gas emissions technologies.