Not exact matches
But all varieties of horror flick are easily identifiable at this
point, whether they're spooky,
low - budget films (numerous); viscera - stained slasher
movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating -
in - space efforts (somewhat less numerous than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper); films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological horror variety (the works of Dario Argento, of course; Alexandre Aja's films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).
The
movie portrayed her personality and as a legend of a woman posed as a man to enter the monastery and become Pope.German actress Johanna Wokalek was pretty good for that role and the other performances were decent as well.The portrayal of the time, crowds and the cities was below average, but very effective, since it was a
low - budget
movie, the image and lighting quality was not always good.The weak
point of the
movie was
in the rhythm, which at times was uneven, and went from fast to very slow, but still it was never boring because of the strong plot.
Bateman, Daley and Goldstein collaborated on the first, pretty good «Horrible Bosses»; more problematically, Daley and Goldstein were also responsible for the 2015 reboot of «Vacation,» a
low point in recent American
movies and,
in fact, recent America.
In June, Grazer and Howard were optimistic that they had
lowered the budget to a
point where the
movie and TV series could go into production.
The genre's
low commercial stakes have made it an effective
point of entry into the
movie business: John Sayles, Monte Hellman, and Francis Ford Coppola all got their start
in horror.
At one
point, the realization hits that Schwarzenegger has struck a new
low in his lengthy
movie career.
That it's a
low - level genre rehash that would have absolutely cratered had it been released
in movie theaters as planned was entirely beside the
point.
Rating: 4/10 — somehow grabbing an extra
point just by virtue of how barmy it all is, Once Upon a Time
in Venice is a
low - brow crime caper that contains way too much bad acting, way too much bad dialogue, and way too much bad everything else; but somehow it's a
movie you can laugh with instead of at, and it's a
movie that has to be seen to be believed... on so many levels.
It's one of my favorite scenes
in the
movie — so crazy, its funny, but it's also a real
low point for the character.
The second Gary Jones film on the list, Death Swamp, also known as Crocodile 2: Death Roll — whatever that means — is an unrelated sequel to a
low point in Tobe Hooper's career: the
movie Crocodile.
Aronofsky's
movie also will not benefit from a string of
low - tier releases the way The Hitman's Bodyguard did, to the
point that it's still
in the top five with $ 3.5 million
in its fifth frame at number five.
The
movie's absolute
low point comes at the half - hour mark
in which Cage dispatches a bunch of his attackers whilst copulating with a diner waitress, a scene stolen straight from 2007's Shoot «em Up actioner starring Clive Owen and Monica Bellucci.
Alison Bagnall's Funny Bunny is a shaggy buddy dramedy about a road trip that doesn't seem to take its characters much of anywhere,
in the tradition of the
low - budget American road
movie that must often elide the potentially money - burning trip undertaken by the protagonists so as to emphasize merely the embarking
point and the destination.
The three men share the burden of a war secret that each has tried to forget, and they begin what's basically a road trip
movie of middle aged men bonding during what is the absolute
low point in life for one of them.
A film that already starts out oddly enough — as a kind of subversive biopic about a
low point in Miles Davis» life — gets even stranger as it morphs into an ode to «70s blaxploitation
movies, before a third act
in which it completely disables the brakes.
The box office contribution of 3D showings dropped
in 2017 to 12 percent of the U.S. and Canada's $ 11.1 billion total take, its
lowest point essentially since 3D
movies became a thing.
But given the dearth of available 4K HDR titles, the shortage of interest
in digital
movie purchases, and the strong preference among consumers for
lower - cost streaming devices, selling discounted 4K HDR
movies through iTunes isn't a huge selling
point overall.