Not exact matches
This large, horizontal arc runs along the
lower edge of the windshield and
frames both the driver's and front passenger's seats without hemming in the occupants.
The
frame of the large, trapezoidal
lower grille projects powerfully forward
of the bonnet's front
edge and the upper grille in a pronounced step, and is less pointed and more vertical than before.
Like its five - door hatchback counterpart, straight lines replace the rounded - off
edges of its predecessor, and the front features a wider «tiger - nose» grille and
lower air intake,
framed by precise, linear shapes.
Abstracted landscape paintings (rolling hills and mountains in the form
of stripes and semicircles) have
frames on their
lower edges that extend...
The
lower gallery is occupied by Looking for One (2015), a 120 x 405 x 195 cm white ceramic tile intervention reminiscent
of a toilet or shower area featuring a still life (comprising a polished steel laptop - shaped item, an ashtray with cast popcorn sprouting from it and a multi-purpose cleaner cast in resin) and Taken by Your Equivocal Stance I, II and III (2015), three metal and glass installations
framing hoodies and puffer jackets, adorned with eggs balanced on the
edges of the sculpture.
(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp
lower left, signed
lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal
frame, floated, full sheet with deckled
edges, four points
of foxing;
frame with abrasions
HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the
lower left sheet
edge, otherwise apparently in very good condition, not examined out
of the
frame S. 32 x 54 in.
Lot 199 Jasper Johns 1 1975 Intaglio on Barcham Green paper # 74
of 100 Published by Petersburg Press, New York; printed by Atelier Crommelynck, Paris Signed and dated in graphite
lower right
edge of sheet; edition
lower left margin beneath image; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″;
Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy
of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints
of Jasper Johns 1960 - 1993: A Catalogue Raisonné.
Lot 198 Jasper Johns Flag (Moratorium) 1969 Offset color lithograph on wove paper # 77
of 300 Published by the Committee Against the War in Vietnam Edition
lower left margin beneath image; signed
lower right margin; printed «© Jasper Johns 1969 ″
lower right
edge of sheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″;
Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints
of Jasper Johns 1960 - 1993: A Catalogue Raisonné.
Poor thermal control, especially at windows, slab
edges, and areas
of framing congestion, can result in
low enough or high enough interior surface temperatures as to compromise comfort.
We also observed a noticeable loss
of sharpness towards the
edges of the
frame and a color shading effect in
low light, with a pinkish cast at the center
of the
frame and green hues towards the
edges.
White balance is usually accurate, but images sometimes show quite
low levels
of saturation and some noticeable color shading (differences in color rendering between center and
edges of the
frame).
sometimes show quite
low levels
of saturation and some noticeable color shading (differences in color rendering between center and
edges of the
frame).»
The screen is once again
framed by thin black lines which give the impression that this smartphone has an
edge to
edge display, an illusion which is further enforced by the
low reflectivity
of the AMOLED display and the soft 2.5 D curves where the glass meets the metal sides.
That's a shame, as the metal
frame round the
edge gives the handset an air
of sophistication which could see it in a higher price tier, but the rear reminds you that in order to deliver such a
low price point some corners still need to be cut.
The Pixel 2 XL offers a shortcut
of its own thanks to Google's Active
Edge technology, which lets you squeeze the
lower frame of the phone to access Google Assistant.