Not exact matches
Visitors who are blind or have
low vision are invited to join us for a descriptive
gallery tour exploring the exhibition Florine Stettheimer: Painting Poetry.
A
visitor attending the show during regular
gallery hours on any given day will face a work of installation art: An impressive tower of speakers sits, along with a boxy old television, on a
low plywood stage.
The project will also remodel and renovate core
visitor areas — opening up the stunning domed atrium at the heart of the
gallery with a striking new spiral staircase going down to the
lower level — while creating much - needed learning studios and public spaces in order to meet growing demand.
Because of the drawings» sensitivity, the
galleries will operate with
low levels of light and
visitors will be given time to adjust to this.
Located steps from The New Museum in New York's
Lower East Side, both
galleries strive to provide more accessibility to
visitors to the developing downtown art scene.
For the full schedule of the
Visitor Talks please see www.bard.edu/ccs Additionally, opening on November 11th 6 - 8 pm and continuing until December 22nd, the project extends to the
Lower East Side
gallery P!
Moritz is a rare
visitor to London, so this is a chance to get a look at a substantial group of her works, including some wonderful oil pastels on paper in the
lower gallery.
The Long Beach Museum of Art provides space for local artists to create their work while interacting with Museum
visitors in the Ralston Family Learning Center,
lower level of the Hartman Pavilion
Gallery.
Visitors to Untitled
Gallery on the
Lower East Side enter through a door marked by a question mark for Matthew Chambers» newest exhibition.
Upon walking into Richard Taittinger
Gallery on the
Lower East Side, more than 50 two - dimensional works, by 12 artists who have African lineages, greet
visitors in an exhibition titled «Guess Who's Coming to Dinner?»
One block parallel, CRG
Gallery greeted first time
visitors at its recently relocated
lower east location.
With regard to prints, the
gallery attaches great importance to the collecting merit of the individual works: the
visitor to the
gallery will thus find in the collection only original prints, largely hand - signed, with relatively
low editions, and thorough cataloguing.
Inspired by the book «The Descent of the Goddess Ishtar Into the
Lower World,»
visitors will be forced to navigate their own dark voyage into the
gallery through a steel barrier of a roll - down gate... beyond which likely lies a lot of hardware.