Sentences with phrase «lower than print books»

I was also looking for ad journals from other popular authors and they're are all priced around $ 2 and $ 3 and the interesting this is, I think, one of the reasons that E-books haven't picked up in India as much is that there the publishers price them almost, like say, 20 %, 30 %, 40 % lower than print books.

Most consumers — and some authors — want ebooks priced MUCH lower than print books.

And by the way, I think e-books should be priced lower than print books, but I think expectations of drastic reductions are unrealistic.

After all, it offers the highest percentage royalty, and eBooks are usually priced lower than print books, which appeals to readers who might not want to drop $ 15 on an author they've never heard of.

Harlequin's e-books will be priced slightly lower than their print books and be available in Adobe, Microsoft Reader, MobiPocket, Palm and Sony formats.

Consumers expect prices to be lower than print books, largely because ebooks have long been a clearly inferior product to print.

When e-books were new, retailers set their prices the way they wanted, but lower than print books — generally at $ 9.99 for new book releases.

• Book prices can be much lower than print book prices.

Price: E-book prices are considerably lower than print book prices.

The whole argument about ebook production costs being lower than print book production costs is a complete red herring.

Not exact matches

Well - off kids have on average more access to books and other printed materials; just as important, their parents speak to them more than low - income parents speak to their children — by some estimates, far more — and the speech they use is more complex.

(Of course, most retailers sell print books lower than the list price as well.)

Doing the print version through the KDP dashboard allowed me to set the price for the book lower than I would have been able to if I went through Createspace or some of the other POD platforms.

The money the publisher takes in for an e-book ($ 9.09 for a $ 12.99 e-book) is lower than for a print book ($ 13 for a $ 26 list - price book).

But in general, I believe the quality of ebooks is much lower than that of printed books; from both traditional and self publishers.

Publishers are generally setting the retail prices for the eBooks at the same level (or sometmes roughly 10 % lower) than the print version of the same book.

That may change as more so - called digital natives progress into higher education and as ebook reader technology gets better, but for now, 60 % of students would rather pay for a low - cost printed book than use a free digital version.

Imagine that she'll have a print run of 8,000 copies (based on a number of authors I've talked to, this is about right — if you're getting more books printed than 8,000, and your advance is $ 3500, you're being seriously low - balled on the advance figure), and she'll sell 6,000 of those in the first year at 8 % of the cover price of $ 7.99, giving her $ 3835.20 in print earnings.

But as an avid reader of books, I'm hoping that this case would eventually result in prices of e-books in Apple's iBookstore and elsewhere being much lower than the prices of their print counterparts.

However, since traditional publishers own the means of mass production for print books, their per - unit costs are lower than mine, which means they can offer a print edition for less than I can.

Our NEW lower quantities, pricing and options make printing a book of your students» writing more affordable than ever.

Fowlie was speaking to the fact that audiobooks continue to have a much higher price point than both ebooks and print books, and that audiobooks tend to sell well given the low volume of content available to audiobook fans.

I turned down a five - figure advance on a book and traded it in for a much lower one — but it was print - only and I was more than willing to take a lower advance to keep my audio and ebook rights.

CreateSpace's per book printing cost is a little lower than IngramSpark, so your cost per book is less.

You can rely on IngramSpark alone for print book distribution (and it does fulfill orders coming from Amazon), but your profits will be lower than if you were to use CreateSpace.

As I described in a recent post, Eisler said that what made the decision to go with Amazon easy was that the web giant promised to not only get his books to market faster — both in print and electronic form — but also offered to sell them at a lower price than the traditional publisher, and apparently (although the terms of his deal weren't released) gave him a bigger share in the proceeds to boot.

Ebooks are usually — and increasingly — priced significantly lower than the print version of the book, so if you're publishing to both formats, you need to consider the differential you're going to create between the formats.

At the moment, member states have the option to tax printed books, newspapers and publications at a reduced rate (minimum 5 %) and some member states were granted the applications of VAT rates lower than 5 % (super-reduced rates) including exemptions with a deductions right of VAT at the preceding stage (so called zero rates) to certain printed publications.

The Kindle's variable fonts allow users with low vision to read any book in the Kindle Store — definitely a bigger range than that available in Large Print Books.

You see, publishers pay a lower royalty percentage, according to The Authors Guild, than they do for print books.

The cost per book for PoD is also going down, a few years ago, the PoD printing cost was higher than the retail cost of an offset print book, then it dropped so it was lower than the retail cost of a similar sized book, but without sufficient margin to allow you to sell to bookstores at 50 % list price (let alone deal with the returns).

As long as Kindle Edition books continue to be half of print list prices or less, (and 30 % or more lower priced than print editions) there's nothing to worry about.

Fundamentally, there is a very real market force that will keep Kindle Edition prices much lower than list prices — printed books.

Ebooks are the perfect last minute gifts, since you can buy the book (usually at a lower price than a print book too) and send the file over to your mom's tablet, eReader, or handheld device with ease.

«Our remarkable global book printing network, ebook creation tools, and distribution services are now available to a new generation of publishers and entrepreneurs to serve their markets at lower cost, more profitably than ever before possible.»

I have printed them all offset, not print - on - demand, because POD produces lower quality than offset for illustrated books, plus I need larger print runs.

The other thing to note when comparing print and ebook pricing from the UK standpoint at least is that ebooks at VATable whereas print books are not, meaning that 17.5 % (20 % from January 2011) of the RRP goes to the government, not the rights holders, so ebook revenue is lower than print from the outset.

However, there are lower profits per book as printing costs are higher than bulk printing, but the benefits of not spending the money up front often outweigh this.

First, price your ebook less than printed equivalents, price them fairly (much lower than print), and maximize the distribution of your books.

That's why you'll sometimes see print books priced lower than e-books: Agency pricing gives Amazon no control over e-book pricing, but it can still price print books at whatever it wants.

This growth occurred despite the loss of numerous brick - and - mortar stores in 2012 and a lower cost for e-books than print books, which translated to higher quantities of e-books sold.»

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!