His mid 20th century paintings demonstrated a sensuous feel for paint and for
colour, that was unrivalled at the time, and ranged in
colour from monochromatic but
luminous browns, greens and blacks, to luscious
fields of red and white.
In Kristin Baker's work, previously described as «dystopian
Colour Field painting», the contours are composed more deliberately using taped outlines and broad washes of luminous colour, onto which gestural passages and marks are then spontaneously
Colour Field painting», the contours are composed more deliberately using taped outlines and broad washes of
luminous colour, onto which gestural passages and marks are then spontaneously
colour, onto which gestural passages and marks are then spontaneously added.