Suffused with Christopher Doyle's
lush color cinematography and the crooning voice of Nat King Cole, the movie celebrates style and passion in bloom.
Not exact matches
With
lush colors, gorgeous
cinematography, and convincing CGI elements, this is «eye - candy» in every sense of the word, and every bit as satisfying and addictive as the real candy shown within.
jack Cardiff's Technicolor
cinematography is top - notch, the blacks, whites and grays of the nuns constantly being overwhelmed by the
lush greens, blues and reds of the locals and the local environment (green is the dominant
color of Kerr's flashbacks: Irish fields, an emerald necklace; red the
color of Byron's psychosis: her hair, dress and lipstick).
The score by Carter Burwell is perfect, and the
cinematography by Edward Lachman is
lush and soft, recalling 1950s cinematic
color palettes, but also capturing the passion and chilliness of the story.
Contributing to the naturalist style along with those musical performances is Saulnier's
cinematography, which strikingly balances its affected beauty (such as in the
lush color palette) with a grounding in «realist» - minded touches (such as in the
color palette's mostly muted tones).
Kieslowski's most popular films internationally, Veronique and Three
Colors, were largely made in a language, French, that he didn't speak, with ravishing actresses (lrene Jacob, Juliette Binoche, the sublime Julie Delpy) in decors and
cinematography far
lusher than most of his purely Polish work.