The exhibition delves further into the artist's exploration of opacity and transparency with a group of wall pieces that are comprised of hundreds of small convex glass mirrors and polished black onyx cabochons, which specifically makes reference to the Claude glass — an 18th - century painter's tool that contained
a lustrous black mirror made of glass or obsidian used to view tonalities in landscape subjects.
This exhibition continues to explore the artist's interest in opacity, transparency and the psychology of looking, with specific references to the Claude glass — an 18th - century painter's tool that contained
a lustrous black mirror made of glass or obsidian and was used to view tonalities in landscape subjects.
Not exact matches
Crafted from soft
black suede and
lustrous pink satin, this style is balanced on a square,
mirrored heel and stays secure thanks to three studded straps and a grosgrain ribbon.