The Threat (Warner Archive), a 1949 programmer from Felix E. Feist, opens with a rat - a-tat energy, quite literally: a prison break, a whining siren, and then the almost unbroken blasts of
machine gun fire standing in for a musical underscore during the opening credits.
Not exact matches
When delivered in a staccato mimicking
machine -
gun fire, the poem
stood up to Forche's best work.
Streisand and Kahn are the real
stand - outs, as the former is allowed to not only show off her ability to
machine gun fire convoluted statements like Rosalind Russell, but merge her comedic timing with a sexiness she was rarely able to use to such winning effect.
Now, enemies give players a break with low damage attacks that occasionally miss (In the first stage, regular grunts would shoot at me with bursts of
machine gun fire and would miss, even though I
stood still), and they don't swarm or blitz at the player as much.
In the trailer you see a big battle going on, people in armour with
guns, then a giant mech like
machine shows up and
stands laying down some serious
fire.