Sentences with phrase «machine visions from»

Advances such as laser triangulation and CCD cameras all play a part in elevating the status of machine visions from merely «plausible» to «effective».

Not exact matches

Federal grants and the Pentagon's 1033 program accelerated after 9/11, and according to The New York Times, as U.S. forces began to withdraw from Iraq and Afghanistan, police departments across the nation amassed an even greater supply of surplus weapons — tens of thousands of machine guns, 200,000 ammunition magazines, thousands of fatigues and pieces of camouflage, night - vision equipment, and hundreds of silencers, armored cars, and aircraft.

Affectiva went on to raise more than $ 30 million from investors including the Silicon Valley venture capital powerhouse Kleiner Perkins, and grew to 20 - some employees in the U.S. and another 20 in Cairo, who manually code facial expressions to feed into the company's machine - vision algorithms.

Ripcord, a startup that's using robotics, machine vision, and artificial intelligence to create what it calls the «truly paperless workplace,» has raised $ 40 million in a series B round of funding led by Icon Ventures, with participation from...

Partnering with Nant Capital and Dr. Patrick Soon - Shiong to accelerate the transformation from a legacy news company to a technology and content company, including gaining access to over 100 machine vision and artificial intelligence technology patents for news media applications.

Vince has a Mechanical Engineering degree from Michigan State University and worked for over a decade in the manufacturing sector with an emphasis on automation, robotics and machine vision.

Our own predominantly romantic, humanities - oriented vision prevents us from seeing the depth of Nazi romanticism; we take it for granted that the Nazis were basically «machines,» when that is only half the story.

But as time goes on, little compromises, become bigger ones; tiny deviations from the original vision become `'» more relevant» mandates; the vast sums of money it takes to keep the machine going become the catalyst for where the «church» is going next.

Now, the best Vision Machine Systems (when well - integrated) check the entire elements of the package: from tamper seals to the correct number of perfect - looking cookies in each carton.

SlotZilla, the world's most unique zipline attraction, features the 850 - foot Zipline and the 1,750 - foot Zoomline as people launch from a 12 - story slot - machine themed takeoff platform to fly under the Viva Vision canopy.

SlotZilla, the world's most unique zipline attraction, features the 850 - foot long Zipline and the 1,750 - foot long Zoomline as people launch from a 12 - story slot - machine themed takeoff platform to fly under the Viva Vision canopy.

«Politics is all about relationships,» Mr. Díaz later told the Observer from the front seat of his official black Chevy Tahoe SUV, and the borough president has plenty: with the Bronx political machine he oversees, with legislative leaders, with Gov. Andrew Cuomo and with developers who share his vision for a reborn Bronx.

He likens his vision for 3D printing to the rise of personal computing, where computers evolved from enormous machines into easy - to - use handheld devices.

The vision of a nearly immortal populace squelching the job prospects of youth is reminiscent of 19th - century Luddite concerns about machines» taking over jobs from humans.

«A lot of the inspiration for this paper came from [the fields of] speech and computer vision,» says Thang Luong, a graduate at Stanford University in Palo Alto, California, who has built neural machine translation systems for Google in the past.

Elements from the often outrageous styles seen on fashion runways, like some of those seen in the New York shows in September, do make their way to the people, a machine vision analysis reveals.

Satta, whose PhD is in computer vision and machine learning from the University of Cagliari in Italy, became «fascinated by the possibilities» for making use of the noise in 2011 when he heard Chang - Tsun Li of the University of Warwick in England present work on novel methods for identifying the noise pattern in photographs.

In part three of the Ring cycle, Wagner's cosmic vision focuses on his hero's early conquests, while director Robert Lepage's revolutionary stage machine transforms itself from bewitched forest to mountaintop love nest.

From Earth — and please, by all means feel free to skip ahead — the original Avengers: Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Black Widow (Scarlett Johansson), and Banner; the more - recent joiners Scarlet Witch (Elizabeth Olsen), Vision (Paul Bettany), War Machine (Don Cheadle), and Falcon (Anthony Mackie); and a few new recruits in Spider - Man (Tom Holland), Dr. Strange (Benedict Cumberbatch), and the rehabilitated Winter Soldier (Sebastian Stan).

The official cast list includes all the Avengers from the final scene of Avengers: Age of Ultron, including Chris Evans (Captain America, of course), Scarlett Johansson (Black Widow), Anthony Mackie (Falcon), Paul Bettany (The Vision), Don Cheadle (War Machine) and Elizabeth Olsen (Scarlet Witch).

And if I'm reading the Infinity War trailer right, Captain America takes Black Widow, Falcon, Vision, Scarlet Witch, War Machine and Bruce Banner to Wakanda to stop Thanos from seizing the final Infinity Stone.

We haven't caught up with War Machine since Captain America: Civil War, in which a stray shot of friendly fire from Vision's beam ability fried his suit and sent him plummeting to the ground.

Feige was joined by a few friends from the Infinity War cast, including Josh Brolin (Thanos), Paul Bettany (Vision), Elizabeth Olsen (Scarlet Witch), Pom Klementieff (Mantis), Karen Gillan (Nebula), Dave Bautista (Drax), Don Cheadle (War Machine), Sebastian Stan (Bucky), Anthony Mackie (Falcon), Benedict Cumberbatch (Doctor Strange), Tom Holland (Spider - Man), Chadwick Boseman (Black Panther), Mark Ruffalo (Hulk), Chris Hemsworth (Thor), and the man who started it all, Robert Downey Jr. (Iron Man).

Now we're including everything from clickstreams from Web analytics, text to do natural language processing, or images to do machine vision and classification in medical imagery.»

There are also various tools or hardware involved, ranging from tensor processing units developed by Google to vision processors that enable machine vision operations.

It showed a bold vision from a company that seemed to have abandoned rear - wheel drive performance machines: a long, curvy, sexy American sedan with a traditional V - 8 up front, and the drive wheels out back.

(Continental Tires Media Center) 10:30 a.m. — Tire Industry Association (TIA): Tire Industry Association Annual Press Conference (Continental Tires Media Center) 11:00 a.m. — E-Solution Professionals: Ezytire Retail Tire Dealer eCommerce Websites (Continental Tires Media Center) 11:30 a.m. — RTM Productions Inc: Exciting New Programming Announcement From RTM Productions and The Powerblock (Grand Lobby) 1:00 p.m. — SEMA: Connected Vehicle Technologies Press Conference (Booth # 36203) 1:25 p.m. — Egge Machine Co.: Egge's SpeedShopMall.com (Continental Tires Media Center) 1:50 p.m. — Kelderman Air Suspension Systems: Kelderman Unveils K - Team Van for Rampage Jackson (Grand Lobby) 2:15 p.m. — ARB / Motive Club / Venchurs: XPLORE FJ Cruiser to Benefit the National Parks Foundation (Outside in front of LVCC) 2:40 p.m. — Motorsports Parts Manufacturers Council (MPMC): MPMC Hall of Fame Inductions (Association Center) 2:40 p.m. — Formula Drift: Formula Drift Championship announces multi-platform brand expansion (Continental Tires Media Center) 3:05 p.m. — PartPal: Revolutionizing How Auto Parts Are Bought and Sold (Booth # 21640) 3:30 p.m. — Vortech / Paxton: New Compressor System (Booth # 22963) 3:55 p.m. — Innovative Vehicle Solutions: Innovative Vehicle Solutions Launches Performance Packages and Rear Vision Systems (Booth # 24223) 4:25 p.m. — Ohio Technical College: Ohio Technical College Press Conference (Booth # 12773)

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This suspended projection depicts a rock being scanned by a copy - machine - like light from below, a simple yet scenic visual solution that well represents the Eindhoven - based artist's knack for synthetic visions — something I had the chance to witness for the first time at FatForm's Present Forever show, for which Geeven came up with an upside - down car, rotating endlessly on the garage floor.

Using machine vision, biometric sensors, anamorphic 3D projection mapping, VR, AR, and more, the works in the show invite one to dissociate momentarily from ordinary waking consciousness, and explore the worlds of eighteen artists who imagine new perspectives of «reality.»

Kot» átková has developed an original and immersive installation starting from a vision of the human body as a machine and from the idea of sleep as a moment in which, through our dreams, we come up with new visions and enter parallel worlds.

2007 Visions: Selections from the James T. Dyke Collection of Contemporary Drawings, Naples Museum of Art, Naples FL & Arkansas Arts Ctr, Little Rock, AR 2006 cARTalog, University of Iowa Libraries, Iowa City, IA 2005 Holiday Group Show, George Billis Gallery LA, Los Angeles, CA 2005 Pulp Friction: New Takes on Paper, Betty Barker Gallery, New Canaan, CT 2005 Span, Collaborative Concepts, Beacon, NY 2005 Drawing National, Montgomery College, Rockville, MD 2005 Now: Here: This, Studio Gallery 88, New York, NY 2003 Cycles, Patterns, Intervals, Fredericksburg Ctr for the Creative Arts, Fredericksburg, VA 2002 Memory and Metaphor, Seton Hall University, South Orange, NJ 2001 Drawing National, Montgomery College, Rockville, MD 2001 Women and Books: Uncovered, Converse College, Spartanburg, SC 2000 The Collectors» Show, Arkansas Arts Center, Little Rock, AK 1999 From Hairbread to Wishing Machines, Art Gallery of Ontario, Toronto, Canada 1998 Priva B. Gross International, Works on / of Paper, City University of NY, Queensborough College, Queens,from the James T. Dyke Collection of Contemporary Drawings, Naples Museum of Art, Naples FL & Arkansas Arts Ctr, Little Rock, AR 2006 cARTalog, University of Iowa Libraries, Iowa City, IA 2005 Holiday Group Show, George Billis Gallery LA, Los Angeles, CA 2005 Pulp Friction: New Takes on Paper, Betty Barker Gallery, New Canaan, CT 2005 Span, Collaborative Concepts, Beacon, NY 2005 Drawing National, Montgomery College, Rockville, MD 2005 Now: Here: This, Studio Gallery 88, New York, NY 2003 Cycles, Patterns, Intervals, Fredericksburg Ctr for the Creative Arts, Fredericksburg, VA 2002 Memory and Metaphor, Seton Hall University, South Orange, NJ 2001 Drawing National, Montgomery College, Rockville, MD 2001 Women and Books: Uncovered, Converse College, Spartanburg, SC 2000 The Collectors» Show, Arkansas Arts Center, Little Rock, AK 1999 From Hairbread to Wishing Machines, Art Gallery of Ontario, Toronto, Canada 1998 Priva B. Gross International, Works on / of Paper, City University of NY, Queensborough College, Queens,From Hairbread to Wishing Machines, Art Gallery of Ontario, Toronto, Canada 1998 Priva B. Gross International, Works on / of Paper, City University of NY, Queensborough College, Queens, NY.

Spread across the entire Basement level of Mana Contemporary, the show uses Mana's versatile studio environment as exhibition space, combining works that range from interactive sound work to machine vision and moving light sculptures.

Using machine vision, biometric sensors, anamorphic 3D projection mapping, VR, AR, and more, the works in the show invite one to dissociate momentarily from ordinary waking consciousness, and explore the worlds of seventeen artists who imagine new perspectives of «reality.»

Joy's work deals with the theme of «the unquiet image in the media» as her general subject, within which there are more specific subcategories: machine vision; images of conflicts in and around the Middle East; images from screen grabs of leaked US classified military videos, for example.

1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburgfrom the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, MiddelburgFrom the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburgfrom the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburgfrom the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburgfrom the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburgfrom the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburgfrom the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL

From the Cubist Avant - Garde to his commitment to communism, Fernand Léger's painting remains associated with a vision of humanity transfigured by the machine and mass production.

Starting from a vision of the human body as a machine, a great organism of which the functioning requires checking, regeneration and rest, and from the idea of sleep as a moment in which, through our dreams, we come up with new visions and enter parallel worlds, the exhibition explores our most intimate projections and thoughts, as well as the angst and disorientation of contemporary living.

Constantly outgunned by poachers» high - tech helicopters, machine guns, night - vision binoculars, bullet - proof vests and insane arsenal in the illegal trade of «medicinal» rhino horns that are worth more than gold, one pissed - off game manager outside of Johannesburg, South Africa wants to do the unthinkable: inject poison into horns as a deadly warning to would - be poachers and the consumers who would buy them.According to South Africa's The Times, Ed Hern, owner of the Lion and Rhino Park outside of Johannesburg, says injecting poison into rhino's horns will protect them from poachers and kill the demand for rhino horn right at the source, which is prized as a medicinal ingredient in Asian medicine.

The rise of machine vision in the automotive industry have made assembly lines safer and more efficient — the removal human contact from potentially hazardous steps in the assembly line and of time - intensive quality checks done by humans have contributed to these two improvements.

However, this technology was still immature; being prone to errors, having exorbitantly high prices and the hassle that comes with installation of machine vision into production lines all deterred potential customers from purchasing this product.

There are literally dozens of components that go into AI systems — from computer vision and machine learning systems to process the world and decide what to do, through to the hardware mechanics to execute those decisions — and Boston Dynamics is one of the few synthesizing all of them in one place successfully, which begs all kinds of questions about what these robots could do in a few years» time, versus what they should be doing.

Both Google Allo and Google Duo incorporate technology like machine learning and photo vision to make it easier to receive services and information from Google without the necessity of leaving the application.

Except after endless hyperbole, teases, bragging about being flush with cash from the Chinese equivalent of Netflix, promises of a new mobility vision for tomorrow, $ 335 million of dollars in state tax credits and public funding for a brilliant new Nevada factory cranking out «Tesla - killing» autonomous electric machines, Faraday Future came up way short last night in proving to consumers that it's the real deal.

It's the key to Valve's vision: A machine that can play literally every PC game ever made, from Battlefield to Civilization to Cities Skylines to Type Rider to Stanley Parable to Papers, Please to Wasteland 2, all with a single input device.

Having amassed 48,000 photographs of soup from each of these outlets, Doi made use of his own machine learning models in conjunction with Google's AutoML Vision technology, fed these photos to his system and ended up being able to identify, within a 5.5 % margin of error, which of these shops a brand new bowl of ramen came from by showing a photo of it to his computer.

But Google's tech is a clear statement from the company: a commitment to AI, to computer vision and to machine learning.

Google Photos remains one of the most popular apps from the Alphabet - owned company and a flagship example of its efforts to deeply integrate computer vision, machine learning, and general artificial intelligence technologies into its mobile apps with the goal of providing consumers with versatile and highly intuitive services capable of learning one's habits and becoming more efficient with time.

The Copy Less feature of Android O combines machine learning and computer vision to help cut down the number of times that users need to copy text from one app and paste it in another.