Sentences with phrase «machines making paintings»

So the idea of machines making paintings could be corrupt.

The idea was to let the machine make the paintings.

Not exact matches

The scuba knit ensemble, one of the inspirations for the exhibition, stands as a superlative example of the confluence between the handmade and the machine - made — the pattern on the train was hand - painted with gold metallic pigment, machine - printed with rhinestones, and hand - embroidered with pearls and gemstones.

To keep up with demand, I set up a holiday coffee bar in the kitchen with twin coffee machines, fresh greenery and a little sign I made with chalkboard paint inside a thrift store frame.

Not only is this piece custom made to my exact measurements, with each detail individually embellished and painted, but it's also machine washable!

Simply using spray paint, fireworks, or stuffed animals against hundreds of zombies is fun enough, but adding machine gun wheel chairs, boomerang knifes, and gun that shoots dildos (seriously) makes for a great time.

The stunning combination of the cherry red roof and Machine Grey Metallic paint make this one of the most exclusive looking MX - 5s we've ever offered».

Screaming - red paint, from roof to aerodynamic rocker panels, made the test machine noticeable.

* These Packages Will Make Your BMW 4 Series 440i xDrive the Envy of Onlookers * Window Grid Diversity Antenna, Wheels: 18 x 8 Double - Spoke (Style 397), Wheels w / Machined w / Painted Accents Accents, Valet Function, Trunk / Hatch Auto - Latch, Trip Computer, Transmission: 8 - Speed Sport Automatic, Transmission w / Driver Selectable Mode and STEPTRONIC Sequential Shift Control w / Steering Wheel Controls, Tracker System, Tires: P225 / 45R18 All Season, Tire Specific Low Tire Pressure Warning, Tailgate / Rear Door Lock Included w / Power Door Locks.

Available on the passion and prime coupes, the smart Sport Package comes with knockout black - painted 16» wheels, a leather - wrapped sport steering wheel, and stainless steel pedals with rubber studs, all of which makes it a lean, mean, sporty machine.

It's made primarily of machined aluminum and glass, with plastic endcaps painted to match the anodized shell, just like the Honor 5x.

Some of them are necessary: perhaps a game can get a fresh audience with a machine more popular than the one it was originally on, or a fresh coat of paint and a few upgrades will make it worthwhile for a gamer to double - dip and return to a favorite title.

Trockel has become best known for her machine - generated «knitted paintings» — knitted woollen material placed on a stretcher — in which she challenges traditional notions of painting, feminine roles in society and culture at large, as well as art making itself.

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

ADAM PENDELTON has created a new series of Black Lives Matter paintings made with a low - tech «painting machine.»

Antonio Berni: Juanito and Ramona Starting in the late 1950s, the Argentine master abandoned painting to make assemblages chronicling the tales of Juanito Laguna and Ramona Montiel, two fictitious characters he created and constructed out of trash, machine parts, and other castoffs.

«I like the whole idea of everything being made by hand,» Diaz said, «although my paintings look like machines made them.

For Breathing Machines, I made wax casts of my face, and partially painted them black as a sign of equality and to counter racism.

Writing of Klapheck's psycho - erotic «machine» imagery in a 1994 Art in America review, critic Ken Johnson wrote, «What makes Klapheck's pictures compelling is the way the objects he paints are psycho - erotically animated.

This exhibition presents a whimsical selection of paintings and drawings of abstracted machines that have a human - like presence, all of which were made by Sterne between 1947 and 1951.

The participating artists are Nina Canell: Perpetuum Mobile (40 kg)(2009 - 2010), Pavel Büchler: Modern Paintings (1999 - 2000), Johannes Vogl: Untitled (Machine to produce jam breads, 2007, Monica Bonvicini: Plastered (1998), Ariel Orozco: Doble Desgaste (2005), Michael Landy: Breakdown (2001), Arcangelo Sassolino: Untitled (2007), Liz Larner: Corner Basher (1988), Jonathan Schipper: The Slow Inevitable Death of American Muscle (2007 - 2008), Christian Marlcay: Guitar Drag (2000), Roman Signer: Rampe (ramp, 2008), Nina Beier and Marie Lund: History makes a Young Man Old (2008)(rolling a crystal ball), Kris Martin: 100 years (2004)(bomb), Ariel Schlesinger: Bubble Machine (2006), Alex Hubbard: Cinéopolis (2007), Martin Kersels: Tumble Room (2001), Jimmie Durham: St. Frigo (1996), Alexander Gutke: The White Light of the Void (2002), Michael Sailstorfer.

It was just a way of pinning down the joy of colour», he began to establish the basis for the creation of a series of works made «by a person trying to paint like a machine».

Made in Western Germany, from 1987, is part of the artist's celebrated series of machine - spun wool paintings, which have played a major role in any dialogue surrounding her contribution to recent art history.

On the occasion of the sale, Hirst writes: «I love making spin paintings with kids, I've got a spin machine that I take to my kids» school and get all the kids doing them, the joy of making them is what somehow makes them great art, all those crazy moments throwing paint around.

In contrast to the expressionist work of her peers, Kusama emphasized the machine - like process with which she worked, even managing to find the money to hire professional photographers to document her diligently making the net paintings in her studio.

She draws in paint with a loaded brush while bringing together various forms of mechanical and digital reproduction, essentially bridging a binary that the art world has focused on since the 1960s: the hand - painted versus the machine - made.

From recent location - specific series such as The Hotan Project (2012 - 13) made in the Xinjiang province of China, his first London series titled Half Street (2013), as well as recent trips to make work in the UAE and Greenland, Liu has also created an automated painting machine entitled Weight of Insomnia (2016), which translates a digital video feed of traffic streams and human movement in real time into a new body of paintings tracing time, memory and behaviour.

«While his contemporaries Donald Judd and Dan Flavin created work that was machine - made, I see Stella as a modern day John Henry, racing against the machine, brushing paint from one end of the canvas to the other and back again, setting an admirable and competitive pace.»

Bronx - based artist Rosemarie Fiore produces artwork using ready - made and customized machines, harnessing their actions by converting them into painting and image generating tools.

From far away they can appear perfectly polished and almost machine - like but up close the hand of the maker can not be denied and it is clear that each painting is the result of a laborious process of decision making.

In this video, Simon Ingram explains his machine made of Lego and generic constructional materials that paints autonomously in oil paint with a brush.

In his last solo exhibition in Auckland, Boing Boom Tschak (2009), Ingram presented paintings made by a machine programmed with techniques of self - making derived from artificial life.

Among the least assuming, yet most challenging paintings is «Catalyst III,» from 1985, a small work of anodized aluminum, nearly two feet square, that seems almost machine - made.

Its parallel horizontal lines are echoed in Wade Guyton's jagged 2008 ink - jet - on - linen painting, itself evocative of a machine - made or digital Minimalism or a violent update of a meditative Agnes Martin.

Juxtaposed alongside these are self - making painting machines, developed and constructed by Ingram i.e. the «machine as artist».

Disputed Banksy Back at Auction — The alleged Banksy street artwork, Slave Labor (Bunting Boy), which depicts a young boy stitching Union Jack flags on a sewing machine, and was first painted during the Diamond Jubilee of Queen Elizabeth II, is back at auction alongside works by Andy Warhol and Damien Hirst, despite protestations from the council that represents the district in which the painting was made.

The exhibition Machine Learning examines the relationship between abstraction and the information age, and presents four artists making new forms of pattern - based painting.

Painted using one of those wheeled contraptions that mark out football pitches and sports fields, the line trundles from under a closed lift door, makes its way splashily up a swanky staircase — passing a Lawrence Weiner work that repeats the same phrase, «WHOLE CLOTH STRETCHED TO THE LIMIT», on the wall in big letters on every level — makes arcing oxbow detours across the concrete floors, and comes to a stop, where the machine ran out of paint, on the first floor.

The scrimshaw maps highlighted on the bones of the deer were made with a sand etching machine and then carefully painted with acrylic.

The art work includes paintings made with gunpowder, commissioned robots, inventions created from the imagination of peasants and a giant aircraft carrier surrounding by suspended planes, UFOs and other flying machines.

Time Machine / Hippie Dandy at Meliksetian Briggs is comprised of Gray's new photo - based sculptural work, an installation of the original paintings made by the Ghanaian sign painters, as well as, ephemera from the artist's year long performance piece, Ray.

The result is that Weiser's work can not be captured or understood in a digital social media moment, nor is it possible to instantly deduce how his paintings are made — by man or machine?

Over time, machine - made ware replaced highly personal and hand - forged, painted and decorated household items.

Although his works may look as if they are made by a machine, Lichtenstein would begin by painting through a perforated metal screen to make the regular pattern of dots, like those used to form areas of colour in magazine pictures.

Although his works may look as if they are made by a machine, Lichtenstein would begin by painting...

He turned to more relaxed, loquacious works made from torn strips of canvas stained with paint, pieced together using a sewing machine and hung on the wall like raggedy, rich - hued banners.

His works involve foaming assemblages of manufactured machine parts, paintings made from brain matter — an exploration of the origins of the disease vCJD — jet engines containing anti depressant drugs and naked young men both painted and in the flesh.

Pendleton's new paintings — made with what he describes as a low - tech «painting machine» — have a unique surface that lies between handmade and machine - made.

The artist transforms mundane materials such as plastic pearls, glass beads, acrylic paint, crystals, knives, and machine - made Persian rugs into intricate, laborious works of art.

The biomorphic forms in these works, which she called «prism» paintings or «insomnias», to some extent anticipated her later sculpture, which by the late 60s consisted of surreal, cloth figures made with a Singer sewing machine.