Sentences with phrase «machines out in the community»

Not exact matches

Developing an effective content creation machine requires a team effort, from getting team members involved in research and creation, to reaching out to guest contributors and getting community feedback on themes they want to learn more about.

She points to a few issues on which there's a «clear path,» like stamping out tuberculosis in Inuit communities, which she says is a matter of putting in place «the X-ray machines and the human resources and the drugs and the housing.»

«The Machine» is a multiple food - eating contest champion, has one of the biggest tolerances for capsaicin out of anyone in the chilehead community.

«Even thought these machines may have been around in downtown Manhattan, they're new to our community, so it doesn't seem right to hand out parking tickets if not everyone understands how they are expected to park,» Rodriguez added.

Both Bill and Doug are long - time community organizers and are exactly what Baltimore needs to break the stranglehold the Democratic party machine has had for decades as well as the pay - to - play system that benefits wealthy developers and political insiders and leaves the citizens of this city out in the cold.

Living in large tightly knit communities within nests hollowed out in wood softened by moisture or fungi, these ants are fond of sweet fluids, and during the night they often scavenge for sugary juice around soda machines.

Bookstores could be early adopters and natural locations for these machines — but most bookstores would need help to take the risk out of such and investment — and ongoing support in the form of a galvanized local author community to get people into the habit of ordering books through the new in - store technology.

Fighting games and its community began to fall out of the mainstream in the United States in the early 2000's as arcades closed left and right and the coin - operated machine was put out to pasture.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.