Whether Jerry is closing deals or flirting through his bachelor party (pretty much another deal), Crowe catches us up in
the mad unreality of it all — an adrenaline - capitalist high that just keeps feeding on itself.
Drawn from various sources — referencing actual geographies and histories alongside constructed and surreal imagery — the landscape for Todd takes on a certain
unreality, there are references to the fantastic, the layered mark, the art of the outsider, the obsessive, the tiered, the
mad and the random and their conjunctions with the present, becoming a world of open diversity and retrospective reflection — a kind of performed cosmos where the world forms us as we form the world.