Sentences with phrase «made additional art»

Not exact matches

Before he started painting, I cut out a couple pieces of cardstock to 8.5» x 5.5» and folded them in half to look like cards, and I kept a handful of additional 8» x10» sheets on hand so he could make a few pieces of art for us to hang on a chalkboard wall we have in our house.
Their center's curriculum also makes it possible for your children to learn Mandarin Chinese, music, and art with no additional charges.
Thanks to a generous donation, this program was made possible at no additional cost to Erie County and truly enhances art lessons in the schools,» said Legislator Lorigo.
This Master of Arts in Health and Wellness Coaching program begins with 15 credits of foundational courses that make up the Post-Baccalaureate Certificate in Health and Wellness Coaching plus an additional three credits for a total of 18 core coaching credits.
The Advanced course covers additional aspects of Raynor massage that make it into an art form such as more emotional release work, enhancing rhythm and flow in a massage and strategy and diagnosis.
Art of Air also makes additional shades available for individual purchase that match deeper skin tones.
Of course, this easily could have been expanded into the two - disc set that the film deserves, had there been an audio commentary, a presentation of each «Pooh» featurette in its original form, a more extensive art gallery, a featurette on the theme park attractions, a longer making - of documentary, and an additional audio option.
Director Stephen Fung is making a martial arts movie for the internet age; the fight sequences have additional videogame - style graphics showing angles of attack, and rather than putting the cast's names in the opening credits, Fung introduces them whenever they show up in the movie, and adds each actor's best - known credit next to his or her name.
NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby camake - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby caMake - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
Included is Sho Kosugi: Martial Arts Legend, a new 21 - minute interview with the actor about him and his career; The Making of Black Eagle, a 36 - minute featurette with Sho Kosugi, director Eric Karson, screenwriter Michael Gonzales, actors Doran Clark, Shane Kosugi, and Dorta Puzio; Tales of Jean - Claude Van Damme, a 19 - minute featurette with many of the same people speaking about their experiences working with Van Damme; The Script and the Screenwriters, a 27 - minute featurette with Michael Gonzales and Eric Karson discussing the film's development; a set of 11 deleted and extended scenes, all of which are in the extended cut and offer up a tiny bit more story and character development more than additional action or carnage; trailers for the film itself, D.O.A.: A Rite of Passage, Attack of the Killer Tomatoes, and Savannah Smiles; a fold - out poster; and a DVD copy of the film, which offers up all of the same extras.
EXTRAS: The Blu - ray release includes a making - of featurette devoted to the three stages of production, additional featurettes on the cast, visual effects and technology of «Elysium,» and an interactive exploration of the film's art and production design.
Your students will certainly enjoy participating in this activity converting temperatures using different rooms in Santa's home at the North Pole as well as additional areas on Santa's property such as the garage and the state - of - the - art toy - making facility.
These additional seats were made possible by a new facility which added state - of - the - art science classrooms
Most recently, a 2012 study by Harvard University's Strategic Data Project found that students of NBCTs in the Los Angeles Unified School District made learning gains equivalent to an additional two months of instruction in math and one month in English Language Arts.
Turn your passion into a thriving Business you can run from Home - or - from anywhere in the World if you love Traveling!Whether you are looking to turn your passions and talents into a business, replace a job you hate or travel indefinitely, supported by a location independent business, this book will provide you with an abundance of ideas on how to do just that!Both online and local / offline options are covered as well as the use of platforms like: * Youtube * Podcasting * Kindle Publishing * Course Creation * eCommerce * Blogto broaden your reach and create additional income streams in your niche of choice.Looking to turn your house or car into an income stream?You will find many ideas here, some you probably never considered... PLEASE NOTE: this short little book does NOT provide detailed business plans or blueprints although a few general tactics are shared to get you started and relevant training resources are linked.The book does provide: * a list of 597 Ideas - a number of good training resources to help you with the next steps - an extensive list of platforms for both eCommerce and Freelancing business options - basic tips for niche selection, branding and further resources for marketing.If you want to find out how to start a small business from home, this book will give you many ideas on how you can turn your passions and talents into a profitable business.The 597 Business Ideas are grouped into the following skill groups to make the search easier: * Administrative * Arts & Crafts * Beauty * Car Skills & Use your Car * Computers * Consulting & Coaching * Cooking & Baking * Design * Electronics * Fashion * Finance * Fitness & Weight Loss * Foreign Language * Gardening * Handyman * Your Home * Humor / Comedy * Kids * Marketing * Movies * Music & Audio * Organizing * People Skills * Pets * Photo & Video * Reading * Dating & Relationships * Sports * Teaching * Travel * Web Skills * Writing * Misc.Ready to start a home based business, doing something you love?Then scroll up and hit the BUY Button - see you there...; --RRB-
Coastal Humane Society in Brunswick and Lincoln County Animal Shelter in Edgecomb are the proud owners of a new, state - of - the - art Mobile Surgery Unit, made possible through a $ 50,000 grant from Petco Foundation, an anonymous matching gift donation, and many additional donations from shelter supporters.
Some of these services and facilities include a king - size bed with King Koil mattresses, living and dining rooms with two additional daybeds featuring King Koil mattresses, sundeck and loungers, complimentary WiFi broadband internet connection throughout the villas and public areas, preloaded Bose I - Pod docking system, state of the art DVD / VCD / CD player, tea and coffee making facilities, IDD telephone, LCD TV with satellite and cable TV, safety deposit box, hairdryer and a minibar with a jovial selection of drinks.
Boasting master suites complete with solariums, two additional private guest suites, full state - of - the - art kitchens, plus expansive living and dining areas, the new three - bedroom villas are shattering all preconceived notions of what makes up a luxury travel experience.
While no additional news as come about what the new group will be called or the fate of all their projects, the recently departed Mark Jacobs spoke up about his dismissal, «Early in May, Electronic Arts let me know that they wanted to make some changes within the Games Label and as a result of those changes I have been out of the office (and out of touch with the team, game, etc.) since that day.
Gamers in the United States are dumb, make no mistake, but at least they're able to grasp the cover art's creativity and subtlety without needing additional color to drive the point home.
This version of the art book contains an additional 20 pages made especially for Backers (120 pages total)!
Additional titles with multiple nominations are id Software and Bethesda Softworks» first - person shooter IP reboot DOOM (three nominations); Niantic's free - to - play, location - based augmented reality game Pokémon Go (three nominations); EA DICE / Electronic Arts» World War I inspired first - person shooter Battlefield 1 (two nominations); JAPAN Studio / Sony Interactive Entertainment's long - awaited single player action - adventure The Last Guardian (two nominations); Hello Games» open universe and action - adventure survival game No Man's Sky (two nominations); Night School Studio's narrative and dialogue - driven supernatural mystery graphic - adventure title Oxenfree (two nominations); Drool's fast - paced «rhythm violence» game Thumper (two nominations); and Thekla's 3D game set in an open - world filled with natural and man - made puzzles, The Witness (two nominations).
On my end, I've been cleaning up the finished boss fights, making adjustments, adding additional art and play testing as I make changes.
DIGITAL COLLECTOR»S EDITION: This adds a digital «Making of Wildman» development and art book; a digital novella set in the world of Wildman; a 720P digital version of the «Making of Wildman» documentary; early exclusive access to the Beta for Wildman; a backer exclusive in - game «Consumables Pack;» a unique Wildman form with special abilities, and 1 additional copy of the DIGITAL EDITION, for a grand total of 2 extra copies.
DIGITAL COLLECTOR»S EDITION: This adds a digital «Making of Wildman» development and art book; a digital novella set in the world of Wildman; a 720P digital version of the «Making of Wildman» documentary; early exclusive access to the Beta for Wildman; a Kickstarter exclusive in - game «Consumables Pack;» a unique Wildman form with special abilities, and 1 additional copy of the DIGITAL EDITION, for a grand total of 2 extra copies.
COLLECTOR»S EDITION: This edition adds a hardcover version of the «Making of Wildman» development and art book, a backer - exclusive T - shirt, a Wildman poster, and 5 additional copies of the DIGITAL EDITION for a grand total of 10 extra copies.
The art style looks even more refined, the issue of slowdown has been completely erased and additional content makes this revival fuller than most remastered games.
The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.
Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.
High Line Art is made possible by Donald R. Mullen, Jr. and The Brown Foundation, Inc. of Houston, with additional support from Vital Projects Fund, Inc..
This exhibition is made possible through generous contributions from Lawton W. Fitt, Ronald S. Lauder, David Teiger, the exhibition fund of the P.S. 1 Board of Directors, and the partners of New Enterprise Associates, with additional support from Scharff Weisberg Inc., Electronic Arts Intermix and Video Data Bank.
Rhizome public programs are made possible by the Andy Warhol Foundation for the Visual Arts, with additional support provided by the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
In Atlanta, the exhibtion is made possible through generous support from the Forward Arts Foundation with additional support from Northern Trust.
2006...: ICAL KRBBR PRDLY PRSNTS GART JAS, JON KLSY, JOSF STRA, Portikus, Frankfurt, Germany Looking Back, White Columns, New York Next to Kin, Daniel Buchholz, Cologne, Germany Minotaur Blood, Galerie Fortescue Avenue, London, curated by Gionata Bonvicini La maman et la putain, curated by Eva Svennung, Air de Paris, Paris Our Marvellous Ambition, Vilma Gold Project Space, Berlin Make Your Own Life: Artists In and Out of Cologne, Institute of Contemporary Art, Philadelphia; curated by Bennett Simpson (Additional Venues: Power Plant, Toronto; Henry Art Gallery, Seattle, 2007) Von der Abwesenheit des Lagers, Kunsthaus Dresden
Additional support is made possible by Deutsche Bank and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Additional support for Ohad Meromi's project is made possible by Artis — Contemporary Israeli Art Fund and the Office of Cultural Affairs, Consulate General of Israel in NY.
Additional support is provided by the Ohnell Family Foundation, and artist talks are made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
Firelei Báez: Bloodlines and its presentation at the Pérez Art Museum Miami was made possible by BNY Mellon with additional support from Chloé.
Organization of Nari Ward: Sun Splashed and its presentation at Pérez Art Museum Miami have been made possible by Citi and the Andy Warhol Foundation for the Visual Arts, with additional support from the Funding Arts Network.
Artist residencies are made possible, in part, by: Laurie Wolfert The Research and Residencies Council of the New Museum Additional support is provided by: The Toby Devan Lewis Emerging Artists Exhibitions Fund Further exhibition support is provided, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.
An additional thanks to the BC Arts Council for the project funding making this exhibition possible.
The change was made to provide additional value to members of Guild Hall, which is made up of a museum, a state - of - the - art theater, education center and outdoor sculpture gardens, said Howard.
Additional support has been made possible through the generous contributions of the Andy Warhol Foundation for the Visual Arts, National Endowment for the Arts, Dixon Water Foundation, the Brown Foundation, Inc., Houston, Public Concern Foundation, Texas Commission on the Arts, the Foundation for Contemporary Arts and Fredericka Hunter, with generous contributions by Ballroom Marfa members.
Corbu Pops is made possible with additional support by the Peter Ivers Visiting Artist Fund through «Learning from Performers,» a program of the Office for the Arts at Harvard University, and by the W.E.B. Du Bois Institute for African and African American Research at Harvard University.
We gratefully acknowledge operating support from the Canada Council for the Arts and the Ontario Arts Council, with additional project support from the Jackman Humanities Institute, and the University of Toronto MVS Curatorial Studies Program at the John H. Daniels Faculty of Architecture, Landscape and Design and the circulation of the exhibition is made possible in part by a grant from the Ontario Arts Council's National and International Touring Program.
Made possible through the generous support from the Ontario Trillium Foundation and additional funds from the Toronto Arts Council, The Power Plant's Power Youth outreach program provides offsite art studio programs for youth in priority neighbourhoods.
The show consists mostly of pieces from the Kontakt art collection, a Vienna - based collection of works made in Central, Eastern, and Southeastern Europe in the 1960s and since, with a few additional pieces; it was co-curated by the Zagreb - based collective, WHW, a strong curatorial team.
Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?
His additional layering of art historical reference and storytelling make the paintings cohere into lyrical gestalt.
The exhibition is organized by the Museum of Arts and Design and made possible, in part, by the National Endowment for the Arts, with additional support from Larry and Madeline Mohr.
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