Sentences with phrase «made after seeing the film»

In the notes I made after seeing the film, I described it as «imperfect», and lamented the way the careless ADR lip - syncing of the tour guides — presumably required for either technical or legal reasons — undercuts the reality of the film.

Not exact matches

A week after The New York Times and The New Yorker ran back - to - back reports cataloguing Harvey Weinstein's alleged serial sexual harassment of women in Hollywood, actress Selma Blair saw a story on HuffPost about writer and director James Toback's new film that made her blood run cold.

Close to 140 million people have made «decisions for Christ» after seeing the film, which ends with a low - key «altar call» segment.

It's like a little film and after I saw the ad I got upset that I can not make such good ads for my books.

Deniz Gamze Ergüven, who makes her feature debut as writer - director after a couple of short films, tells the story exclusively from the girls» point of view — both emotionally, as they have all our sympathy, and physically, as almost nothing happens that one of them could not be seeing.

You Don't Know Jack is a well crafted picture that in the end, might make you ask some important questions, and it's a film that will stay with you long after you've seen it.

Make no mistake though this film is a history lesson and seeing as it was made about 12 years after WW1 actually ended its amazing people watched!

I felt the need to state that after my viewing of The Killing of a Sacred Deer, because this is a film that will truly make people not see another movie for weeks or just simply turn it off after the very first frame (I'm not exaggerating).

As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himself.

I really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance see the film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.

If there «s one film you «ll have to see in your cinemas after #Cannes2018 make it #BlacKkKlansman by #spikelee

That said, after having seen the film, one should be able to parse these elements and make objective judgments about what they've just seen; not based on what they didn't get.

After I saw it at the Toronto film festival last September — where Rudolph and Willis said they were proud of having made it even if nobody saw it — it received nominal runs in New York and Los Angeles, cities where viewers and critics are regarded by distributors as being more demographically significant than those in Chicago, and then early this year it came out on video.

In fact, it almost, ALMOST made me want to go and re-watch the first film to appreciate that humor a lot more after seeing James Wan's world a little bit more completely.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

And arguing that the film's casual misogyny — I can't make «Bye, Felicia» jokes any more after seeing it — is necessary because «that's how it was» is hypocritical, considering any incidents that might make look producers Dre, Ice Cube, or Tomica Woods - Wright (widow of NWA member Eazy - E) look bad are omitted.

Those who see the original after this remake will now be bored, but most will choose not to even view the classic because this one seems so weak and stupid it will make them care even less about seeking the 1960 film out.

>> After the dreary arthouse po - faced Archipelago what a relief to see a home grown film which is movie - literate and bounces along with a deadpan humour which makes you chuckle quietly throughout >> There was more and louder laughter for Archipelago than for Submarine when I saw it a couple of weeks ago.

Mr. Anderson, Why not more about the Film's story then your analysis, which we should be free to make after «WE» see the film?

After the dreary arthouse po - faced Archipelago what a relief to see a home grown film which is movie - literate and bounces along with a deadpan humour which makes you chuckle quietly throughout.

While the spareness and seriousness of the film are to be admired, and Gibson makes for a sympathetic protagonist, there is little here that we have not seen before (even if it may have been set after), and even less that rivets the attention.

The humor did make me chuckle a few times but nothing serious but then again I saw it more as a drama film then a comedy after seeing the trailers so I wasn't disappointed with it.

Rating: 5/10 — a man (Lowery) drives across country after the death of his brother and gives a lift to a woman (Lane) who tricks him into being the getaway driver in a bank robbery, a situation that sees him on the run from the police but determined to prove his innocence; a gritty, hard - boiled film noir, They Made Me a Killer adds enough incident to its basic plot to keep viewers entertained from start to finish without really adding anything new or overly impressive to the mix, but it does have a brash performance from Lowery, and Thomas's direction ensures it's another solid effort from Paramount's B - movie unit, Pine - Thomas.

Brie Larson, «Room» If the film continues with the reception it's received after Telluride and Toronto it's hard to see her not making the cut.

While it's entirely possible that «Demon» will appeal more to U.S. audiences after its June 24 release than it did to critics who saw the film at Cannes, at the festival, Refn said his intention was to make a «primal» movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.

After seeing the film a second time, it made me want to revisit a few movies set in Los Angeles, including Boogie Nights, The Graduate, Kiss Kiss Bang Bang, and a few others, which all feature some commentary tracks worth listening to.

No film in 2013 made me feel more than «Upstream Color,» and an early morning festival screening meant walking around in a haze for hours after, not quite sure what I'd just seen (though I think it's more narratively coherent than many give it credit for, especially after a rewatch), and almost wanting to shake it, but also not willing to trade the experience for anything.

Next I wanted to see what all of the buzz was about in regard to a film called Made in Japan about a Japanese country singer named Tomi Fujiyama who dreams of returning to the Grand Ole Opry after performing there in 1964.

After directing hit films A Tale of Two Sisters; The Good, The Bad, The Weird; and I Saw the Devil, Korean director Kim Jee - woon makes his American debut with The Last Stand (watch the new trailer here).

After some deliberation (which no doubt has still allowed me to overlook something for which I'll facepalm later) here is a list of ten films that I'm very excited to see in 2012, followed by a full page of discussion about a whole bunch of other movies that didn't make my personal cut but are still bright spots on the 2012 calendar for various reasons.

10 years later, and after a couple of more films I will most definitely be seeing soon, he has a made a film that is in a different league, using everything seen in Los Muertos (right down to the subject of a father searching for his daughter) to infinitely higher degrees.

This trailer really makes the film look great, and they're obviously focusing on those quotes about it, but I'm still not that into it after seeing it at Sundance.

Despite having presumably seen what happened in the aftermath of Gigli, By The Sea, The Amazing Spider - Man 2, and any number of other films made by real - life couples that broke up shortly after their movie came out, Emily Blunt and John Krasinski apparently have enough confidence in the strength of their relationship...

To hear Williams and Forsythe tell it, the making of the film was a dream come true, after which they continued with their careers and saw from the sidelines the heartbreak that followed the production: the death of Hayden in 1983 from a heroin overdose, the mutilation of the film for U.S. distribution, which threw director Sergio Leone into an understandable funk, and more.

I have wanted to watch this as a few months ago I didn't really like Russell Brand, however after seeing him on Celebrity Big Brother Hi - Jack (UK) he made me laugh so much... so I'd love to see what he is like in the film.

The problem with a film like Tully, after you watch it at least, is that to understand what makes it work - and it works very well - you have to either see it for yourself or spoil it for everyone else.

I've seen some suggest that Spielberg needed to make a film like Ready Player One — a return to blockbuster filmmaking after a long sojourn into smaller, more intimate films.

The new film I, Tonya, which made its world premiere at the Toronto International Film Festival this weekend, sees Margot Robbie step into the notorious skates of infamous American figure skater Tonya Harding, who in 1994 made the U.S. Olympic team after her rival, Nancy Kerrigan was clubbed in the knee in a plot masterminded by Harding's ex-husband Jeff Gillooly.

After a few comments from the actors — Lilly knows almost nothing about her character as she's not yet seen a script, Stoll alludes to his character being the scientist bad - guy, and Rudd prepares for superhero stardom — they played a video made just for Comic - Con, as the film hasn't started any filming.

After that, she appeared in both «Tiny Furniture» and «The Myth Of The American Sleepover» in the same year, as well as leading Adam Wingard «s «A Horrible Way To Die,» 2011 saw her return to producing with both Joe Swanberg «s «Silver Bullets» and the Greta Gerwig - written «The Dish & The Spoon,» before making her directorial debut in 2012 with crime tale «Sun Don't Shine,» one of the best - received films at SXSW (and edited by «Ain't Them Bodies Saints» director David Lowery).

Sunday night's Bafta film awards will see Britain's biggest stars joined by activists on the red carpet, while many attendees will wear black in solidarity with Time's Up — the movement launched following the sexual harassment scandal which engulfed Hollywood after an avalanche of allegations were made against film producer Harvey Weinstein.

Meanwhile, the Russos also shared a mysterious set photo from the film [see here], while some new rumours emerged relating to Thanos and his Black Order [read our story here] and Chris Evans revealed why he was happy to extend his initial six - film deal to include the as - yet - untitled Avengers 4: «I had six films in my Marvel contract, so I could have said after the third Avengers I was done, but they wanted to make the third and fourth Avengers films as a two - parter,» said Evans.

You can see Gyllenhaal make a career U-turn after «Prince of Persia: The Sands of Time,» working with young directors on independent projects or challenging studio films - «Source Code,» «Enemy,» «Prisoners,» and David Ayer's «End of Watch.»

Combined with the success of films like «Game Night» ($ 104 million) and «A Bad Mom's Christmas» ($ 130 million), raunchy comedies may be making a slow recovery at the box office after a 2017 that saw most of them flame out.

According to Deadline, Allen made a blind offer weeks before the festival and sealed the deal after he and his Entertainment Studios team saw the film in a special screening.

Every woman wanted to be Roberts after seeing this film, and now — over 25 years after its release — the film is still one of the most - quoted romantic comedies ever made.

Reservoir Dogs, True Romance and Pulp Fiction (the first two I watched back to back one weekend afternoon, after my friends learned I'd never seen a Tarantino film; I had heard he'd won the Palme d'Or, but didn't know he'd made any other movies) demanded we familiarize ourselves with their influences: film noir, Howard Hawks, Jean - Luc Godard (one of our favorite pass - times was driving around to all the video stores in town looking for a copy of Breathless.

This is a film about growing up, after all, and the way we see Lady Bird marching through her last year of high school makes it quite apparent that adolescence is, for her, like a battlefield.

Dern made the revelation in a recent interview with EW after being asked if there was any more to Holdo's backstory than we saw in the film.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 23, 2011 BIG BUDGET FILMS Abduction (PG - 13 for sexuality, teen partying, intense violence and brief profanity) John Singleton directs this action thriller about a teenager (Taylor Lautner) who ends up on the run from a team of hit men when he tries to determine his true identity after seeing his baby photo on a missing persons website.