Too funny... this is SO on my list of things to
make after seeing the movie and finding Thomas Keller's recipe.
I totally wanted to
make this after I saw the movie, but I didn't think it'd ever come out that perfectly (little Remmy sliced his veggies so thin!)
I never thought the day will come when I say that «Batman & Robin» is no longer the worse superhero movie ever
made after seeing this movie, but the difference between the two is that at least Batman & Robin was fun to watch and wasn't depressing and dull that Fant4stic was.
Not exact matches
Of course, complaints about the proliferation of sequels tend to be much louder in the wake of a high - profile flop than they are
after the release of financially and critically successful follow - ups (
see: Disney's Marvel and Star Wars franchises, or the Despicable Me and Hunger Games
movies, to name a few — though, some
movies still
make a ton of money despite toxic reviews).
I
made ratatouille
after I
saw the
movie!
After taking my 11 year old cousin to
see the
movie last week, he asked if I could
make ratatouille for his birthday dinner last night.
My 11 yr old son wanted me to
make this dish
after he
saw this
movie.
The original dress from the
movie, designed by 3 - time Oscar winning costume designer Dorothy Jeakins, was such a hit
after fans
saw the
movie that copies were
made and sold in 1950s department stores.
After seeing «World War Z,» I walked through Times Square, and, as I made my way to the subway, I wondered why the movie — which is, after all, just a very expensive zombie flick — had excited and disturbed me so
After seeing «World War Z,» I walked through Times Square, and, as I
made my way to the subway, I wondered why the
movie — which is,
after all, just a very expensive zombie flick — had excited and disturbed me so
after all, just a very expensive zombie flick — had excited and disturbed me so much.
After I
saw Zombie the first time years ago, I wanted to watch it again just to
make sure it was a real
movie and not some fever - induced nightmare I'd had.
I felt the need to state that
after my viewing of The Killing of a Sacred Deer, because this is a film that will truly
make people not
see another
movie for weeks or just simply turn it off
after the very first frame (I'm not exaggerating).
this
movie should be watch as (Annie Hall 2), Allen ended the earlier by describing relationships «They're totally irrational and crazy and absurd», and
after many years he completed his idea and
made it crystal clear, and now I can
see the whole artistic work of Woody Allen as a masterpiece.
I recently
saw it on a TV
movie channel
after having first
seen it on the big screen, but it didn't
make a difference.
This is easily one of the year's worst
movies so far, and I also started
making my worst of the year list
after seeing it.
With the
movie due to premiere at Sundance, Wain has also released a typically witty director's statement: «
After having already
made world - changing cinematic statements on adolescence (Wet Hot American Summer), religion (The Ten), service (Role Models), and community (Wanderlust), I teamed up with Michael Showalter to take on a topic that (to our knowledge) has yet been
seen in the
movies: ROMANCE — particularly heterosexual romance between two white people.
>>
After the dreary arthouse po - faced Archipelago what a relief to
see a home grown film which is
movie - literate and bounces along with a deadpan humour which
makes you chuckle quietly throughout >> There was more and louder laughter for Archipelago than for Submarine when I
saw it a couple of weeks ago.
It is intriguing to wonder what Scorsese
saw in the Hong Kong
movie that inspired him to
make the second remake of his career (
after «Cape Fear»).
After the dreary arthouse po - faced Archipelago what a relief to
see a home grown film which is
movie - literate and bounces along with a deadpan humour which
makes you chuckle quietly throughout.
The fact it was a prequel to the original classic
movie had me worried, but
after seeing it all I can do is offer praise that it was
made, as it stiches together many plot gaps from the original
movie to
make watching them back to back viable... maybe not that scarey... but then the original had the benefit of being outstanding SFX for the era, modern CGI
movies never feel as physical and scarey.
Rating: 5/10 — a man (Lowery) drives across country
after the death of his brother and gives a lift to a woman (Lane) who tricks him into being the getaway driver in a bank robbery, a situation that
sees him on the run from the police but determined to prove his innocence; a gritty, hard - boiled film noir, They
Made Me a Killer adds enough incident to its basic plot to keep viewers entertained from start to finish without really adding anything new or overly impressive to the mix, but it does have a brash performance from Lowery, and Thomas's direction ensures it's another solid effort from Paramount's B -
movie unit, Pine - Thomas.
The fact it was a prequel to the original classic
movie had me worried, but
after seeing it all I can do is offer praise that it was
made, as it stiches together many plot gaps from the original
movie to
make watching them back to back
While it's entirely possible that «Demon» will appeal more to U.S. audiences
after its June 24 release than it did to critics who
saw the film at Cannes, at the festival, Refn said his intention was to
make a «primal»
movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.
After seeing the film a second time, it
made me want to revisit a few
movies set in Los Angeles, including Boogie Nights, The Graduate, Kiss Kiss Bang Bang, and a few others, which all feature some commentary tracks worth listening to.
Writer - director Alexandre Aja (Break of Dawn, Furia) probably hopes they all can't think or
see through ridiculous gaping plot holes either, because High Tension is nothing more than scene
after scene of sensationalism, followed by a completely needless (and vastly overused) twist that
makes an already moronic, highly derivative
movie abysmally absurd.
After some deliberation (which no doubt has still allowed me to overlook something for which I'll facepalm later) here is a list of ten films that I'm very excited to
see in 2012, followed by a full page of discussion about a whole bunch of other
movies that didn't
make my personal cut but are still bright spots on the 2012 calendar for various reasons.
Hong has the distinction of being fixated on form, while being largely indifferent to aesthetics, which
makes it refreshing to
see a Hong
movie as handsome as this
after a run of features that looked like they were shot on mid-2000s consumer video.
Despite having presumably
seen what happened in the aftermath of Gigli, By The Sea, The Amazing Spider - Man 2, and any number of other films
made by real - life couples that broke up shortly
after their
movie came out, Emily Blunt and John Krasinski apparently have enough confidence in the strength of their relationship...
Actor - director John Krasinski took the stage
after seeing his
movie open SXSW, and his first tongue - in - cheek words were, «Why did someone
make this?»
If you've ever
seen «Los Angeles Plays Itself,» you know that the city itself is
made up of
movie sets; it's no surprise, then, that Sebastian and Mia drive to the Griffith Park Observatory
after they've watched it on screen at a repertory screening of «Rebel Without a Cause.»
How good, or bad, does a
movie have to be in order to
make an impression — enough of one, anyway, so that you can remember it, or even still feel like talking about it, 15 minutes
after you've
seen it?
I can't
see how anyone could be dissatisfied with this
movie I preferred it to the other two as I think it captured batman perfectly bane was perfect how anyone can disagree
after batman and robin is beyond me??? Cat women was perfect there was no poor casting IMO character development was fine story was fine and beautifully shot soundtrack stunning all involved
made an absolute masterpiece even tho I guessed most plotpoints in advance they still felt like a surprise to me I don't
see the point in any other superhero franchise
making any more
movies as bb tdk and tdkr will never be surpassed
As we reported over the weekend, the only screening being
made available to press and critics will be on Friday morning, about 15 hours
after the general public is able to
see the
movie at Thursday night preview screenings around the country.
So brutal, sickening, and downright weird, the only Jet I want to
see after this is the one Mr. Li is on when headed back to Hong Kong to
make better
movies.
I never did
see the sequel, Meet the Fockers, but
after it
made a staggering $ 279 million in the U.S. alone, it became Ben Stiller's most successful
movie to date and another sequel was almost guaranteed.
After i
saw first RAID, i think to myself Hollywood
see this
movie as new standard and they will try to
make equivalent of it but no, I didn't
see such things yet.
Reservoir Dogs, True Romance and Pulp Fiction (the first two I watched back to back one weekend afternoon,
after my friends learned I'd never
seen a Tarantino film; I had heard he'd won the Palme d'Or, but didn't know he'd
made any other
movies) demanded we familiarize ourselves with their influences: film noir, Howard Hawks, Jean - Luc Godard (one of our favorite pass - times was driving around to all the video stores in town looking for a copy of Breathless.
The
movie begins with a meet - cute at Wrigley Field between Gary (Vaughn) and Brooke (Aniston), and
after the happy - couple photo montage over the credits (it includes a lot of shots of Vaughn shirtless, which
made me wonder who was shooting these seemingly intimate moments between Gary and Brooke), we
see the domesticated Gary and Brooke, who share a condo.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That
Make Choosing a Film Fun by Kam Williams For
movies opening September 23, 2011 BIG BUDGET FILMS Abduction (PG - 13 for sexuality, teen partying, intense violence and brief profanity) John Singleton directs this action thriller about a teenager (Taylor Lautner) who ends up on the run from a team of hit men when he tries to determine his true identity
after seeing his baby photo on a missing persons website.
After almost a decade of dreaming about
seeing Kill Bill as one
movie, to actually be able to do it, and for it to be this special print with that awesome Tyler Stout poster
made, it was truly memorable.
If an invitation to watch an unmarked video didn't
make you just a little nervous
after seeing The Ring, you either don't scare easily or you slept through the
movie.
The fact that Alejandro Amenábar's Regression is finally
making its way to theaters in February, the month that has a strong track record of
seeing weak releases,
after initially being slated for a summer 2015 release shouldn't preemptively sour you on the
movie.
After nearly 11 years of studio hesitation and apparently enough sexual favors for Wolverine, Deadpool finally has his own superhero
movie (something that star Ryan Reynolds has fought long and hard (
see, I can
make sexual innuendos too and use parentheses inside of parentheses) for to
see come to fruition), and with opening credits featuring billings such as «some really hot guy» and «an overpaid tool» the tone is set for an irreverent and refreshing outing from a genre slowly entering a phase of stagnation and repetitiveness.
To
see the trio that
made the previous two
movies possible return, especially
after the last entry's tantalizingly ambiguous ending, is an event in and of itself.
The expansion of a short she
made in 2006, the
movie concerns an at - loose - ends young woman (Ellen Page), who impulsively absconds with the baby she's been asked to sit,
after seeing the appalling unfitness of the wealthy mother (Tammy Blanchard).
Her film work has slowed down somewhat — she's
making 2 - 3 films a year and working much more at home, so it's nice to
see she's put her Pirates of the Caribbean money to good use (unlike Johnny who you think is so indie but keeps doing big studio
movie after big studio
movie).
After seeing Dredd 3D, I'm so glad I got to talk with Garland, as I loved the
movie they
made, and I wanted to chat with him about crafting the world and staying true to core values of the comic book character.
After a few years that have
seen studios deciding to focus on trying to
make movies out of board games, it looks, from the last couple of days, as though video games are cycling back around as the hot source material.
When: August 21st Why:
After making the terrible, horrible, no good, very bad «Project X» — by far one of the worst
movies of 2012 — it's nice to
see director Nima Nourizadeh get a second chance to show what he's really capable of with this strange but clever mash - up of «The Bourne Identity» and «Pineapple Express.»
Even
after seeing it, it's difficult to say what this
movie is really about, other than taking advantage of a proven brand name to
make a studio some money.
(Even
after seeing the
movie a dozen or so times, he
made me laugh once again).