Sentences with phrase «made after seeing this movie»

Too funny... this is SO on my list of things to make after seeing the movie and finding Thomas Keller's recipe.
I totally wanted to make this after I saw the movie, but I didn't think it'd ever come out that perfectly (little Remmy sliced his veggies so thin!)
I never thought the day will come when I say that «Batman & Robin» is no longer the worse superhero movie ever made after seeing this movie, but the difference between the two is that at least Batman & Robin was fun to watch and wasn't depressing and dull that Fant4stic was.

Not exact matches

Of course, complaints about the proliferation of sequels tend to be much louder in the wake of a high - profile flop than they are after the release of financially and critically successful follow - ups (see: Disney's Marvel and Star Wars franchises, or the Despicable Me and Hunger Games movies, to name a few — though, some movies still make a ton of money despite toxic reviews).
I made ratatouille after I saw the movie!
After taking my 11 year old cousin to see the movie last week, he asked if I could make ratatouille for his birthday dinner last night.
My 11 yr old son wanted me to make this dish after he saw this movie.
The original dress from the movie, designed by 3 - time Oscar winning costume designer Dorothy Jeakins, was such a hit after fans saw the movie that copies were made and sold in 1950s department stores.
After seeing «World War Z,» I walked through Times Square, and, as I made my way to the subway, I wondered why the movie — which is, after all, just a very expensive zombie flick — had excited and disturbed me so After seeing «World War Z,» I walked through Times Square, and, as I made my way to the subway, I wondered why the movie — which is, after all, just a very expensive zombie flick — had excited and disturbed me so after all, just a very expensive zombie flick — had excited and disturbed me so much.
After I saw Zombie the first time years ago, I wanted to watch it again just to make sure it was a real movie and not some fever - induced nightmare I'd had.
I felt the need to state that after my viewing of The Killing of a Sacred Deer, because this is a film that will truly make people not see another movie for weeks or just simply turn it off after the very first frame (I'm not exaggerating).
this movie should be watch as (Annie Hall 2), Allen ended the earlier by describing relationships «They're totally irrational and crazy and absurd», and after many years he completed his idea and made it crystal clear, and now I can see the whole artistic work of Woody Allen as a masterpiece.
I recently saw it on a TV movie channel after having first seen it on the big screen, but it didn't make a difference.
This is easily one of the year's worst movies so far, and I also started making my worst of the year list after seeing it.
With the movie due to premiere at Sundance, Wain has also released a typically witty director's statement: «After having already made world - changing cinematic statements on adolescence (Wet Hot American Summer), religion (The Ten), service (Role Models), and community (Wanderlust), I teamed up with Michael Showalter to take on a topic that (to our knowledge) has yet been seen in the movies: ROMANCE — particularly heterosexual romance between two white people.
>> After the dreary arthouse po - faced Archipelago what a relief to see a home grown film which is movie - literate and bounces along with a deadpan humour which makes you chuckle quietly throughout >> There was more and louder laughter for Archipelago than for Submarine when I saw it a couple of weeks ago.
It is intriguing to wonder what Scorsese saw in the Hong Kong movie that inspired him to make the second remake of his career (after «Cape Fear»).
After the dreary arthouse po - faced Archipelago what a relief to see a home grown film which is movie - literate and bounces along with a deadpan humour which makes you chuckle quietly throughout.
The fact it was a prequel to the original classic movie had me worried, but after seeing it all I can do is offer praise that it was made, as it stiches together many plot gaps from the original movie to make watching them back to back viable... maybe not that scarey... but then the original had the benefit of being outstanding SFX for the era, modern CGI movies never feel as physical and scarey.
Rating: 5/10 — a man (Lowery) drives across country after the death of his brother and gives a lift to a woman (Lane) who tricks him into being the getaway driver in a bank robbery, a situation that sees him on the run from the police but determined to prove his innocence; a gritty, hard - boiled film noir, They Made Me a Killer adds enough incident to its basic plot to keep viewers entertained from start to finish without really adding anything new or overly impressive to the mix, but it does have a brash performance from Lowery, and Thomas's direction ensures it's another solid effort from Paramount's B - movie unit, Pine - Thomas.
The fact it was a prequel to the original classic movie had me worried, but after seeing it all I can do is offer praise that it was made, as it stiches together many plot gaps from the original movie to make watching them back to back
While it's entirely possible that «Demon» will appeal more to U.S. audiences after its June 24 release than it did to critics who saw the film at Cannes, at the festival, Refn said his intention was to make a «primal» movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.
After seeing the film a second time, it made me want to revisit a few movies set in Los Angeles, including Boogie Nights, The Graduate, Kiss Kiss Bang Bang, and a few others, which all feature some commentary tracks worth listening to.
Writer - director Alexandre Aja (Break of Dawn, Furia) probably hopes they all can't think or see through ridiculous gaping plot holes either, because High Tension is nothing more than scene after scene of sensationalism, followed by a completely needless (and vastly overused) twist that makes an already moronic, highly derivative movie abysmally absurd.
After some deliberation (which no doubt has still allowed me to overlook something for which I'll facepalm later) here is a list of ten films that I'm very excited to see in 2012, followed by a full page of discussion about a whole bunch of other movies that didn't make my personal cut but are still bright spots on the 2012 calendar for various reasons.
Hong has the distinction of being fixated on form, while being largely indifferent to aesthetics, which makes it refreshing to see a Hong movie as handsome as this after a run of features that looked like they were shot on mid-2000s consumer video.
Despite having presumably seen what happened in the aftermath of Gigli, By The Sea, The Amazing Spider - Man 2, and any number of other films made by real - life couples that broke up shortly after their movie came out, Emily Blunt and John Krasinski apparently have enough confidence in the strength of their relationship...
Actor - director John Krasinski took the stage after seeing his movie open SXSW, and his first tongue - in - cheek words were, «Why did someone make this?»
If you've ever seen «Los Angeles Plays Itself,» you know that the city itself is made up of movie sets; it's no surprise, then, that Sebastian and Mia drive to the Griffith Park Observatory after they've watched it on screen at a repertory screening of «Rebel Without a Cause.»
How good, or bad, does a movie have to be in order to make an impression — enough of one, anyway, so that you can remember it, or even still feel like talking about it, 15 minutes after you've seen it?
I can't see how anyone could be dissatisfied with this movie I preferred it to the other two as I think it captured batman perfectly bane was perfect how anyone can disagree after batman and robin is beyond me??? Cat women was perfect there was no poor casting IMO character development was fine story was fine and beautifully shot soundtrack stunning all involved made an absolute masterpiece even tho I guessed most plotpoints in advance they still felt like a surprise to me I don't see the point in any other superhero franchise making any more movies as bb tdk and tdkr will never be surpassed
As we reported over the weekend, the only screening being made available to press and critics will be on Friday morning, about 15 hours after the general public is able to see the movie at Thursday night preview screenings around the country.
So brutal, sickening, and downright weird, the only Jet I want to see after this is the one Mr. Li is on when headed back to Hong Kong to make better movies.
I never did see the sequel, Meet the Fockers, but after it made a staggering $ 279 million in the U.S. alone, it became Ben Stiller's most successful movie to date and another sequel was almost guaranteed.
After i saw first RAID, i think to myself Hollywood see this movie as new standard and they will try to make equivalent of it but no, I didn't see such things yet.
Reservoir Dogs, True Romance and Pulp Fiction (the first two I watched back to back one weekend afternoon, after my friends learned I'd never seen a Tarantino film; I had heard he'd won the Palme d'Or, but didn't know he'd made any other movies) demanded we familiarize ourselves with their influences: film noir, Howard Hawks, Jean - Luc Godard (one of our favorite pass - times was driving around to all the video stores in town looking for a copy of Breathless.
The movie begins with a meet - cute at Wrigley Field between Gary (Vaughn) and Brooke (Aniston), and after the happy - couple photo montage over the credits (it includes a lot of shots of Vaughn shirtless, which made me wonder who was shooting these seemingly intimate moments between Gary and Brooke), we see the domesticated Gary and Brooke, who share a condo.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 23, 2011 BIG BUDGET FILMS Abduction (PG - 13 for sexuality, teen partying, intense violence and brief profanity) John Singleton directs this action thriller about a teenager (Taylor Lautner) who ends up on the run from a team of hit men when he tries to determine his true identity after seeing his baby photo on a missing persons website.
After almost a decade of dreaming about seeing Kill Bill as one movie, to actually be able to do it, and for it to be this special print with that awesome Tyler Stout poster made, it was truly memorable.
If an invitation to watch an unmarked video didn't make you just a little nervous after seeing The Ring, you either don't scare easily or you slept through the movie.
The fact that Alejandro Amenábar's Regression is finally making its way to theaters in February, the month that has a strong track record of seeing weak releases, after initially being slated for a summer 2015 release shouldn't preemptively sour you on the movie.
After nearly 11 years of studio hesitation and apparently enough sexual favors for Wolverine, Deadpool finally has his own superhero movie (something that star Ryan Reynolds has fought long and hard (see, I can make sexual innuendos too and use parentheses inside of parentheses) for to see come to fruition), and with opening credits featuring billings such as «some really hot guy» and «an overpaid tool» the tone is set for an irreverent and refreshing outing from a genre slowly entering a phase of stagnation and repetitiveness.
To see the trio that made the previous two movies possible return, especially after the last entry's tantalizingly ambiguous ending, is an event in and of itself.
The expansion of a short she made in 2006, the movie concerns an at - loose - ends young woman (Ellen Page), who impulsively absconds with the baby she's been asked to sit, after seeing the appalling unfitness of the wealthy mother (Tammy Blanchard).
Her film work has slowed down somewhat — she's making 2 - 3 films a year and working much more at home, so it's nice to see she's put her Pirates of the Caribbean money to good use (unlike Johnny who you think is so indie but keeps doing big studio movie after big studio movie).
After seeing Dredd 3D, I'm so glad I got to talk with Garland, as I loved the movie they made, and I wanted to chat with him about crafting the world and staying true to core values of the comic book character.
After a few years that have seen studios deciding to focus on trying to make movies out of board games, it looks, from the last couple of days, as though video games are cycling back around as the hot source material.
When: August 21st Why: After making the terrible, horrible, no good, very bad «Project X» — by far one of the worst movies of 2012 — it's nice to see director Nima Nourizadeh get a second chance to show what he's really capable of with this strange but clever mash - up of «The Bourne Identity» and «Pineapple Express.»
Even after seeing it, it's difficult to say what this movie is really about, other than taking advantage of a proven brand name to make a studio some money.
(Even after seeing the movie a dozen or so times, he made me laugh once again).
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