I know how much I've
made as a storyteller in various mediums, but the book business is still pretty much a mystery to me.
I was going to
make it as a storyteller with or without Amazon.
Not exact matches
in the day, s that jesus our lord was on the earth (jesus) there was many people named jesus, just
as among hispanic and central american peoples, it was a common popular name of many people, if you want to prove to your self that jesus was not married, look up what the apostle said,» i saw standing upon mount zion with the lamb 144,000, these are they that have washed thier robes and were not defilled with women, for they are virgins, jesus emphasised in parts the need and values of a husband and wife in a home, the two mary, s and the women that followed him and ministered unto him tells us the great importance of women, and women in the home, he wanted all married men to have thier own wife, in those days of so many years ago there was false prophets,
storytellers, wild imaginations, he told us not to believe them, whether you are catholic, christian, islamic or any other, we can all take pride in the fact what the prohets, jesus and the apostles told us all fits jointly to gether, they were a work of love, to understand the christian bible correctly, islamic people are not rejected, but rather they are a equal, the angel told hagar to return to her mistress, he also told her he would
make ishmael a blessing and his seed a great nation, regards
Certainly the circuit riders became consummate
storytellers,
as witness Peter Cartwright's Autobiography — the bulk of which appears to be
made up of stories he had told hundreds of times in the more than fourteen thousand sermons he is alleged to have preached.
Here, kids ages three to twelve can enjoy crafts and activities that immerse them in the Southwestern experience, such
as making Indian headbands and pinch pots; hearing tales told by cowboy
storytellers; learning about local culture, geography and indigenous plants and animals; or splashing around in the Water Playground.
«Django Unchained» is «Blazing Saddles» with a body count, a positively incendiary entertainment about America's greatest shame, the personal and social toll of slavery, and like Tarantino's last film, «Inglourious Basterds,» this is a case of history being remixed in a way that
makes more emotional sense to Tarantino
as a
storyteller.
While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them
as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of
storytellers and performers have done: They've
made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.
The latter
made his name
as a filmmaker with the 2009 country musician drama Crazy Heart (which landed Jeff Bridges his Academy Award), and further established himself
as a
storyteller interested in
making mood / performance - driven fare with the dramatic thriller Out of the Furnace and Whitey Bulger biopic Black Mass..
Like the composer Stew did in his 2006 rock musical «Passing Strange,» Eagle
makes grand narrative connections across «Brick Body Kids...» and does so through his skills
as a
storyteller and rapper with a sublimely confident flow.
As a
storyteller he has long
made a habit out of extreme personalities, a preoccupation that during the 1990s was matched by one of the most playfully expressive styles in American mainstream pictures.
It's appropriate that the end credits of Halloweens hould refer to the menacing hometown boy
as The Shape: this superior low - budget thriller is form
made fiercely functional, style
as the delicious complicity between
storyteller and audience.
For all Anderson's fastidiousness
as a stylist and his idiosyncrasies
as a
storyteller, he has
made an audience picture through and through: a witty, subversive dark comedy that had the audience cackling repeatedly, and in all the right places, both times I saw it.
Yet De Felitta chose to
make Mary's grown - up son the
storyteller, ergo Two Family House is second - hand nostalgia on - screen
as well.
In
making «To the Bone,» Noxon found a new freedom and confidence
as a
storyteller, in part embracing an ambiguity and lack of definitive answers she likely wouldn't be allowed on a network TV show.
For all of his obvious skills and uncommon talent
as a visual
storyteller, Kosinski's first two films were short on character depth and emotional engagement, but whether a function of Kosinski's innate preferences for spectacle over substance or simply script - related issues, Kosinski's feature - film output
made him an odd, left - of - field choice to direct a film about American firefighters and the Yarnell Hill Fire of 2013 that resulted in the greatest loss of firefighters since 9 - 11 more than a decade earlier.
Since «Punch - Drunk Love,» Anderson has become a more confident
storyteller, allowing his films to evolve
as he's
making them.
«If it creates an interest for people to see the film then that's fantastic because it
makes our jobs
as storytellers much easier, and more importantly for me, having had some experience with this extraordinary man I really want his story to be known
as broadly
as possible.»
Comedian and
storyteller Mike Birbiglia
made a giant leap
as filmmaker with this perfectly realized movie about a tight - knit New York City improv troupe and how one member's success affects the delicate balance of the group.
Brian Cox
makes one squirm uncomfortably, but only because he has such a clichéd role
as the present day
storyteller — I haven't seen a sincere form of this cheesy framing device for years.
Of course, you could try and heed Del's advice and not get attached to the horses, but Haigh's skill
as a
storyteller makes that practically impossible.
As You Are is the feature directorial debut of filmmaker Miles Joris - Peyrafitte, premiering at the 2016 Sundance Film Festival, and it will hopefully give Miles the break he needs to
make more films - because he seems to be a very talented
storyteller.
He's also a sly
storyteller, borrowing devices from other films (the back of the car camera POV just after the bank robbery is a nod to the seminal shot from Gun Crazy) and skillful edits (Margaret Hayes climbs the stairs to her bedroom, and we straight cut to Lee Marvin in a bed, tossing and turning, in another part of town entirely) to
make societal commentary
as skewering
as 1950s subversive Douglas Sirk.
In an unusual casting, Ms. Simmonds is really deaf, which could
make directing her difficult, but that was not a problem in the hands of Todd Haynes, who has a reputation
as a fine
storyteller.
After
making only three films, Bayona has established himself
as a very emotional
storyteller.
Burton has
made a career of compensating for his weakness
as a
storyteller with his visual flair, but here it's a necessary but still too heavy weight on the narrative.
Revenge narratives are a dime a dozen but when
storytellers are able to really get to the root of why these archetypal tales are so compelling,
as Saulnier is able to do here, they strike a collective nerve,
making us cheer at their ability to both homage and be wholly original at the same time.
The rare exception is for students with learning needs such
as dyslexia, but this exception is worth
making for the huge boost to confidence of being a Young
Storyteller.
Here children can be active, rather than passive,
as they engage with books and magazines with other children and
storytellers make stories come to life.
The best bit of advice for anyone who is trying to
make it
as an author / writer /
storyteller whatever you feel comfortable in calling yourself, and that is, never pay to have your story told.
Conroy uses his many gifts
as a
storyteller and cultural observer to
make South of Broad at once a complete portrait of a specific time and place, and also a classic, timeless coming - of - age story.
They are
as different
as chalk and cheese, but a master
storyteller of Rankin's caliber can draw in his audience,
making them sympathize (and identify) in equal parts with the hard - charging Rebus and the taciturn Fox, all the while not missing a beat in the plotting, the setting, the characters and the ever - present battle between good and evil.
They really didn't see themselves
as being able to
make a decision alone or take action to improve their lot, despite the fact that THEY are the creatives, the
storytellers, the brilliant ones.
Exchanging stories with characters, witnessing dramatic scenes and exploring cities are all represented
as beautifully drawn still images in a rough sketchpad style, something that a wandering
storyteller might
make use of.
As a
storyteller, I've seen some tellers reveal some deeply personal things in a way that is very moving, and I've seen others reveal some fairly shallow Jr High kind of things that
made the audience uncomfortable.
I think of myself
as a
storyteller, and the principles that guide my creative decision -
making apply equally in fiction and documentary work.
More Than You Wanted to Know About John Baldessari presents Baldessari
as storyteller, moralist, teacher and occasional gadfly, always concerned to accomplish what he describes
as the central task of art
making: to communicate in a way that people can understand.
Gates» role
as an archivist, historian, and
storyteller of black narratives is foundational to his practice, but it is his ability to shift between the museum, the gallery and the street that has
made him one of the world's most influential artists.
This year, Grant funded projects included AV Festival 14: Extraction in Newcastle, Geoffrey Farmer: Let's
Make the Water Turn Black at Nottingham Contemporary, and Eva Kot «átková: A
Storyteller's Inadequacy at Modern Art Oxford,
as well
as to PSL, Studio Voltaire, CIRCA Projects, and Bristol Museum & Art Gallery.
If I imagine different realities than the one I'm actually living, and
make works from my imagination so I can tap into memories and history,
as well
as recreate time sequences that never actually happened in the painting, then I am a
storyteller of what could have possibly happened in actual time and place.
Nevertheless,
as his first solo exhibition of abstract paintings and drawings with Mixed Greens
makes clear, he is a
storyteller at heart.
«From my point of view, which is that of a
storyteller, I see your life
as something artful, waiting, just waiting and ready for you to
make it art.»
So, just
as a master
storyteller guides the reader, a real estate professional can assist the buyers in
making sense of the real story unfolding.