That was the film that
made audiences and critics alike take notice of Affleck once again, so it seems fitting that now in a well - respected and successful stage in his career, Affleck has returned once more to a trusted source.
Not exact matches
Though some
critics took issue with Gibson's creative choice, beyond its artistic merits, The Passion remains one of the more important Bible films ever
made: Taking in nearly $ 400 million, it is the highest - grossing R - rated film of all time,
and it helped usher in a new era of Hollywood creating content for Christian
audiences.
Kings wasn't a perfect show —
and was polarizing among TV
critics — but the attempt to bring the story of David
and Saul to modern
audiences through a compelling drama
makes it one of the most unique (though largely forgotten) Old Testament adaptations ever to come out of Hollywood.
With this honor to his name, Biggs segued into film a short time later, debuting in the 1997 Camp Stories.In 1999, the unequivocal hit that was American Pie came along,
and Biggs, portraying Jim, one of the more perpetually humiliated members of a group of four friends trying to lose their virginity by high - school graduation,
made an undeniably distinct impression on
critics and audiences alike.
The sixth season premiere brings back the true form of the Shonda Rhimes» created show
and all the plot twists that
made the show so great
and popular among
audiences and critics alike in its early days.
Grainger first came to the attention of American
audiences in the television series THE BORGIAS,
and has appeared in such television productions as BONNIE & CLYDE, playing the titular role of Bonnie
and earning nominations from the
Critics» Choice Awards for Best Actress in a Movie or Mini-Series
and the Satellite Award for Actress in a Miniseries or a Motion Picture
Made for Television;
and in LADY CHATTERLEY»S LOVER among others.
An
audience favorite at SxSW, the James Bond spoof Spy is a reunion for Byrne, McCarthy,
and Feig,
and so far
critics can't get enough of it, praising the dynamic between the two Bridesmaids stars
and the continuous strides Feig's inner circle is
making for women in comedy.
Since wowing Sundance
audiences on opening night, «World Of Tomorrow» has been played the festival circuit
and has been
made available to rent on Vimeo (with a Blu - ray release coming soon);
and it's drawn raves
and obsessive analysis from
critics and fans.
Considering that Smith claims that he
made this film for teen girls, not for one moment does Yoga Hosers feel like anything other than a mid-40s writer / director shaking his fist at a younger phone - desperate generation,
making inside jokes for the adults in the
audience and lambasting the
critics that have wronged him in the past.
The film
critic David Ehrlich has tweeted that the film feels like it wasn't even
made by humans,
and I'd go further, to say that the movie dehumanizes its leading woman
and attempts, disconcertingly, to dehumanize its
audience.
Of those, A Scanner Darkly does get some actual commentary from
critic and New York Film Festival honcho Kent Jones, where he posits it as considerably underrated, but the group's otherwise just put out there as something of a dark stage in the man's career, where he had a string of films failing to be embraced by
audiences,
critics or both, but with little extrapolation as to why those films were
made, or what Linklater thinks of them.
We were blown away from the reception we had from the
audience and critics — that wasn't enough to
make us want to do a second season.
Strong word of mouth has
made «Gravity» a must - see film that
audiences and critics all agree is best experienced in 3D.
Why It Might Not:
Audiences and critics may decide that the territory has been well traveled already,
and Egoyan will really have to bring the drama to
make it resonate.
After
making his mark in the early thirties with two very different films, the anarchic send - up of the bourgeoisie Boudu Saved from Drowning
and the popular - front Gorky adaptation The Lower Depths, Renoir closed out the decade with two critical humanistic studies of French society that routinely turn up on lists of the greatest films ever
made: Grand Illusion
and The Rules of the Game (the former was celebrated in its time, but the latter was trashed by
critics and audiences — until history provided vindication).
The film, which was
made for just $ 4.5 million
and grossed $ 255 million worldwide, won over
audiences and critics for its depiction of racial prejudice.
The teaser trailer certainly
makes the film look like an embarrassment of riches, with the entire cast seemingly having the time (
and hairstyles) of their lives,
and if anyone can walk the fine line between serious drama
and screwball comedy,
and deliver something that
audiences and critics alike will love, it's Russell.
Morgan arrives a year after Ex Machina captivated both
critics and audiences,
making many top films of the year lists,
and it's difficult not to
make the comparison in light of so many similarities.
The film has proved a massive hit with
audiences and critics, bringing in more than $ 730m worldwide,
making it the second - highest - grossing animated feature of 2017, after Despicable Me 3.
But
critics didn't love the movie, many of them comparing it unfavorably to Toy Story,
and audiences didn't
make it a hit.
With its dark humor
and complicated characters
and themes — a mother out to avenge her daughter's rape
and murder, a suggestion of police brutality against black residents — «Three Billboards»
made an early splash with
critics and audiences at the Venice Film Festival in September
and then at the Toronto International Film Festival in October, where it won the
audience award
and was hailed by some as one of the year's best.
And not only is it not in the Razzie conversation but it actually achieved a reasonably large scale commercial release (shocking), where it made a surprising amount of money (more shocking), and scored well with both critics and audiences (most shockin
And not only is it not in the Razzie conversation but it actually achieved a reasonably large scale commercial release (shocking), where it
made a surprising amount of money (more shocking),
and scored well with both critics and audiences (most shockin
and scored well with both
critics and audiences (most shockin
and audiences (most shocking).
Nothing less than a revolution in action cinema, Ilya Naishuller's dazzling first - person shooter
made audiences sick —
and gave plenty of
critics headaches over its nonstop violence
and videogame aesthetic.
And while there have been setbacks (the highly touted all - women remake of Ghostbusters made headlines this week after being declared the most - disliked trailer in YouTube history) it seems clear that this fresh force in mainstream comedy will continue to grow on audiences and critics ali
And while there have been setbacks (the highly touted all - women remake of Ghostbusters
made headlines this week after being declared the most - disliked trailer in YouTube history) it seems clear that this fresh force in mainstream comedy will continue to grow on
audiences and critics ali
and critics alike.
Wright has been a cult icon for years, a favorite among
critics and Comic - Con goers, but «Baby Driver» broke through to another
audience,
making over $ 225 million worldwide
and counting (it's his first film to break nine figures).
2014 didn't have a cult film in the
making like What We Do in the Shadows, or a true sleeper like Straight Outta Compton (or Spy, for that matter), or a blockbuster hitting the sweet spot for
audiences and critics alike like Mad Max has done, or a traditional standalone nonfranchise blockbuster like The Martian, or an animated film with the acclaim of Inside Out, or a little horror movie that could like It Follows, or an unexpected independent drama that ran forever like Room....2015 was a year like 1999 or 1994.
In order to
make a film that is commercially successful
and is liked by the
audiences and critics as well, a dedicated group of people are required who are skilled in their respective jobs.
Coogler turned his $ 200 million production budget into a movie that
made $ 400 million worldwide on its opening weekend, with raves from
audiences and critics alike.
Audiences didn't really know what to
make of that,
and several
critics at the time were put off by his dedication to authenticity.
The gargantuan simian
and his disarmingly human expressions
made this sequel one of the year's most - favored blockbusters among
critics and audiences alike.
Based on a bitingly honest 1993 novel by ex-punk rocker Irvine Welsh, «Trainspotting»
makes its subject, the Edinburgh heroin scene, so exciting
and intense you can understand why some
critics worry part of its
audience may be seduced into drug use.
The original film which was released in 2003 surprised
critics and audiences alike but studios oddly enough never tried to
make other films like it.
I look forward to the day when we get to see Bond just go on an assignment that only exists for one film rather than
make every movie a sequel to the previous installment to appease grumpy
critics and audiences who never liked the first 50 years of the franchise in the first place.
Of course, De Palma has
made a number of films that were not particularly well - received when they first came out, only to grow in stature with
critics and audiences over the years — «Blow Out» (1981)
and «Scarface» (1983) being perhaps the best - known examples of such reevaluations.
«
Made in France,» co-written
and directed by Nicolas Boukhrief, won the
Audience Special Prize while the
Critics Special Prize went to The First, the Last, written
and directed by Bouli Lanners.
Jonathan Groff (Mindhunter)-- Netflix's newest collaboration with David Fincher captivated
critics and audiences in a way that will likely
make it an awards contender.
It
makes sense — after all, if you've spent the better part of two years
and millions of dollars
making something adored by the
critics but ignored by your
audience, you may be a great artist but financially you're up shit creek without a paddle.
On the occasion of her new publication Since» 45: America
and the
Making of Contemporary Art (Reaktion Books), art historian
and critic Katy Siegel sat down with Rail publisher Phong Bui before an
audience of artists - in - residence at the Marie Walsh Sharpe Foundation to discuss the book
and more.
VDB provides experimental video art, documentaries
made by artists,
and interviews with visual artists
and critics for a wide range of
audiences.
Now, though, some of the most revelatory art on sexual themes is being
made by women like Bernstein, Betty Tompkins, Juanita McNeely
and Joan Semmel, best known for their paintings,
and multidisciplinary artists like Schneemann
and Valie Export, among others, all of whom have been producing their work for decades to little notice — if not outright persecution — from
critics, curators
and audiences.
Maybe it
makes sense for the Arts
and Leisure section, which targets more of a national
audience than daily
critics, to worry about crowd pleasing.
The moderator, Toronto Globe
and Mail architecture
critic Lisa Rochon, asked for questions but the typical Toronto
audience would rather
make speeches than listen to answers, so she had to field them herself: «In the face of all this sprawl
and disaster how do you find the energy to continue?