Sentences with phrase «made by another pop culture»

If there's another thing they love doing, it's dissecting and arguing about a list made by another pop culture obsessive.

Not exact matches

Peikoff also helpfully answers the burning pop - culture question: If the movie E.T. is anti-adult and anti-science — as, by objectivist philosophy, it clearly is — does that make it inherently evil and irrational?

The belief that Disney was antisemitic is so widespread that it's been addressed in pop culture, including being spoofed in «Family Guy» and in comments made by Meryl Streep in 2014.

The first kiss of an aw - shucks teenager from Oklahoma, delivered by a superstar singer, might have made for a sweet pop - culture moment in a previous era.

Heavily influenced by the rise in casual sex culture, states and cities all across the US saw singles bars popping up all over, making it much easier to meet other people for casual sex and hookups.

New York City About Blog The New Inquiry has made itself part of the bigger conversation by mixing political discussion, pop culture dissection, and a good dose of literary sensibilities.

I have my own fascinations with the year 2012, by now making leaps and bounds in the pop culture stratosphere some 20 years since Jose Arguelles first began scaring the shit out of everyone back in 1987.

This slasher film about four friends being made to pay for their mistakes was largely mocked by critics, but it still managed to become a pop - culture cornerstone.

by Bill Chambers Although it inspired the quintessential U.S. crime picture of the past decade, Ringo Lam's 1987 Hong Kong action - thriller City on Fire suffers in a freshly - Americanized form: Dubbed and revised dialogue does not Reservoir Dogs make it, and the few nods to western pop - culture induce groans.

The entire film references other comic book films, and pop culture mentions, typically by making fun of them in some way; Green Lantern, joke in the credits, Batman v Superman Dawn of Justice's silly mommy moment, Hawkeye's lack of powers, Josh Brolin's Thanos's two - timing as a character in Avengers: Infinity of War less than three weeks ago, at one point Wade simply calls Brolin's (Cable), «Thanos,» Logan's gags you'll need to see for yourself.

Pop culture was rocked on Wednesday by the loss of Charlie Murphy, an unfiltered straight - faced storyteller who guaranteed to make you laugh before he... Read More

This is the latest attempt, by yet another director, to make the next «Pulp Fiction», which set the standard for it's combing elements of a crime drama with comedy, shocking violence, wacky characters, drugs, sex, over-the-top atmosphere and pop culture.

First we have pop culture jokes, which are unavoidable, and I'm not a «South Park» snob who won't laugh at a pop culture joke that has nothing to do with plot, although I wouldn't say Apatow is breaking new ground here by making the one - off joke about how Robin Williams is hairy.

All the while, Tom is surrounded by supposedly backward locals who like watching The Notebook, hunting deer and making dated pop culture references to Ratatouille.

At one point Rell makes a kitten calendar by dressing Keanu up to parody various Hollywood films, and there is more than enough jokes about pop culture, movies / music, race, rap, and drug stereotypes, sexual, vulgar and offensive material, and generally exaggerated dialogue.

It's easy to fall under the spell of a new Marvel movie; Disney's monolithic marketing movie - making machine is designed to entertain at all costs, and it's very easy to come out of the newest Marvel movie taken by the humor pop culture references and rousing action.

Additionally, more of the film's best pop culture easter eggs are provided, as the trailer's title Come With Me, is set to a slow cover of «Pure Imagination» made famous by Gene Wilder in 1971's Willy Wonka and the Chocolate Factory.

Brainstorm on notable figures throughout our community, our government and in pop - culture who are held to high standards by the public but make mistakes nonetheless.

The KPGC10 was also used by Brian o'Connor in the movie Fast Five making it an instant pop - culture classic amongst movie and car enthusiasts.

This real event has even become the stuff of pop culture, making its way into films and television, and Rowling delighted fans by writing commentary articles as though she was a sports reporter covering the event.

Bertozzi does a lovely job of humanizing Warhol by highlighting his mischievous antics and off - the - wall sense of humor, his devotion to his family, his belief in the power of pop culture and his pure devotion to the fine art he was making.

Digital comics Rob Salkowitz, who's making the rounds to promote his new book Comic - Con and the Business of Pop Culture, has the best summary yet of the digital comics phenomenon: «Digital doesn't cannibalize the industry; it grows it by encouraging fandom.»

New York City About Blog The New Inquiry has made itself part of the bigger conversation by mixing political discussion, pop culture dissection, and a good dose of literary sensibilities.

Developed by Bungie, this first - person shooter singlehandedly made the original Xbox a must - have in 2001, and spawned worlds and characters that have become a recognizable part of gaming pop culture.

If you're interested in the full story behind the making of Doom, I highly recommend checking out the book Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture by David Kushner.

It's clear that Retro City Rampage was made by true video game and pop culture fans.

Saul is often associated with the Chicago Imagists, a group of artists typically defined by their Post-War tradition of fantasy - based art - making rooted in surrealism, pop culture, and the grotesque, as well as the Funk Artists of the San Francisco Bay Area.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuympop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Nearly a half - century later, this combination of bright color and composition with popular signage, informed by the coding of gay culture, was to make a strong impact on Pop artists such as Jasper Johns and Robert Indiana.

Considered a pioneer of both the Happenings and Pop art in the 1960s, Jim Dine is known merging familiar objects from popular culture with autobiographical content to make work distinguished by its bold, graphic style.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Sikkema Jenkins & Co. is currently showing Hewitt's work, in which the artist turns pop culture on its head by making juxtapositions like magazine spreads and family photoalbums, gesturing toward some space between the zeitgeist and collective memory.

By absorbing various alternative influences, refereeing to an art history momentous phenomenon, and interfering with pop culture, Sterling Ruby has made quite an effort to position his art practice as the communication tool not just in the purely aesthetic sense, but in social and political as well.

Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.

With a childhood surrounding a love of comic books, video games and pop culture, Doyle loves to pick out the locations and places made famous by films as epic as Star Wars, Pulp Fiction and Blade Runner — recreating them through bold and colourful illustrations; 10 of which will be on show and available as limited edition prints during a special «collectors preview» of the show next month.

As initiated by the museum, this exhibition sought out current manifestations surrealism through an imagery of pop culture made uncanny or grotesque through intense subjectivity.

He addresses cultural and political issues and infuses his art with the realness of a world dominated by media, pop - culture and globalization, and this subtle amalgamation of freshness, relevance and hand - made imperfection grounds Breuning's Dada - ist commentary.

Chinese contemporary artist Ai Weiwei himself has risen as a cultural political pop icon due to the controversy surrounding his arrest by the Chinese government, in turn, artists around the world created politically charged pop artwork to demonstrate for his release, hence bearing witness to unforeseen polipop culture in the making.

Chetwynd's production is fueled by pop - culture, classical and canonical literature, politics, history, subversive activism, irreverence, and excitement for immediate making, and a sort of tribalistic intuition.

By witnessing his incredible creative process, we can make unexpected connections among different genres and narratives, high art and pop culture, and blur boundaries between fantasy and reality.»

The artists on view in Outsider Art also share something beyond their often improvisational methods of art - making: Their works are woven together by common threads such as religion, the mystical world of animals, pop culture and icons of American history.

The works in Shell Game represent a major departure for Gruzis, whose earlier work used intensive ink washed to create hazy, funky riffs on the objects and places that make up a kind of pop - culture landscape by way of Los Angeles.

Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher, Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985

Created by American artist Garth Britzman, in collaboration with University of Nebraska students, this piece, titled (POP) culture, took 200 hours to make and features a bit of coloured liquid within each bottle, adding some vibrancy to the transparent plastic.

Developed by Bungie, this first - person shooter singlehandedly made the original Xbox a must - have in 2001, and spawned worlds and characters that have become a recognizable part of gaming pop culture.

New York City About Blog The New Inquiry has made itself part of the bigger conversation by mixing political discussion, pop culture dissection, and a good dose of literary sensibilities.

We may not have the power to alter the techno - pop culture that defines so much of teen experience today, but by focusing treatment squarely on how to engage adolescents in a vital relationship, we can make an enormous difference in their lives.