But much like Babe or even the Shiloh films, a decently
made film of this ilk will surprise grown - ups in how successfully they can transfix their target audience.
Not exact matches
Thematically, this is family friendly stuff,
of the Ron Howard Apollo 13
ilk, and the
film's visual power, featuring the work
of Scott's returning DoP Dariusz Wolski,
makes this 3D space epic seem superbly outfitted.
As an episode
of «Twilight Zone» or any one
of its
ilk, this would have
made for a fascinating shorter
film, and would not have suffered from the heavy padding and flaccid side stories that bog all momentum down to a crawl.
Along with its Rambo pedigree, Homefront definitely feels like a
film that would have been par for the course as a release in the 1980s, when Stallone himself, along with Arnie, Chuck Norris, Van Damme, and the rest
of the Expendables
ilk, would all
make films with this very basic formula.
Good performances by the main actors does
make it a cut above most horror
films if its
ilk (though Joe Anderson's German accent is far from authentic), and there is a very effective creep factor involved in the choice
of antagonist, a wildly growing, mimicking plant that can grab, infest and devour its victims in the most grisly and stomach churning ways possible.
Just as other
films of its
ilk (The Phantom, The Shadow), the updating
of the material involves keeping the core
of what
makes the Green Hornet the Green Hornet, while stuffing it into a modern - day action and comedy style.
Where this
film lacks in comparison to his other earlier
films of a similar
ilk is it is missing that gut punch moment, that moment that forces you to
make a judgment on the character (a really good example
of this is Jason Patric «s nausea - inducing takedown
of Catherine Keener «s character in Your Friends and Neighbors).
Roger Corman and his
ilk became the leaders
of cheap and fast
film -
making.