She was choice
made flesh long before we flung a pro around its neck and called those words movement.
* Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976, The Jewish Museum, New York The 1930s: The Making of «The New Man», National Gallery of Canada, Ottawa * Art is for the Spirit: Works from the UBS Art Collection, Mori Art Museum, Tokyo Monet Kandinsky Rothko: und die folgen, Kunstforum, Wein, Austria * Krazy: The Delirious World of Anime + Comics + Video Games + Art, Vancouver Art Gallery, British Columbia, Canada Moving Horizons: The UBS Art Collection: 1960 to the present day, National Museum of China 2008 - 2009 * Oranges and Sardines: Conversations on Abstract Painting, Hammer Museum, Los Angeles 2009 * After Many Springs: Regionalism, Modernism & the Midwest, Des Moines Art Center, IA Paint
Made Flesh, Frist Center for the Visual Arts, Nashville, Tennessee: traveled to The Phillips Collection, Washington D.C.; Memorial Art Gallery, University of Rochester, NY * Die Gegenwart der Linie, Die Pinakothek der Moderne, Munich, Germany * Exhibition of Musee National d'Art Moderne du Pompidou, Seoul Museum of Art, Korea * The Third Mind: American Artists Contemplate Asia, 1860 to 1989, Solomon R. Guggenheim Museum, New York Artists and the Natural World, McKee Gallery * Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York Poor.
Paint
Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death.
Her work has been included in exhibitions worldwide including Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); The Nude In 20th Century Art, Kunsthalle Emden, Germany (2002, travelled to Arken Museum of Modern Art, Copenhagen in 2003); Painting, Museo Correr, 50th Biennale di Venezia (2003); and Paint
Made Flesh, Frist Center for the Arts, Nashville (2009, travelled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).
Exhibitions include: «Contemporary» 90», Royal College of Art (1990); Cooling Gallery, London (1993); Sensation, Royal Academy of Arts, London (1997)[this later travelled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1999]; «The Nude In 20th Century Art,» Kunsthalle Emden, Germany (2002); «Painting,» Museo Correr, 50th Venice Biennale (2003); «Paint
Made Flesh,» Frist Center for the Arts, Nashville (2009); «Continuum» at the Gagosian Gallery, New York City (2011); The RAW series — Recognition of Art by Women Norton Museum of Art, West Palm Beach Florida (2012).
«Paint
Made Flesh»» benefitted from its single - medium approach that brought an overall unity to the show, reinforcing the connections between artists as varied as Pablo Picasso, Alice Neel, and Georg Baselitz.
His paintings are included in «Paint
Made Flesh,» a group show organized... read more... «John Currin: «Just don't do things that depress you.
His paintings are included in «Paint
Made Flesh,» a group show organized by the Frist Center for the Visual Arts in Nashville that opens at The Phillips Collection on Saturday.
Forthcoming important exhibitions for Rothenberg include a group show titled «Paint
Made Flesh» at the Frist Art Center in Nashville, Tennessee from 23 January — 10 May 2009, and a solo survey of twenty - five paintings presented by the Modern Art Museum of Fort Worth and the Georgia O'Keeffe Museum in Santa Fe, New Mexico.
«Paint
Made Flesh,» Frist Center for the Visual Arts, Nashville, TN 2009.
His essay is called, «The Word
Made Flesh; L.A. Pop Redefined», which of course is a section which deals with you and those who are supposedly closest to you who were working at the time.
The Word
Made Flesh Made Graphite Rob Matthews, The Word
Made Flesh Made Graphite, 2005, graphite on paper, courtesy of Gallery Joe, Philadelphia, PA
Amanda Quinn Olivar is currently producing a play by playwright Howard Meyer called Paint
Made Flesh and the documentary Seeing is Believing: Women Direct.
2006 The word
made flesh, Stephen Friedman Gallery, London, England 2005 Satyr: Ikon, Galleria Continua, San Gimigano, Italy The Fall, Sorry we're closed, Brussels, Belgium Hung, Drawn and Quartered, Contemporary Arts Center, Cincinnati, USA; toured to Aspen Art Museum, Aspen, USA (catalogue) The Fall, Sorry, We're Closed, Brussels, Belgium
Alternatively, some Christian theologians embraced representations of Christ and contended that such images were valid because Christ himself was the word
made flesh.
Paint
Made Flesh, Memorial Art Gallery of the University of Rochester, Rochester, NY Travels to: Frist Center for the Visual Arts, Nashville, TN; The Phillips Collection, Washington, D.C.
New works of art are mixed with older works, all of which are distilled from the process of the word being
made flesh.
2009 Paint
Made Flesh, Frist Center for the Visual Art Nashville, Tennessee; The Phillips Collection, Washington, D.C.; Memorial Art Gallery, Rochester, New York
Her work has been included in exhibitions worldwide including «Sensation: Young British Artists from the Saatchi Collection», Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); «The Nude In 20th Century Art», Kunsthalle Emden, Germany (2002, traveled to Arken Museum of Modern Art, Copenhagen in 2003); «Painting», Museo Correr, 50th Biennale di Venezia (2003); and «Paint
Made Flesh», Frist Center for the Arts, Nashville (2009, traveled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).
EXHIBITIONS 2014 — Bourque, Bondgren and bourbon (Two - Person Collaborative Exhibition with Loretta Bourque), Linda Warren Projects, Chicago 2014 - Diverse Expressions, Human Thread Gallery, Chicago, IL 2014 - Gaze, Azimuth Projects, Chicago, IL (two - person exhibition with Ivan Lozano) 2013 - Gay Straight Alliance LGBT History Month Exhibit, Governors State University, University Park, IL 2012 - The Great Refusal: Taking on New Queer Aesthetics, SAIC Sullivan Galleries, Chicago, IL 2011 — All That Glitters, Linda Warren Gallery, Chicago, IL (solo) 2010 — Glimmer, Peregrine Program, Chicago, IL (solo) 2009 — The Cockamamie Show, North Lakeside Cultural Center, Chicago, IL 2008 —
Made Flesh, Center on Halsted, Chicago, IL (solo) 2008 — summergroup08, Estudiotres, Chicago, IL 2008 — 21st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA 2008 — Thaw, Estudiotres, Chicago, IL 2007 — Better Days Ahead, The Finch Gallery, Chicago, IL (solo) 2007 — Creative Convergence, Center on Halsted, Chicago, IL 2007 — Collection Show, Estudiotres, Chicago, IL 2007 — Salon 07, Energy Gallery at Lennox Contemporary, Toronto, Canada.
Is there in each painting and construction a physical manifestation of thought: logic apprehended by the senses, not so much «word
made flesh» as perhaps number made material?
Julian Schnabel's Hope (1982) is inspired by European painting and religious imagery, and the canvas is a mélange of color and iconography, its central figure emerging as its own X-ray
made flesh.
Portraiture in the Age of Abstraction, National Portrait Gallery, Washington D.C. (2014), Paint
Made Flesh at the Frist Center for the Visual Arts, Nashville (touring to the Phillips Collection, Washington D.C., and the Memorial Art Gallery, University of Rochester, 2008) and Wack!
Which is, most likely, as Nintendo intended; as Irwin points out, «Tanabe's absence suggests a corporate culture of anonymity,» a neutral backdrop against which their «wunderkind - turned - producer - turned - mascot,» Miyamoto, can shine «as some kind of game character
made flesh, grinning and swinging a plastic sword.»
If the aim is to make the veteran Sega fan feel like part of the story, their veneration
made flesh alongside the lead, the impression is of the bloated Sonicverse itself chasing after the hedgehog and butting him out of the way.
That film was pure cinematic joy
made flesh.
The manufactured being at the center of the film, Ava — a clear descendant of «the future Eve» — begins as an object of inquiry, a machine to be run through its paces, a Turing test
made flesh.
The movie's premise is primal: the fear of the dark versus the absolute necessity of light as protection from not just evil
made flesh, but philosophical evils, too — mythologies and beliefs and certain quailings of spirit made silly by any illumination.
The lifestyles of Gale, Evelle and Smalls are like H.I's repressed anxieties and desires
made flesh, while Dot (Frances McDormand) and Glen (Sam McMurray), an obnoxious couple who seem to have raised the kids from hell, appear to signify H.I.'s fear of family life, displaying crude characteristics of the worst type of parents.
Ray has had his face bashed up in a drug deal gone wrong; he looks like a Francis Bacon portrait
made flesh.
Rating: Hoopla Factor: Ray and Ken are so efficiently developed and yet so brilliantly
made flesh that the audience is compelled to take their side.
Ray and Ken are so efficiently developed and yet so brilliantly
made flesh that the audience is compelled to take their side.
It's like Darth Vader's mask
made flesh.
A great insight into a fascinating character: a cartoon character
made flesh.
You are stardust
made flesh.
But shape theory, in Bookstein's hands, is mathematics
made flesh: It not only sheds new light on mental illness, it may change a doctor's diagnosis or his decision on where to cut a living brain.
Placebos: Forget partisan fantasies that the other party is the culture of corruption
made flesh.
Hearing him on the radio this morning promising to be a champion of the poor and downtrodden
made my flesh creep.
«Here is a stickler from an earlier age... here is pettifogging fogey
made flesh.»
Sturgeon soared to power as the «new politics»
made flesh.
After the fight, a headline read, «And the Myth Was
Made Flesh.»
The Word
made flesh becomes Nicodemus's text, and the living water of the Torah an ever - expanding pool of wisdom.
Today the Word
made flesh demonstrates the deification of that same flesh He united to Himself, by the brightness of His face and clothing.
To the interior seeking of our personality, or psyche if you will, God the Environer, the life - determiner of man, provides also by the interior life of grace, and the complementary word of priest and prophet, culminating in The Word
made Flesh through the history of mankind.
«The Word was
made flesh and dwelt among us, and we saw his glory, the glory that is his as the only Son of the Father, full of grace and truth.»
This meaning was ultimately clarified and confirmed by a final event in which «the Word was
made flesh», that is, was completely embodied in a Person and in His relations with the total historical situation.
He read and reinterpreted the rest of Scripture — including the creation accounts — in light of the history - altering incarnation of the Word
made flesh.
But it takes a long story to get us from creation in the image of the Logos to the Logos
made flesh.
This vision is centred upon the «Word
made flesh», «In Whom we live and move and have our being».
For the first and last word is God's Word, the Word
made flesh, Jesus Christ, our risen Lord.