Sentences with phrase «made nude paintings»

I am an Artist I made nude paintings of bbws.

Not exact matches

Sotheby's sold «Reclining Nude,» an Amedeo Modigliani painting of a naked brunette lounging on tousled bedsheets, for an artist record, making it one of the few paintings to surpass $ 150 million at auction.
It all has beauty, and my ideal match would agree and not make a joke of an abstract painting or a nude statue... a dirty...
Back in the days when Mel Ramos could paint Chiquita Banana pinups, Tom Wesselmann could sex up his still lifes by putting sunburned nudes with pubic hair into them, and Allen Jones could obnoxiously use a lifelike playmate on her knees as a coffee table, Marjorie Strider was making shaped canvases featuring 3 - D breasts that were smartly violating the picture plane as if to one - up the men, who never noticed.
For the last two and a half years, Rubell has been posing nude three times a week for Twilley in Rubell's studio with Twilley making all of the decisions concerning the paintings.
Her work has been included in exhibitions worldwide including «Sensation: Young British Artists from the Saatchi Collection», Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); «The Nude In 20th Century Art», Kunsthalle Emden, Germany (2002, traveled to Arken Museum of Modern Art, Copenhagen in 2003); «Painting», Museo Correr, 50th Biennale di Venezia (2003); and «Paint Made Flesh», Frist Center for the Arts, Nashville (2009, traveled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).
These paintings» twisted Neo-Classicism, their Ingresque backlighting, their intimations of lesbian couplings, not to mention the physical - culture allure of their 1930s photographic sources, combined to make Picabia's»40s nudes the paradigm of a new kind of pictoriality which has proved very powerful for contemporary artists.
Opening: «Izumi Kato» at Galerie Perrotin After exhibiting in Japan since 1996, Izumi Kato makes his New York solo show debut with a display of recent paintings and sculptures of nude, alien - like figures with multiple heads, limbs that sprout plants and torsos with wings.
It took eight nude dancers to make a spectacle of themselves along with sausages, wet paint, and raw chickens, as Meat Joy in 1964.
Pimples, cinnamon rolls, and a mountain man making paintings in the nude are some of the kinds of imagery found at Rebecca Morgan's exhibition of recent paintings, ceramics, and works on paper at Asya Geisberg Gallery.
These large - scale paintings were made by nude female models, directed by Klein, carefully applying paint to the canvas with their bodies.
When fellow students who had been on courses at Newcastle — where Tom Hudson, Harry Thubron, Victor Pasmore and Richard Hamilton were among their mentors — began to explain the evolution of Mondrian's work to me, the metamorphosis of his drawings of trees, for instance, towards making an autonomous painting, or Matisse working directly from the nude model but ending with an independent image — then it seemed an exciting possibility, to make a painting that was independent of local colour or illustrative form.
At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.
Stairs into My Eyes, The Finley, Los Angeles, curated by Dianna Molzan 2013 Boiled Angel, The Woodmill GP, London, England, October 13 — December 8 Soft Off (but I love it when your mouth is a little shut), ltd, Los Angeles, curated with Robin Peckham Abstract Perversion, Five Car Garage, Los Angeles Squirts, Regina Rex, New York Unsolved Mysteries, POST, Los Angeles Sinking with the Ship, Sam Francis Gallery, curated by Mateo Tannatt, Crossroads School, Los Angeles Made in Space, Night Gallery, Los Angeles, curated by Laura Owens and Peter Harkawik Made in Space, Gavin Brown's Enterprise, New York, and Venus Over Manhattan, New York 2012 Lectures and Salad, (performance), Actual Size, Los Angeles Two and Half Hands and a Painting, Pauline (with Kenneth Tam & Mateo Tannatt), Los Angeles POST, Los Angeles Nudes, Calvin Marcus Studio, Los Angeles Absurdo Absolutum II, (screening), Microscope Gallery, New York Cannibalistic Humanoid Underground Dwellers, KChung Radio, Los Angeles 2011 The Cactus Show, Calvin Marcus Studio, Los Angeles Object - Orientation, Cerritos College Art Gallery, Cerritos, CA, curated by James MacDevitt (cat.)
In addition, a number of major new acquisitions will be exhibited at the Whitney for the first time, including Barkley L. Hendricks's full - length 1976 portrait, Steve; Urs Fischer's 2015 towering candle sculpture of Julian Schnabel (making its debut); Joan Semmel's painting of two nude lovers, Touch (1977); Henry Taylor's depiction of Black Panther leader Huey Newton (2007); Deana Lawson's striking color photograph The Garden (2015); and Rosalyn Drexler's Pop masterwork Marilyn Pursued by Death (1963).
Often playing with images and materials associated with beauty and desire, Hamilton repeatedly uses sculptural cut - outs of film stills or women's legs made from transparent plastic and wooden shapes based on Modernist depictions of female nudes such as the curvy abstracted figure found in her 2007 piece The Piano Lesson, based on Fernand Léger's 1921 painting Le Grand Déjeuner.
His nudes, on the other hand, reveal echoes of the past, as can be seen in the small series made in 1997 which comes back to life in the rectangular outlines of a canvas and in the change of technique to oil painting.
Among the latest trophy lots to be unveiled, and estimated to make around $ 20m, is Roy Lichtenstein's seductive Ben - Day dot painting Nude Sunbathing.
He made Bedroom Breast, 2004, a painted metal relief, referring back to his earlier work, and also Man Ray at the Dance, a large canvas painting, at more than eight by six feet, and eight Sunset Nudes including Sunset Nude with Frame, a painted metal work.
continued In his oils: Blue Nude Drawing: Claire 321/97 (both dated 1999); Blue Nude (2000), a painting that led on to a series of blue nudes made in shaped aluminum that went on exhibition in December 2000 at the Joseph Heiman Gallery.
Klein often used bodies in similarly absurdist and shocking ways, making casts of friends and, in one scandalous event, making paintings with the nude bodies of young women who had been covered with IKB paint.
Color and black & white single panels, diptychs, triptychs, and a five part reclining figure were all made using a 40 - by - 80 inch Polaroid camera and will be on view alongside the 10 - by - 21 foot Big Nude, a 1967 painting on loan from a private collection and never before exhibited publicly in New York.
Klein used the pigment in many of his best - known works, including monochrome paintings, sculptures, and his Anthropometries, for which he would paint nude female models with IKB, then use the «human brushes» to make marks on paper and canvas, all in front of a live audience.
Amedeo Modigliani's Nu Couché (1917 — 18) soared past its already astronomical $ 100 million on - request estimate en route to a record - smashing price of $ 170.4 million at Christie's Monday night, making the magnificent nude portrait the second - most - expensive painting ever sold at auction — and, in a twist,... Read More
Amedeo Modigliani's Nu Couché (1917 — 18) soared past its already astronomical $ 100 million on - request estimate en route to a record - smashing price of $ 170.4 million at Christie's Monday night, making the magnificent nude portrait the second - most - expensive painting ever sold at auction — and, in a twist, a high point in an otherwise surprisingly tepid evening.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
This painting was made using a technique which Hepworth had developed in the 1940s for her nude studies (see Tate Gallery
Painted at heroic scale in her layered, quick - flick manner, they made economical use of her Bacchanalian nudes and offered copious amounts of falling leaves in every color of the harvest and the planting season, even in I Will Not Paint Any More Boring Leaves (2)(2?).
The show features large - scale drawings of nudes in idyllic settings, photographs of dreamy tabletop dioramas made from collaged porn images and family photos and paintings of tulips that reference Dutch masters.
Many things on display in «14 Rooms» would make for excellent clandestine iPhone photo fodder: there's Damien Hirst's Holly, Gretel, in which two identical twins were reading the same Jodi Picault novel under a Hirst spot painting; Marina Abramovic's Luminosity, from 1997, featuring a nude woman suspended on the wall and washed in the glare of a spotlight; an early Bruce Nauman performance called Wall - Floor Positions; and, as an epilogue, Jordan Wolfson's [Female Figure], the now - famous robot that was on view at David Zwirner earlier this year.
Exhibitions include: «Contemporary» 90», Royal College of Art (1990); Cooling Gallery, London (1993); Sensation, Royal Academy of Arts, London (1997)[this later travelled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1999]; «The Nude In 20th Century Art,» Kunsthalle Emden, Germany (2002); «Painting,» Museo Correr, 50th Venice Biennale (2003); «Paint Made Flesh,» Frist Center for the Arts, Nashville (2009); «Continuum» at the Gagosian Gallery, New York City (2011); The RAW series — Recognition of Art by Women Norton Museum of Art, West Palm Beach Florida (2012).
Pride of place went to The semi-abstract painting Nude, Green Leaves and Bust (1932) by Pablo Picasso (1881 - 1973), which was hammered down for $ 106.5 million, making it the world's most expensive work of art ever sold at auction.
The Tehran - born artist Tala Madani definitely made her mark at the Whitney Biennial with a series of paintings featuring nude men beaming brightly covered lights out of their behinds.
Upritchard's small meticulous figures made out of techno - color painted Supersculpty clay, either nude or attired in found material, take on nonsensical poses.
Its sole inhabitant is an oversized, gray female nude outlined in black (as is everything else in the painting), and usually seen from behind, a character Dunham described best when he said — in a 2009 interview in the Brooklyn Rail — that «[i] t was like the doctor deciding to make a female version of Frankenstein out of spare parts.»
He achieved immediate recognition for his superrealist voyeuristic life - size nudes made out of painted polyvinyl, finished with human hair.
Adding additional market power to this print is the bust on the right: its placement in this print, made in 1933, echoes the position of a cubo - classical bust that Picasso included in a painting from the year before, Nude, Green Leaves and Bust, which made history in 2010 when it sold for $ 106.5 million at Christie's, a record for the artist.
While the earlier, gritty output would inspire later photographers such as Don McCullin, the new work — nudes, portraits, landscapes — made him an ingredient as essential to the establishment of British modernism as the sculptures of Henry Moore and Barbara Hepworth, and the paintings of Ben Nicholson.
Traditionalists include Billy Sullivan, whose nude and still - life paintings are made with deft, Bonnardian sensuousness; Robert Harms, who renders yellow heliotrope blossoms with a heavy painterly hand; and Jane Wilson, whose expansive, dark blue seascape approaches Rothko-esque abstraction.
Did re-creating the original photograph through painting and then photographing the painting make the image of his nude wife more «real,» as Richter suggests?
Acknowledged as a progenitor of Minimalism, Kusama made headlines for street performances in which she painted polka dots on nude men and women.
Her work has been included in exhibitions worldwide including Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); The Nude In 20th Century Art, Kunsthalle Emden, Germany (2002, travelled to Arken Museum of Modern Art, Copenhagen in 2003); Painting, Museo Correr, 50th Biennale di Venezia (2003); and Paint Made Flesh, Frist Center for the Arts, Nashville (2009, travelled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).
[37] William Watson notes that «It has been said that the role of landscape art in Chinese painting corresponds to that of the nude in the west, as a theme unvarying in itself, but made the vehicle of infinite nuances of vision and feeling».
Huanca in turn presents leather and faux fur «Hairy Boots» (2015), and nylon and leather «Dino Shoes» (2015), next to the clay smudges and paint footprints made by the actual bodies of two nude women performers from opening night.
Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.
Barlow stressed the exhibition would not be saying gay artists only made works that reflected their same - sex desire, but it would be showing works engaging with those issues — for example, Duncan Grant's 1911 homoerotic painting Bathing, a gorgeous panorama of seven muscular male nudes painted as part of a decorative scheme for Borough Polytechnic at the Elephant and Castle in London.
Being drawn to their uneasy balance of modernity and nostalgia, these paintings reflected a complex and contradictory attitude toward urban society and fashionable resort life, keenly depicting the social changes that made the sea - bathing fad possible, while, at the same time, reaching longingly back to classical themes of the nude in an idyllic landscape.
It is one of the few reclining nudes to come to the market in recent years, one of which was Portrait of Henrietta Moraes (1963), sold at Christie's in May 2015, and one of 16 paintings Bacon made of his close friend.
[22] In 1961 Pearlstein began to make paintings of nude couples based upon his drawings, and in 1962 he began painting directly from the model in a less painterly and more realistic style.
But there is an unofficial code of conduct associated with painting someone nude that includes informing models in advance that they would be expected to undress; making sure the subject is comfortable posing unclothed; refraining from commenting on a model's body; keeping the atmosphere professional and avoiding personal questions.
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