Sentences with phrase «made stage adaptations»

Other non-noir Premingers shown on his birthday are his two well - made stage adaptations: George Bernard Shaw's historical drama «Saint Joan» (1957), scripted by Greene, with Jean Seberg, Richard Widmark and Anton Walbrook at 10:45 a.m. (7:45 a.m.) and F. Hugh Herbert's controversial sex comedy «The Moon is Blue» (1953), with William Holden, Maggie McNamara and David Niven, at 3 p.m. (12 p.m.).

Not exact matches

You may still find the love of your life even after 60 years, the dating rules tend to change and you must be able to make the necessary adaptations to win the Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a
The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made - for - television adaptation directed by and starring Allen himself.
Interestingly, rather than try to keep as much of the stage musical intact in order to please fans of the theater production, Condon has made several significant changes in his adaptation, most notably in making the characters play more like the real - life counterparts of their inspiration.
The problem with this Richard LaGravenese adaptation of Jason Robert Brown's 2002 stage show is that the asynchrony that exists between its characters extends to the actors playing them, making the film feel uneven for the wrong reasons.
A seriously funny movie that avoids making fun of its characters by painting their various plights with sympathy and understanding, Toc Toc is an adaptation of the stage play by Laurent Baffie.
- Digital transfer of the director's cut, supervised by director Wes Anderson (with new DTS - HD Master Audio soundtrack)- Audio commentary featuring Anderson, cowriter Owen Wilson, and actor Jason Schwartzman - The Making of Rushmore, an exclusive behind - the - scenes documentary by Eric Chase Anderson - «Max Fischer Players Present» theatrical «adaptations» of Armageddon, Out of Sight, and The Truman Show, staged for the 1999 MTV Movie Awards - Episode of The Charlie Rose Show featuring Wes Anderson and actor Bill Murray - Audition footage - Anderson's hand - drawn storyboards, plus a film - to - storyboard comparison - Collectible poster, essay by film critic Dave Kehr
Harington - who made his stage debut in 2008 in the National Theatre's adaptation of War Horse and appeared in the Donmar Warehouse's production of The Vote earlier this year - said: «I'm honoured to have been asked to be part of The Children's Monologues.
While not the travesty that Burlesque or Rock of Ages ended up being, Eastwood's adaptation is just another in a line of hit stage shows being translated to the screen and losing whatever pop made them such a treat for audiences in the theater.
It takes a supremely talented director, cast, and crew to make the adaptation faithful to the stage version while making it work for the camera.
The film is introduced with the atypical title «William Friedkin's Film Of Tracy Letts» «Killer Joe,» «suggesting that it'll be a no - frills adaptation of the play, but that's not quite true; it's plenty faithful to the stage version, but Friedkin and Letts (the latter of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scene.
Given that a major West End musical adaptation of the film is slated for next year (making this the fourth Whoopi Goldberg blockbuster to beget a stage musical), and that 2010 also just happens to be the film's 20th anniversary, there's a safe bet that a new release will be coming down the pipe in the relatively near future.
Streep, Roberts, and just about everyone else is on top of their game, making for an interminably watchable stage - to - screen adaptation.
A movie musical based on a stage musical built on pre-existing music certainly has some of its work done for it right from the point of cinematic conception, but even with such a head start, Clint Eastwood still applies enough tender, heartfelt identity to his adaptation, Jersey Boys, to make the screen version a touching endeavor.
The list of icons making appearances was truly unprecedented: Superman soars twice — once in the «return» and the other as Ben Affleck; Crockett and Tubbs exude cool; Ethan Hunt falls short; Captain Jack Sparrow sets the stage for the finale; Jack Black sometimes wears stretchy pants; Huey Long is resurrected and somehow over-played by Sean Penn; the mass appeal of the DaVinci Code novel fizzled onscreen; Robert Altman's amazing career ended with an excellent adaptation of a radio series starring Garrison Keillor's made for radio face; Johnny Depp tried to untrack his career with The Libertine; Nicolas Cage was front and center in the disastrous remake of The Wicker Man, but if the preview is any indication, his sleep - walk was merely a tune - up for this year's Ghost Rider; Woody Allen (with Scarlett Johansson as his muse) re-emerged with his best comedy since Crimes and Misdemeanors; amazingly, Jen and Vince's real life break - up was more entertaining than the film version; and while on - set hook - ups seem to the norm, how could the dreadful You, Me and Dupree have been an aphrodisiac for Kate and Owen?
While two high budget Jungle Book adaptations coming out within a year of each other from rival studios seems like a confusing prospect, it certainly makes for some interesting toing - and - froing, especially in the casting stage...
The nominations were announced by Mary - Louise Parker and Bruce Willis, who is making his Broadway debut opposite House of Cards actress Elizabeth Marvel in the stage adaptation of Misery.
The first of the disc's four featurettes, «Doubt: From Stage to Screen» (19:05) covers more than the adaptation process, acting as kind of a general making - of.
In this exploratory study, we started with the well - researched and sophisticated activity of video annotation and then made three adaptations to the video annotation method (near - peer video; expert feedback; video study approach) and also implemented it with early - stage rather than late - stage teacher education students.
The creativity that flushes through every square inch of the canvas makes Mario feel like a stage adaptation of a washing machine manual.
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