Sentences with phrase «made viewers wonder»

His flags, targets and stenciled numbers were emptied of all illusion or grandeur, and they made viewers wonder whether a painting, like a cup or a chair, wasn't just an ordinary material object.

«Sex Tape» features lots of nudity, which might make the viewer wonder whether the bodies are really those of Cameron Diaz and Jason Segel or those of others hired to get it on.

The best sequence, a lovely meeting where Arlo and Spot use sticks to pantomime their devastating histories, makes a viewer wonder if «The Good Dinosaur» might have been better first - half - of - «Wall - E» - style, with no dialogue at all.

Inspired by the Hollywood's stylization of violence, in part by the neo-noir cinema of Rainer Werner Fassbinder, rock star poses in music videos and probably the rise of Wall Street his characters are captured in undefined motion that makes the viewer wonder whether they are dancing or dying.

Coming from Hershman Leeson, who enjoys exploring the boundaries of new technology with her art (and with varying successes and lessons learned), the unanswered question makes the viewer wonder if there should be a limit.

I hope that each painting conveys this affection and tells a different story, perhaps even making the viewer wonder exactly what may be going on in the cattle's heads.

JO: I use glossy paint sometimes to create a shadow, to make the viewer wonder if it's the reflection of something.

Not exact matches

Just maybe the best made - for - TV convention is the one where viewers are left wondering how the hell it's all going to end.

is one of the best series on TV right now, i must say that the writers make the viewers stay tuned, intriguing and wondering during all of the

The bad - taste brinksmanship continues right through to the closing credits with a montage of photos aimed to make viewers walk out of the theatre wondering if they saw what they thought they saw.

is one of the best series on TV right now, i must say that the writers make the viewers stay tuned, intriguing and wondering during all of the episode, making the viewer want to watch the show week after week, making the series is successful as it is, is brilliant than the writers decide to put at the end of each episode a clip about what «A» plan to do, leaving you more intrigued that you were at the beginning of the episode.

is one of the best series on TV right now, i must say that the writers make the viewers stay tuned, intriguing and wondering during all of the episode, making the viewer want to watch the show week after week, making the series is successful as it is, is brilliant than the writers decide to put at the end of each episode a clip about what «A» plan to do, leaving you more intrigued that

That «type», in case you're wondering, is the small pocket of films that hinge around the philosophy that taking drugs is big and clever, but inevitably labour their point because they're too tied up in making it to offer the viewer anything else.

Then again, he also says of Swept Away, «It's very fresh — they don't make films about slapping women anymore,» leading the viewer to wonder if he's really got his finger on the pulse.

In the inconclusive ending, the viewer is still left wondering about his feelings for his wife, preventing the message the movie is trying to make from coming across clearly.

The drawings work in tandem with the maps to pull the viewer in, making them wonder more about the history of the subject.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

There is a sense of lifetimes in his paintings that continue from childhood to old age, for he makes sure the viewer knows that the girl is adolescent and that the woman holding flowers is elderly, yet we can't help but wonder who the «The Chaperone» is.

The installation can be appreciated for its incredible craftsmanship, its ability to transform the space, and its power to make the most seasoned art viewer delight with wonder.

I like the idea that the viewer might be frozen by wonder, trying to understand what they are looking at, or how the painting was made, or even what materials I am using.

Varejão's Mimbres are made with a plaster - and - paint mix that is poured onto the canvas and when dry breaks on its own creating cracks and having a similar intent as the Mimbres had: to surround the piece with certain mysticism, as if inviting the viewer to wonder what kind of energy is behind that thick interface.

Hirschhorn's mastery isn't with craft or object making, but he infuses a sense of wonder and play into his installation that enables the viewer to project past the actual physicality of the work.

Which might make you wonder if you, the viewer, have been rendered, by the context and content of an art exhibit, quite nearly if not completely beside the point.

While one can make sense of how a collection of photos showing people with their backs turned to the viewer or a series of heads, both real and fake, come together on a superficial level, one wonders how flowers, a kimono and a plastic airbrushed unicorn piece are linked.