Tarantino's brilliant script for «Django Unchained» is better than the fun, talky, well -
made violent revenge western that he finally relinquished — weeks late — after a long battle in the editing room to get it down to 2 hours 45.
Not exact matches
Get Carter works as a
revenge thriller because Mike Hodges had the confidence to
make us subversively root for Jack and then show how his
violent acts destroy him in the iconic, near - perfect ending.
Cosmically
violent, effortlessly urbane and generally bloody brilliant, Drive was a wonderfully gaudy
revenge piece that dared position the Mickey Mouse Club's very own Ryan Gosling as a cinematic icon in the
making.
The show's simple format
made you feel good about
violent revenge, even though you knew deep down it was probably wrong.
The idea of a miscreant of a teddy bear exacting
revenge on his fellow teddies through
violent and deadly means could
make for a good game.
But Tarantino being Tarantino, he doesn't just
make a big,
violent, sprawling western filled gunfights and clever talk and driven by
revenge and Old -LSB-...]