Sentences with phrase «made woodcuts»

I made woodcuts, those little ones that you see.

The pliable linoleum surface allows for a more fluid line than is possible in making a woodcut.

Baselitz moved to Osthofen, near Worms, in 1966, and he began to make woodcuts and started a series of fracture paintings of rural motifs.

When making woodcuts it is crucial to keep white space without sacrificing detail, which is not easy to do.

Not exact matches

I loved the way it combines a variety of styles — including some animation that resembles woodcut and some that looks like colorful paper puppets — and the way the animation is made to look flat in flashbacks so the present - day images pop out at us more vividly.

He did woodcuts and the font we used is very similar to ones he made for Cecil Day - Lewis» books.

Crucially, it's VistaVision, that high - density 35 mm format that makes everything seem hyper - real and surreal at the same time, an entire world of woodcut surfaces that looks as if you can walk into it.

It's played using a custom controller consisting of actual vintage 19th - century telegraph hardware, and features on - screen visuals made entirely of found 19th - century woodcut illustrations.

Actually, forget that messy analogy: just recall that Wassily Kandinsky made naïve woodcuts before he invented abstraction.

The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white paintings «Orestes» and «Zurich» (both 1947).

Besides her paintings, Ms. Frankenthaler is known for her inventive lithographs, etchings and screen prints she produced since 1961, but critics have suggested that her woodcuts have made the most original contribution to printmaking.

Working with woodcut, sculpture, video and performance, Büttner also produces contemplative, abstract fabric «paintings» made from heavy - duty material of workers» uniforms.

Pape first attempted to break out of the strict industrial geometry of concrete art in a series of woodcuts made in the 50s.

A CURIOUS HAND: THE PRINTS OF HENRI - CHARLES GUÉRARD (1846 - 1897) Guérard made etchings for Manet and a variety of innovations within modern printmaking based on the 19th - century French craze for Japanese ukiyo - e woodcuts.

Recent major exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color: Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).

From self - portraits created in our children's programs and wearable art designed for the Teen Stylin» runway to woodcut prints inked in the Studio School's adult classes, art - making happens across VMFA's campus.

Anyone who identifies him exclusively with his later color studies will find an unexpectedly varied artist here: a photographer of Aztec ruins (the Alberses adored Mexico, making more than a dozen trips), a furniture designer, a carver of bouncy curlicue - patterned woodcuts, and a collagist who could infuse the lift of devotional art into an arrangement of dried leaves.

Although Baselitz has made prints since the mid-1960s, he initially used the etching and woodcut media primarily to reproduce images from his paintings.

[7] He would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut, producing over 400 prints made by different techniques in his lifetime.

In addition to the woodcuts, the exhibition includes watercolour paintings, drawings made with old - fashioned typewriters and handmade ceramic sculptures.

Drawn from the collections of Jordan D. Schnitzer and his family foundation, this exhibition includes more than 25 prints made from a diverse range of techniques, including lithographs, etchings, aquatints, screen prints, and woodcuts.

«My work uses different types of mark making in woodcutting to create altered landscapes where figures exist in a contemplative space.

Weeping Crabapple (2009), the last woodcut she made, looks less like a woodcut than any of her previous works.

Although Frankenthaler made only two woodcuts in the 1980s, Cameo (1980) and Cedar Hill (1983), they remain among her most significant woodcuts.

In its most basic form, the making of a woodcut requires just a block of wood, a cutting tool known as a gouge, some ink, and a

Josef Albers, a founding member of the Bauhaus, pioneered print making in the last century, making use of numerous media, including etching, engraving, woodcut, lithography and screen - printing.

The studio provides capabilities for intaglio, monotype, woodcut, linocut, letterpress, screen print, paper making, book arts and various mixed - media techniques.

Often made with dozens of colors, her woodcuts revived the medium in the 1970s.

Gouge: The Modern Woodcut 1870 to Now is made possible by a major gift from Susan Steinhauser and Daniel Greenberg and the Greenberg Foundation in loving memory of Ruth Greenberg.

In addition to the three Aten Reign woodcuts, the exhibition includes six blocks and six proofs employed in making the suite.

Starker in color and contrast than his etchings, Shapiro's woodcuts also show off superb carving and a heightened wood grain that make the block itself a central figure of the works.

In the 1970s, Tatyana Grosman, of Universal Limited Art Editions, invited Frankenthaler, then in her mid-forties, to make her first woodcut.

This volume accompanies a major retrospective of Kiefer's works at the Royal Academy of Arts which includes a number of new works especially made for the exhibition and explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Among the images in the British Museum's exhibition is a Baselitz woodcut, Eagle, from 1981 - 82, in which the bird that is the heraldic symbol of Germany (and of the Nazi regime) appears upside down, apparently falling, one of many representations he has made of eagles.

Three limited edition woodcuts have been made by Sigrid Holmwood especially for the exhibition.

Sun Xun has made his name by combining traditional craft techniques — such as ink painting and woodcuts — with energetic stop - motion animated films.

We use woodcarving tools to create one - color and multiple - color relief prints as well as a color reduction woodcut using the same matrix but multiple impressions, employing transferring techniques as well as design and mark - making methods in wood or linoleum.

Her work continues to be featured regularly in solo and group exhibitions, with recent examples including Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013), Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014), Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, 2014 - 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, both summer 2017), and Helen Frankenthaler: After Abstract Expressionism, 1959 - 1962 (Gagosian Gallery, Paris, summer 2017).

Another sought - after film piece making its round to Hong Kong finally is Sun Xun's 10 - minute 3D film, «Time Spy» (screening on 29 March) which was first exhibited at Art Basel Miami Beach, and brings together traditional woodcut techniques with a 3D visual experience.

Tyler describes: «For the Genji and Madame Butterfly woodcuts, she made wonderful painted wood panels that were used as the guide for making the color woodcuts on colored handmade papers (made by John Hutcheson and Tom Strianese).

A Limited Edition Series (31) of Archival Woodcut Prints - made at AirSpace Gallery on the opening of Nothing Remains Unchanged But The Clouds

A second, and equally engaging exhibition at The Clark, No Rules: Helen Frankenthaler Woodcuts, traces her groundbreaking work in woodblock printing back to 1973, when Frankenthaler made her first wWoodcuts, traces her groundbreaking work in woodblock printing back to 1973, when Frankenthaler made her first woodcutswoodcuts.

This, of course, is hardly an aesthetic crime if you consider that the history of printmaking in Germany began with Albrecht Dürer and his contemporaries making affordable woodcuts and engravings for the sake of people who could not afford paintings.

A813 Broadway @, as this joint cooperation venture was called on a woodcut announcement made by Wolf Kahn, was visited by about 300 artists and two art critics, Thomas B. Hess of Art News and Paul Brach of the Arts Digest.

An artist who studied with the irascible Clyfford Still in California and then spent two years in Japan immersing herself in the world - flattening tradition of woodcut prints, Deborah Remington established herself as a Beat artist in San Francisco, making gesture-less paintings of spooky - colored shapes that seem to barely hover into view.

Celmins works in traditional intaglio (see Alliance 1983), lithographic (see Untitled Portfolio: Galaxy 1975), and relief processes (see Ocean Surface Woodcut 1992) to make her prints.

February 26 — April 2, 2016: The Last Glacier In his first exhibition at Kai Lin Art, printmaker Todd Anderson uses reductive woodcut techniques to make original prints inspired by the remaining glaciers in Glacier National Park.

Hyder is a master of one of the oldest techniques of making images — woodcut.

This superbly designed volume, accompanying a major retrospective and including new works especially made for the exhibition, explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Josef Albers, a founding member of the Bauhaus, was one of the most innovative printmakers of the twentieth century, making use of numerous print media, including etching, engraving, woodcut, lithography and screenprinting, from 1916 until his death in Connecticut in 1976.