Sentences with phrase «magazines art focus»

Between 2007 — 09, he was the editor - in - chief of the art magazines Art Focus and Art Time.

Not exact matches

The site offers a host of improvements, including more prominent display of breaking news and feature stories, faster and more customized search, better integration of new stories from Science magazine, and a bigger focus on the art that accompanies our stories.

Canada About Blog QUILTsocial is a daily quilting blog, weekly bulletin, monthly newsletter, & FREE quarterly magazine focused on the love and art of making quilts.

It is interesting to note that the first fashion photograph was featured on a magazine focusing on arts and not on fashion, which adds an argument to the «is fashion art?»

Los Angeles, CA About Blog A Contemporary Art Magazine with a Focus on the Los Angeles Art Scene Frequency about 8 posts per week.

About Blog Cult Critic Film Magazine is the digital publication, created by industry professionals that focuses on the art and business of independent filmmaking.

Los Angeles, CA About Blog A Contemporary Art Magazine with a Focus on the Los Angeles Art Scene Frequency about 8 posts per week Website artandcakela.com + Follow Facebook fans - 1,745.

Texas About Blog Arts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in TeArts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in Tearts and how it affects life and lives in Texas.

The Seventh Art is a Toronto - based online magazine about cinema founded in 2012, with a focus on in - depth interviews with filmmakers.

His arts and culture writing, focusing on film, has been featured in several other Canadian publications, including Reader's Digest and NOW Magazine.

Recently, he has placed articles in the Harvard Education Review / Focus Issue on Arts Education (Spring 2013), in the special creativity focus issue of Educational Leadership (February 2013), in Symphony magazine, as well as the creativity chapter in the Routledge International Handbook on Arts Education (2015), and a chapter in Arts Integration in Education: Teachers and Teaching Artists as Agents of Change edited by Gail Humphries Mardarosian and Yvonne Pelletier Lewis (2Focus Issue on Arts Education (Spring 2013), in the special creativity focus issue of Educational Leadership (February 2013), in Symphony magazine, as well as the creativity chapter in the Routledge International Handbook on Arts Education (2015), and a chapter in Arts Integration in Education: Teachers and Teaching Artists as Agents of Change edited by Gail Humphries Mardarosian and Yvonne Pelletier Lewis (2focus issue of Educational Leadership (February 2013), in Symphony magazine, as well as the creativity chapter in the Routledge International Handbook on Arts Education (2015), and a chapter in Arts Integration in Education: Teachers and Teaching Artists as Agents of Change edited by Gail Humphries Mardarosian and Yvonne Pelletier Lewis (2016).

Canada About Blog QUILTsocial is a daily quilting blog, weekly bulletin, monthly newsletter, & FREE quarterly magazine focused on the love and art of making quilts.

Parm Johal is the founder and editor of Desi Globetrotter, an international travel lifestyle magazine + blog with a focus on arts, culture and independent travel.

Los Angeles, CA About Blog A Contemporary Art Magazine with a Focus on the Los Angeles Art Scene Frequency about 8 posts per week.

Los Angeles, CA About Blog A Contemporary Art Magazine with a Focus on the Los Angeles Art Scene Frequency about 8 posts per week Website artandcakela.com + Follow Facebook fans - 1,745.

Canada About Blog QUILTsocial is a daily quilting blog, weekly bulletin, monthly newsletter, & FREE quarterly magazine focused on the love and art of making quilts.

Texas About Blog Arts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in TeArts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in Tearts and how it affects life and lives in Texas.

Think of it this way — the top mainstream art magazines have only really started to focus on online promotion in the last few years.

«Barely 3 hours after i set up... i got a message by an editor of an art magazine focusing on female artists asking me to be featured their next issue!!!!

The magazine's primary focus is on contemporary visual art and artists previously covered include Steve McQueen, Martin Creed, Henri Cartier - Bresson and Ernesto Neto among others.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp.Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp.Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp.magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp.Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp.Magazine — Annual Design Issue, May 2007, pp. 92 - 94

03.12.2018 Architect Magazine: Architecture Embraces Performance Art (Again) 02.22.2018 ArtNews: Adrienne Edwards Named Curator of Performance at Whitney Museum 01.2018 Something We Africans Got: Performa 17, a focus on live art practice and contemporary African art and cultArt (Again) 02.22.2018 ArtNews: Adrienne Edwards Named Curator of Performance at Whitney Museum 01.2018 Something We Africans Got: Performa 17, a focus on live art practice and contemporary African art and cultart practice and contemporary African art and cultart and culture

29 Keats, Jonathan, «The Art of Architecture» Dwell, September, 2003 Ostrow, Saul, «Julie Langsam» Bomb, Spring, 2003 Mansour, Judith, «Bring In the Funk», Cleveland Magazine, Dec 2002 Bracken - Sparks, Amy, «Mélange, American Style» Northern Ohio Live, Nov 2002 Litt, Steven, «Art: House Plans...», The Plain Dealer, Nov 9, 2002 «Interview with Dee Perry» Applause, WVIZ - TV & WCPN, aired Nov. 14,16,17,2002 Litt, Steven, «Exhibits Focus on Lewis, Gehry... Unique Collaboration», The Plain Dealer, Oct 6, 2002 Tranberg, Dan, «House: Case Study Cleveland» The Plain Dealer, June 5, 2002 Kalm, James, «Reviews: Space Invaders @ Clementine», NY Arts International, Feb 2000 Litt, Steven, «Gallery Reviews», The Plain Dealer, Nov 24, 1998 «Interview with Dee Perry», Around Noon, WCPN, aired Nov 25,1997, Cleveland, OH Dailey, Meghan, «Stephen DiCillo & Julie Langsam @ Clementine Gallery, NY», Art Net Magazine, Feb, 1997 Schoenfeld, Alissa, «Julie Langsam at Clementine Gallery» Critical Review, Jan 1997 Gallery Beat, episode # 016, aired Jan 18, 1997, New York, NY The New York Times, Dec 22, 1996, reproduction - Arts & Leisure Guide Litt, Steven, «Art Review», The Plain Dealer, Nov 14, 1996 Gallery Beat, episode # 002, aired May 26, 1996, New York, NY Davis, Caren, «Portrayals of Women» Brooklyn Woman, July 1996 «Acme Leaps Into February» Columbus Alive, Jan 31 - Feb 6, 1996 Jacques, Geoffrey, «Gotcha!

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fraart agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Her graduate studies and research are focused on contemporary art through the lenses of affect theory and feminist theory, and her art criticism has appeared in publications such as Mousse Magazine and Art Papeart through the lenses of affect theory and feminist theory, and her art criticism has appeared in publications such as Mousse Magazine and Art Papeart criticism has appeared in publications such as Mousse Magazine and Art PapeArt Papers.

ArtBibliographies Modern indexes major contemporary art magazines and journals focusing on the contemporary arts, design, and photography from 1974 — present.

A couple of weeks ago, Artforum magazine hosted a panel at the New School titled «Art and Money,» which focused on the effects of the decade - long bull market in contemporary aArt and Money,» which focused on the effects of the decade - long bull market in contemporary artart.

The recently - launched August journal is a «new kind of travel magazine: Each issue focuses on one location, immersing the reader in its rich art, architecture, and design scene, and sharing encounters with locals, their habits, and their pleasures — in other words, the sights and souls that form the fabric of each

Last year, Hess co-founded Mammut, a magazine that focuses on art and the environment.

Arts + Culture Texas magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in TeArts + Culture Texas magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in Tearts and how it affects life and lives in Texas.

Roman Kraussl Publicizes His Art Index: Taking a page from Jerry Saltz, Roman Kraussl — who was hired to create an art market index for Germany's Manager Magazine — is publicizing it by focusing on the absence of women in his top 50 artisArt Index: Taking a page from Jerry Saltz, Roman Kraussl — who was hired to create an art market index for Germany's Manager Magazine — is publicizing it by focusing on the absence of women in his top 50 artisart market index for Germany's Manager Magazine — is publicizing it by focusing on the absence of women in his top 50 artists.

In the 1970s, Kuchar actively returned to his childhood interests in comics, and the current exhibition Snapshots & Twisted Tales will focus on the graphic work that he produced during this period and published in Arcade: The Comics Revue, a magazine begun with the noted underground artists Art Spiegelman and Bill Griffith, neighbors of Kuchar's in San Francisco.

2010 Fiduccia, Joanna & Holte, Michael Ned, «New Abstract Painting», Kaleidoscope, Winter, 2010 Lehrer - Graiwer, Sarah, «Richard Aldrich», Artforum, November, 2010 Knight, Christopher, LA Times, October 1, 2010 Haddad, Natalie, «Focus: Richard Aldrich», Frieze, October, 2010 Smith, Roberta, «Le Tableau: French Abstraction and Its Affinities», The New York Times, June 2, 2010 Buchmaier, Barbara, «Ready - Made Painting», Spike Art Quarterly, Summer, 2010 Busta, Caroline, «Besides, With, Against, and Yet: Abstraction and the Ready - Made Gesture» May, Issue 03, 2010 Graw, Isabelle & Hochdorfer, Achim, «There Is No Such Thing as «Painting»», Texte Zur Kunst, Issue 77, March, 2010 Falconer, Morgan, «Besides, With, Against, and Yet», Frieze, March, 2010 Saltz, Jerry, «Change We Can Believe In» New York Magazine, March 8, 2010 Meade, Fionn, «Whitney Biennial 2010», Whitney / Yale, 2010 Hudson, Suzanne, «Besides, With, Against, and Yet», Artforum, February, 2010 «MicroTate» Tate Etc., Issue 18 - Spring, 2010

She earned an MA from the Royal College of Art in the History of Design, focusing on black representation in fashion magazines.

Following two precious volumes of writings from the 1970s — 90s Canadian magazine Parachute — Museums, Art History, and Theory and Performance & Performativity — the essays collected in this third volume focus on photography, film, video and new media.

An art historian with a focus on art from the 1960s to the present, with a special interest in performance in an expanded sense, she is currently at work on a book for University of Chicago Press expanding on her 2009 October magazine essay «Make - Believe: Parafiction and Plausibility.»

Girlfriends collective, the curatorial project focusing on all girl independent publications in the photography field, presented some days ago their latest series of fanzines, books and magazines, along with a selection of limited edition prints, at the Printed Matter's annual LA Art Book Fair that was held at The Geffen Contemporary at MOCA.

Elephant is a quarterly magazine focused on contemporary art and visual culture.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

Previously gallery manager and director at NoguerasBlanchard, he is also the co-founder of the art magazine Revista Claves de Arte (Madrid), focused on contemporary art galleries.

Bynoe is the co-founder and Editor - in - Chief of ARC Magazine, the premiere visual art and culture publication focusing on contemporary visual art created throughout the Caribbean and its diaspora.

On the occasion of the exhibition and the end of the year program, an extensive magazine will be presented: the Some Things Hidden part is focused on the exhibition concept, the participating artists and the art works on show; the other part is dedicated to the programs that took place as part of The Female Perspective.

The other was View, the premier art and literature magazine of the 1940s, whose Surrealist and figurative focus made it the natural counterweight to the Abstract Expressionists being championed by Clement Greenberg in the Partisan Review and the Nation.

From 2007 - 2013 Doğtaş edited Matt Magazine, an artist - zine focusing on the tradition of conceptual art engaging with social and political action.

Together with the gallery that, as its publisher, shared offices with it until 1998, the magazine established a significant dialogue with the international art scene, thanks to a focus expanded from photography into other artistic practices, including film and video.

From 2005 to 2007 Farhat was the editor of ArteNews, an online magazine focusing on art and culture of the Middle East and North Africa.

Mike's work has been reviewed in Art Papers, World Sculpture Magazine, Art F City, and is pictured on the cover and is the focus of a chapter in a new book, Art, Animals, and Experience (Routledge Press).

An extensive art guide to worldwide artist residency programmes is included in a special focus section of the magazine.

She closed it to focus on collecting in the 1980s, and has since become one of the most influential collectors of contemporary art, regularly featuring in Artnews magazine's list of the 200 top buyers worldwide.

Other journals, magazines, and blogs focused on individual artists like Taryn Simon (Telegraph), Zanele Muholi (Huffington Post), Mladen Stilinović (Pittsburgh Tribune - Review), Zoe Strauss in Artforum and in the Pittsburgh Post-Gazette, Transformazium's Art Lending Collection, Ei Arakawa / Henning Bohl's interview, John Kane (prominently shown in the Carnegie Museum of Art's collection reinstallation), Henry Taylor, and Dinh Q. Lê.