The
whole magic of cinema is that timelines and events can be condensed to draw out the inherent drama without slogging through all the little details that would actually make this shit boring!
and his first engagement with 3D is a love letter to
the magic of cinema, both a tribute to early film pioneer George Méliès (played by Ben Kinsgley) and a child's adventure through a grown - up world of loss and discovery, and a fantastical recreation of 1920s Paris as a playground for a clever orphan (Asa Butterfield) and a spirited girl (Chloë Grace Moretz) to solve a mystery.
After the movie was over I wanted to give him a hug for showing such a beautiful tribute to
the magic of cinema.
Like Capra's best films, it creates and captures a world sustained in our memories when everything seemed pure and on its own merits achieves a bit of the childlike joy of experiencing
the magic of the cinema for the first time, and that is an accomplishment.
But while there is something very artificial about making day appear as night, there is also something very magical about it, and it is to the everlasting credit of Truffaut that his film focuses on
the magic of cinema, not the deceit.
People love to talk about the nebulous concept of capturing some long lost childlike sense of wonder though
the magic of cinema — «Doctor Strange» is one of the only movies I've watched as an adult that really accomplishes that.
Such is
the magic of cinema.
It introduces us to
the magic of cinema, and there's no doubt that, as we researched the 100 best animated movies of all time, the nostalgia factor was overwhelming.
We wish and we hope right along with her, and though the film doesn't quite give us the wonderful cure - all ending that would seem a more natural fit for a film this light, it does bring forth an important point about
the magic of cinema, and its power to take us to lands we'll never see, meet people we'd never know, and feel a natural attraction and kinship with people that can never exist.
If in the mid-1960s, video was used by artists to record performances created in an isolated studio, now with digital technology artists can compete with
the magic of cinema and develop a singularly fertile exchange with it, which has been fundamental in creating the poetic language of video works today.
FILM: a low - tech love letter to
the magic of cinema For the twelfth commission in the Tate Modern Unilever Series, and the first to be devoted to the moving image, Tacita Dean has created «FILM» — an homage to analogue film - making and to what is unique in this dying art.
Brian Kwon, president and CEO of LG's Home Entertainment Company, said, «With Dolby Vision and Dolby Atmos integrated tightly into our newest OLED products, viewers will be able to recapture
the magic of the cinema and experience their favourite movies with their original clarity, depth, and imagination intact.