Sentences with phrase «main gallery section»

The works were acquired from galleries in Focus (Hannah Black at Arcadia Missa) and Sex Work (Mary Beth Edelson at David Lewis and Dorothy Iannone at Air de Paris) as well the main gallery section (Lawrence Abu Hamdan from Maureen Paley).
Amsterdam - and New York - based Grimm Gallery, which was returning for the second year, took two booths, one in the main gallery section, and a project booth for a solo presentation by U.K. artist Charles Avery.
There are three sections at Frieze Masters, the main gallery section, Collections and Spotlight.
In 2017, four works were acquired from galleries in the Focus, Sex Work and main gallery sections.
It joins the main galleries section as well as Kabinett (curated «interventions» within the booths), a film section, Nova (younger galleries showing up to three artists), Positions (solo presentations) and Edition (prints and limited - edition works).

Not exact matches

Lastly in this section, there's a set of six costume design galleries, and three sets of photo galleries from the three main locations of the film.
An Image can be uploaded from your individual gallery pages or from the main Surf Picture section.
A Clip can be uploaded from your individual gallery pages or from the main Surf Video section.
Wave height as it shows in the first half of today's photo gallery was hitting the Main Peak and Temple sections in the waist to head high class and the occassional bigger freak set.
Walking among the Caryatides in the main section of the gallery, with its white walls and opaque glass roof, a quiet stillness pervades.
The EXPOSURE section, presented within the main exposition hall, is dedicated to emerging programs presenting solo and two - artist presentations represented by galleries 8 years and younger.
Building on Frieze's long - term commitment to supporting galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the Focus section will join the main section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).
They have reconfigured the main gallery's elevated floor, removing a section of the platform and salvaging the wood for pyramidlike sculptures.
This means that older artist listings gradually revolve to appear on the main page of our website, the Abstract Artists section, and the Main Gallmain page of our website, the Abstract Artists section, and the Main GallMain Gallery.
In the main gallery booth we will exhibit a curated group show highlighting a selection of artists from our program, and for the fair's Profile section a solo presentation by Charles Avery will be exhibited.
Now in its third year, the fair has bumped its number of exhibitors from last year's 125 to 137 international galleries, including 115 in the main section of the fair and 22 younger exhibitors displayed in the Exposure section, in slightly smaller single or two - artist booths.
Alongside the 193 galleries in the main section, this year the fair boasts a new $ 5,000 prize supported by Mutina and a new Dialogue section, which presents tightly curated booths of no more than three artists.
Zona MACO features different sections: The main section hosts galleries that are already more than five years old, whereas the New Proposals section is dedicated to galleries that exist less than 5 years and present emerging artists.
Among the exhibitors in the main section, AWAD's Anise Gallery and Gallery Elena Shchukina while Joanna Bryant Projects (exhibiting with Julian Page) will be featured in Emerge, a section dedicated to supporting young galleries and curated by Jonathan Watkins (Director Ikon Gallery, Birmingham).
The Nineties features galleries that are both new to the fair and presented within the main section, as well as era - defining spaces that no longer exist.
Frieze London 2016 draws together 119 galleries to present ambitious solo and themed exhibitions across its main section, with new additions for 2016 including Miguel Abreu, Matthew Marks Gallery and Metro Pictures (all New York).
Leading GalleriesFrieze London welcomes the return of leading international galleries that will present ambitious solo and group shows across the fair's main and curated sections.
New additions to the main section include Luhring Augustine; Olivier Malingue; Gió Marconi, who are collaborating with returning gallery Luxembourg & Dayan on a shared presentation; and Galerie Eva Presenhuber.
This year's fair brings together more than 160 of the world's leading galleries, showcasing today's most significant artists across its main and curated sections, alongside the fair's celebrated non-profit programme of ambitious new artist commissions and talks.
• Awarded to a gallery in the main or Nineties section, the Frieze Art Fair Stand Prize will be judged by Martin Clark (Director, Bergen Kunsthall), Dr Omar Khalif (Manilow Senior Curator at the Museum of Contemporary Art Chicago) and Helen Molesworth (Chief Curator, Museum of Contemporary Art, Los Angeles).
Building on Frieze's long - term commitment to supporting galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the Focus section will join the main section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).
Everyone picks up on the Focus section of young gallery projects, so I've concentrated on the main fair with works from some of the best stands.
Statements, the section dedicated to younger galleries, was better placed this year upstairs at the main fair after it languished next to Unlimited last year.
Frieze London opened to the public today, featuring more than 160 of the world's leading galleries, showcasing today's most significant artists across its main and curated sections, alongside the fair's celebrated non-profit programme of ambitious new artist commissions and talks.
The Frieze Art Fair Stand Prize, which acknowledges an outstanding gallery presentation in the main or Sex Work section, was awarded to Galeria Luisa Strina (São Paulo, main section).
The main gallery on this level presents works created after 1950, including a section for the display of global contemporary art.
Frieze New York is a vital platform to encounter today's most significant artists and artworks from around the world, including main section solo exhibitions featuring: Lorna Simpson, presenting new paintings and sculptures in her first ever project with Hauser & Wirth (New York); the celebrated American painter John Currin with Gagosian Gallery (New York); Anri Sala, presenting Bridges in the Doldrums (2016) with Marian Goodman Gallery (New York), ahead of the artist's participation in the Venice Biennale; Keith Sonnier at Pace (New York), bringing together his pioneering neon sculptures with two new series of works; Tala Madani with David Kordansky Gallery (Los Angeles), coinciding with the artist's presentation in the Whitney Biennial; and Kevin Beasley showing with Casey Kaplan (New York).
The Frieze Tate Fund saw an international jury select a work by Dorothy Iannone acquired from Air de Paris in the new gallery section Sex Work, a work by Mary Beth Edelson acquired from David Lewis also in the Sex Work section, a piece by Hannah Black purchased from Arcadia Missa in Focus, and a work by Lawrence Abu Hamdan acquired from Maureen Paley in the main section.
Frieze Masters 2016 draws 106 established galleries from around the world to present major solo and group exhibitions across its main section.
Frieze New York will continue to showcase leading modern and contemporary galleries from around the world in the main section, including returning exhibitors Acquavella Galleries (New York), Gavin Brown's Enterprise (New York), Tanya Bonakdar Gallery (New York), Matthew Marks Gallery (New York), Marian Goodman Gallery (New York), David Zwirner (New York), Mendes Wood DM (São Paulo), The Modern Institute (Glasgow), Foksal Gallery Foundation (Warsaw), Galerie Chantal Crousel (Paris) and Sprüth Magers (Berlin); alongside newcomers Eykyn Maclean (New York), Galeria Luisa Strina (São Paulo) and Castelli Gallery (New York).
During Art Rotterdam 2018, Upstream Gallery proudly presents new paintings by Ronald Ophuis and Raymond Barion at the main section of the fair and a new website by Rafael Rozendaal at Projections.
A solo presentation of Cerith Wyn Evans by New York's Marian Goodman Gallery in the main section follows the artist's recent spectacular Tate Britain Commission, and solo exhibition at Haus Konstruktiv (Zurich, 2017), while elsewhere in the same section David Kordansky (Los Angeles) makes a solo presentation of Torbjørn Rødland, ahead of exhibitions at Bergen Kunsthall and Fondazione Prada (Milan), and on the heels of his show at the Serpentine Galleries, London in 2017.
The fair will present over 90 of the world's leading galleries, with 79 in the main section and 22 in Spotlight.
Galleries from five continents and 30 countries will include international programs Massimo de Carlo (Milan) and Galerie Thaddaeus Ropac (Salzburg) as well as Goodman Gallery (Johannesburg) and The Modern Institute (Glasgow) who all return to the main section.
Representing Greece among the galleries participating in Artissima are: BERNIER / ELIADES, KALFAYAN, ELENI KORONEOU, THE BREEDER at Main Section and CAN CHRISTINA ANDROULIDAKI, ELIKA at NEW ENTRIES.
In the main section, many curated shows explore urgent contemporary questions, such as Chi - Wen Gallery's (Taipei) group show addressing natural disaster, from global warming to nuclear contamination.
Solo Shows Visitors will encounter solo exhibitions across the main section, including: Lorna Simpson, presenting new paintings and sculptures in her first - ever project with Hauser & Wirth (New York); the celebrated American painter John Currin with Gagosian Gallery (New York); Anri Sala, presenting Bridges in the Doldrums (2016) with Marian Goodman Gallery (New York), ahead of the artist's participation in the Venice Biennale; Keith Sonnier at Pace (New York), bringing together his pioneering neon sculptures with two new series of works; and Tala Madani with David Kordansky Gallery (Los Angeles), coinciding with the artist's presentation in the Whitney Biennial.
One of a handful of newcomers to the coveted main Galleries section is Galerie Barbara Wien, a gallery - bookshop that has been a fixture on the Berlin scene since 1988.
Another gallery debuting in the main section is Karma International, headquartered in Zurich and Beverly Hills.
The gallery also displayed works from Jo - ey Tang in the main section, and performance by Julie Béna in Per4m.
The gallery was pleased, he noted, to showing work in the fair's main booth as well as at special Art Basel sections including outdoors with Hank Willis Thomas (Public) and Carrie Mae Weems (Film), «as well as exhibitions throughout the design district with Hayv Kahraman and in the Rubell Family Collection's «NO MAN»S LAND» and many artists in Jeffrey Deitch's «Unrealism» show.»
Below, see the exhibitors» list for Expo Chicago's main exposition plus different sections including Exposure, reserved for solo and two - artist presentations by galleries that have been in business for eight years or less; Editions + Books, which features artists books, editions, and prints; and, for the first time, Profile, which «highlights single artist installations and focused thematic exhibitions by established international galleries
Among this year's changes we can find the integration of the IMPULSE section, a platform for emerging galleries, into the main fair, as well as the launching of the POINTS section, curated by Toomer, which highlights the work of alternative spaces and non-profit organizations.
True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.
In the main gallery, Kiwanga brings together architectural elements from historical and contemporary versions of these spaces including wall sections, lighting fixtures, and surface treatments to propose a spatial collage that escapes the sum of its fragments.
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