The works were acquired from galleries in Focus (Hannah Black at Arcadia Missa) and Sex Work (Mary Beth Edelson at David Lewis and Dorothy Iannone at Air de Paris) as well
the main gallery section (Lawrence Abu Hamdan from Maureen Paley).
Amsterdam - and New York - based Grimm Gallery, which was returning for the second year, took two booths, one in
the main gallery section, and a project booth for a solo presentation by U.K. artist Charles Avery.
There are three sections at Frieze Masters,
the main gallery section, Collections and Spotlight.
In 2017, four works were acquired from galleries in the Focus, Sex Work and
main gallery sections.
It joins
the main galleries section as well as Kabinett (curated «interventions» within the booths), a film section, Nova (younger galleries showing up to three artists), Positions (solo presentations) and Edition (prints and limited - edition works).
Not exact matches
Lastly in this
section, there's a set of six costume design
galleries, and three sets of photo
galleries from the three
main locations of the film.
An Image can be uploaded from your individual
gallery pages or from the
main Surf Picture
section.
A Clip can be uploaded from your individual
gallery pages or from the
main Surf Video
section.
Wave height as it shows in the first half of today's photo
gallery was hitting the
Main Peak and Temple
sections in the waist to head high class and the occassional bigger freak set.
Walking among the Caryatides in the
main section of the
gallery, with its white walls and opaque glass roof, a quiet stillness pervades.
The EXPOSURE
section, presented within the
main exposition hall, is dedicated to emerging programs presenting solo and two - artist presentations represented by
galleries 8 years and younger.
Building on Frieze's long - term commitment to supporting
galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the Focus
section will join the
main section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).
They have reconfigured the
main gallery's elevated floor, removing a
section of the platform and salvaging the wood for pyramidlike sculptures.
This means that older artist listings gradually revolve to appear on the
main page of our website, the Abstract Artists section, and the Main Gall
main page of our website, the Abstract Artists
section, and the
Main Gall
Main Gallery.
In the
main gallery booth we will exhibit a curated group show highlighting a selection of artists from our program, and for the fair's Profile
section a solo presentation by Charles Avery will be exhibited.
Now in its third year, the fair has bumped its number of exhibitors from last year's 125 to 137 international
galleries, including 115 in the
main section of the fair and 22 younger exhibitors displayed in the Exposure
section, in slightly smaller single or two - artist booths.
Alongside the 193
galleries in the
main section, this year the fair boasts a new $ 5,000 prize supported by Mutina and a new Dialogue
section, which presents tightly curated booths of no more than three artists.
Zona MACO features different
sections: The
main section hosts
galleries that are already more than five years old, whereas the New Proposals
section is dedicated to
galleries that exist less than 5 years and present emerging artists.
Among the exhibitors in the
main section, AWAD's Anise
Gallery and
Gallery Elena Shchukina while Joanna Bryant Projects (exhibiting with Julian Page) will be featured in Emerge, a
section dedicated to supporting young
galleries and curated by Jonathan Watkins (Director Ikon
Gallery, Birmingham).
The Nineties features
galleries that are both new to the fair and presented within the
main section, as well as era - defining spaces that no longer exist.
Frieze London 2016 draws together 119
galleries to present ambitious solo and themed exhibitions across its
main section, with new additions for 2016 including Miguel Abreu, Matthew Marks
Gallery and Metro Pictures (all New York).
Leading GalleriesFrieze London welcomes the return of leading international
galleries that will present ambitious solo and group shows across the fair's
main and curated
sections.
New additions to the
main section include Luhring Augustine; Olivier Malingue; Gió Marconi, who are collaborating with returning
gallery Luxembourg & Dayan on a shared presentation; and Galerie Eva Presenhuber.
This year's fair brings together more than 160 of the world's leading
galleries, showcasing today's most significant artists across its
main and curated
sections, alongside the fair's celebrated non-profit programme of ambitious new artist commissions and talks.
• Awarded to a
gallery in the
main or Nineties
section, the Frieze Art Fair Stand Prize will be judged by Martin Clark (Director, Bergen Kunsthall), Dr Omar Khalif (Manilow Senior Curator at the Museum of Contemporary Art Chicago) and Helen Molesworth (Chief Curator, Museum of Contemporary Art, Los Angeles).
Building on Frieze's long - term commitment to supporting
galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the Focus
section will join the
main section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).
Everyone picks up on the Focus
section of young
gallery projects, so I've concentrated on the
main fair with works from some of the best stands.
Statements, the
section dedicated to younger
galleries, was better placed this year upstairs at the
main fair after it languished next to Unlimited last year.
Frieze London opened to the public today, featuring more than 160 of the world's leading
galleries, showcasing today's most significant artists across its
main and curated
sections, alongside the fair's celebrated non-profit programme of ambitious new artist commissions and talks.
The Frieze Art Fair Stand Prize, which acknowledges an outstanding
gallery presentation in the
main or Sex Work
section, was awarded to Galeria Luisa Strina (São Paulo,
main section).
The
main gallery on this level presents works created after 1950, including a
section for the display of global contemporary art.
Frieze New York is a vital platform to encounter today's most significant artists and artworks from around the world, including
main section solo exhibitions featuring: Lorna Simpson, presenting new paintings and sculptures in her first ever project with Hauser & Wirth (New York); the celebrated American painter John Currin with Gagosian
Gallery (New York); Anri Sala, presenting Bridges in the Doldrums (2016) with Marian Goodman
Gallery (New York), ahead of the artist's participation in the Venice Biennale; Keith Sonnier at Pace (New York), bringing together his pioneering neon sculptures with two new series of works; Tala Madani with David Kordansky
Gallery (Los Angeles), coinciding with the artist's presentation in the Whitney Biennial; and Kevin Beasley showing with Casey Kaplan (New York).
The Frieze Tate Fund saw an international jury select a work by Dorothy Iannone acquired from Air de Paris in the new
gallery section Sex Work, a work by Mary Beth Edelson acquired from David Lewis also in the Sex Work
section, a piece by Hannah Black purchased from Arcadia Missa in Focus, and a work by Lawrence Abu Hamdan acquired from Maureen Paley in the
main section.
Frieze Masters 2016 draws 106 established
galleries from around the world to present major solo and group exhibitions across its
main section.
Frieze New York will continue to showcase leading modern and contemporary
galleries from around the world in the
main section, including returning exhibitors Acquavella
Galleries (New York), Gavin Brown's Enterprise (New York), Tanya Bonakdar
Gallery (New York), Matthew Marks
Gallery (New York), Marian Goodman
Gallery (New York), David Zwirner (New York), Mendes Wood DM (São Paulo), The Modern Institute (Glasgow), Foksal
Gallery Foundation (Warsaw), Galerie Chantal Crousel (Paris) and Sprüth Magers (Berlin); alongside newcomers Eykyn Maclean (New York), Galeria Luisa Strina (São Paulo) and Castelli
Gallery (New York).
During Art Rotterdam 2018, Upstream
Gallery proudly presents new paintings by Ronald Ophuis and Raymond Barion at the
main section of the fair and a new website by Rafael Rozendaal at Projections.
A solo presentation of Cerith Wyn Evans by New York's Marian Goodman
Gallery in the
main section follows the artist's recent spectacular Tate Britain Commission, and solo exhibition at Haus Konstruktiv (Zurich, 2017), while elsewhere in the same
section David Kordansky (Los Angeles) makes a solo presentation of Torbjørn Rødland, ahead of exhibitions at Bergen Kunsthall and Fondazione Prada (Milan), and on the heels of his show at the Serpentine Galleries, London in 2017.
The fair will present over 90 of the world's leading
galleries, with 79 in the
main section and 22 in Spotlight.
Galleries from five continents and 30 countries will include international programs Massimo de Carlo (Milan) and Galerie Thaddaeus Ropac (Salzburg) as well as Goodman
Gallery (Johannesburg) and The Modern Institute (Glasgow) who all return to the
main section.
Representing Greece among the
galleries participating in Artissima are: BERNIER / ELIADES, KALFAYAN, ELENI KORONEOU, THE BREEDER at
Main Section and CAN CHRISTINA ANDROULIDAKI, ELIKA at NEW ENTRIES.
In the
main section, many curated shows explore urgent contemporary questions, such as Chi - Wen
Gallery's (Taipei) group show addressing natural disaster, from global warming to nuclear contamination.
Solo Shows Visitors will encounter solo exhibitions across the
main section, including: Lorna Simpson, presenting new paintings and sculptures in her first - ever project with Hauser & Wirth (New York); the celebrated American painter John Currin with Gagosian
Gallery (New York); Anri Sala, presenting Bridges in the Doldrums (2016) with Marian Goodman
Gallery (New York), ahead of the artist's participation in the Venice Biennale; Keith Sonnier at Pace (New York), bringing together his pioneering neon sculptures with two new series of works; and Tala Madani with David Kordansky
Gallery (Los Angeles), coinciding with the artist's presentation in the Whitney Biennial.
One of a handful of newcomers to the coveted
main Galleries
section is Galerie Barbara Wien, a
gallery - bookshop that has been a fixture on the Berlin scene since 1988.
Another
gallery debuting in the
main section is Karma International, headquartered in Zurich and Beverly Hills.
The
gallery also displayed works from Jo - ey Tang in the
main section, and performance by Julie Béna in Per4m.
The
gallery was pleased, he noted, to showing work in the fair's
main booth as well as at special Art Basel
sections including outdoors with Hank Willis Thomas (Public) and Carrie Mae Weems (Film), «as well as exhibitions throughout the design district with Hayv Kahraman and in the Rubell Family Collection's «NO MAN»S LAND» and many artists in Jeffrey Deitch's «Unrealism» show.»
Below, see the exhibitors» list for Expo Chicago's
main exposition plus different
sections including Exposure, reserved for solo and two - artist presentations by
galleries that have been in business for eight years or less; Editions + Books, which features artists books, editions, and prints; and, for the first time, Profile, which «highlights single artist installations and focused thematic exhibitions by established international
galleries.»
Among this year's changes we can find the integration of the IMPULSE
section, a platform for emerging
galleries, into the
main fair, as well as the launching of the POINTS
section, curated by Toomer, which highlights the work of alternative spaces and non-profit organizations.
True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the
main gallery acts as a literal reflection of itself — a
section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the
gallery space or in her Philadelphia studio.
In the
main gallery, Kiwanga brings together architectural elements from historical and contemporary versions of these spaces including wall
sections, lighting fixtures, and surface treatments to propose a spatial collage that escapes the sum of its fragments.