Sentences with phrase «main characters here»

The main character here is Fanny Price (Frances O'Connor, A Little Bit of Soul, Love and Other Catastrophes), a poor little girl who's mother married for love.
Emmet (voiced by Chris Pratt) is the main character here, prostate whose life is as ordinary as it could be.
Unlike those other earlier films which often featured good men making some bad decisions, for sale the main character here is one of the most monstrous men of the past three decades.
Instead of a former sports agent serving as the lead, the main character here is Bernie Webber (Chris Pine)-- a conservative member of the Coast Guard who never met a regulation he wasn't willing to follow.
Although Shakespeare is not the main character here, his time is superbly brought to life and his words cleverly woven into the novel.
As the participants at the Literature Live Jane Austen festival debated about the main character of «Mansfield Park» in the «Fanny Wars,» I expect that some book clubs might have «Lily Wars» regarding whether or not they like the main character here.
Whereas previous games in the series had you select courses of with a small number differing stages and different characters on top of that, since there's only one main character here, things progress a bit differently.

Not exact matches

The transportation effect is really evident here: people place themselves in the situation being told, reimagining themselves as the main character.
A precise statement of what the correspondence or the clash might be is not easy to produce and is not necessary here, since our main purpose in these remarks is merely to emphasize the point that value experiences depend for their character upon the kinds of relationships that exist between subject and object.
The ox remains the subject in 22:1; but it is well to follow the chapter division because the theme of physical violence, dominant down to chapter 22, here gives way in the main to regulations of a broader and less personal character.
But rather than responding under Twitter's 140 character constraint, I'd like to address here a few of the main arguments currently being advanced by industry in defense of BLBT.
The main character in my novel, Click: An Online Love Story, writes in her profile: «I cry at Hallmark commercials, love the band Spider Fire, enjoy baking and cooking (and make the world's greatest chocolate chip cookies — no exaggeration here!)
The main draw here is the raucous fun to be had watching each character inhabit the other's underpants.
There are some cracking reference gags here, whether it's Prince Charming's slow - motion hair flick (Heartbreakers), the wire rescue of our main characters (Mission: Impossible) or Donkey fearing that he will melt when it rains (The Wizard of Oz).
Everyone here is funny within the terms of the characters, although the standouts of the main cast are Chandler, who exudes unexpected depth in his loser disguised as a winner once things really go south, and McAdams, who brings some bubbly but believable charm to the chaos.
The DVD release doesn't mess with that formula in the least: the most notable special feature we get here is «missing photos» from the camera the main characters lost and a gag reel.
This is a very creative and unique series all the characters get the spotlight here and there with some nice development especially from our main star Murphy he is really the glue holding this all together it's amazing seeing his journey from the start to the end of the season.
Had the movie been about the best friend character, and the ways in which she deals with the «main plot,» then we might have something here.
Obviously, with a film based on a true story, adhesion to the facts and respectfulness towards those alive or dead is expected but here our main characters came across as mainly worthy and slightly dull with a storyline and rhythm that hum along at a comfortable speed with ever shifting up a gear.
I get that Channing Tatum and Jonah Hill are the main attraction here, but it would have been nice to have zoomed out for a moment and taken in some of the other characters here.
The brand new Beauty and the Beast poster is here — and it gives us a peek at all the main characters we know and love!
Here, the trio of main characters are examined only superficially, with scant attention...
The character development involved is flawless, as we grow to like, and in some senses love, the main players, thanks in large part to the terrific Academy Award winning screenplay by Dalton Trumbo (Spartacus, Papillon), here credited as Ian McLellan Hunter due to a blacklisting that forced him to write under a pseudonym.
Since the story unfolds at such a brisk clip (and spends a lot of time with a good amount of supporting characters such as Michael Caine, Morgan Freeman, Mark Ruffalo, and Melanie Laurent), the Horsemen don't really have enough screentime to create believable characters, but that's not the main attraction here anyway.
The acting was a very mixed bag considering most of the main characters are miscast i mean come on Thor as a hacker come on, Viola Davis was the best part of the movie as the no nonsense Carol Barrett and it seemed she was the only one trying here.
Here it has the condescending effect of telling the main character to shut up and take it like a man.
As I said earlier, revenge movies usually start out with the horrendous crime — a cheap way to get us to root for the main character — but here Blair has no such luxury.
Here's something interesting that you do in almost any game: You've got the main story beats, and you've got to make sure that all four characters have a role in getting through each of these story beats.
Amos (relative unknown Boyd Holbrook, terrific)-- the lone survivor — along with Owen (Jacob Lofland from Mud, here equally as strong)-- a boy who has lost his father — and Diane (Elizabeth Banks, quite fine)-- the wife of the mine manager — form the three main characters around whom swirls the town's drama.
EC: As opposed to what takes place in regard to Miller's Crossing, here we tormented the main character in order to create some comic effects.
The existence of relatives and friends here only serves to show the world in which the two main characters — jazz drummer Andrew (Miles Teller) and instructor Terence Fletcher (J.K. Simmons)-- live in.
The Shape of Water's path to Oscar glory was arguably an odd one from the beginning, a monster movie / melodrama genre mashup starring two main characters who can't talk isn't exactly Dances with Wolves or The English Patient over here.
Its really nice to see that the main focus to this title centered around team work and that they didn't just decide to add a 2nd main character into the mix here.
I don't always need my main characters to be likable, but why am I bothered about it here?
At two hours, with a dozen main characters, two major mysteries unraveling over the course of the running time and even a cute, scene stealing dog, there's too much here.
Under the jury president, Jane Campion, the best films so far in main competition here have revolved around female characters — complex, imperfect, beautifully drawn these leading roles offer up a counter to the majority of films that get paid attention to here in the US, on the festival and awards circuit leading up to the Oscars.
Final Verdict: Baymax might be the main draw here, but the story and characterisation around the character is so well - crafted that you don't want it any other way.
The two main characters work here, with Kate (Olivia Wilde) working in the office side of things and Luke (Jake Johnson, whom you may recognize from the TV show «New Girl «-RRB- being more involved in the manual labor.
At the end when the main character was saying «Kill me I'm here», that was so F-ing stupid.
However, the localization efforts here are admirable and the interaction between the main characters make for some playful banter.
This target audience will likely be just as naïve as the main characters presented here, and fail to recognize the negative consequences associated with Maddy and Olly's behaviors.
No more is that fantasy put display than in the scene I have chosen to highlight here in which the main character gets up from her wheelchair, walks casually to the middle of all the adjoining hospital corridors, holds up her arms in front of her and proceeds to tear up the place with machine gun bullets she is imagining are coming out of her fingertips.
Because Thor and Banner are two of the main stars here, their relationship has the opportunity to really develop here, showing how well the two characters can work together while maintaining a strong fraternal rivalry.
Character actor Walton Goggins has a great face and excels in supporting turns but is completely flat here playing the main villain.
Seriously, he's like Rasputin here), but for the byplay between the two main characters.
The soundtrack here is amazing, even if it is often used to «annoy» the main characters.
Such scenes would usually provide depth and reason for the main character's actions but here they feel cheap and forced to the point of being laughable.
But it seems, from a read of the script and hearing things here and there, that James Franco's performance as Milk's lover, Scott Smith, is going to be the one to watch as he enjoys much more screen time than Brolin and obviously has more of a supporting connection to the main character throughout.
Spock is turning into a tricky one to get right, seeing as he is clearly the most intriguing of the characters we have at hand here, but it is always too easy to use him as your main event, which has caused the biggest problems with an unbalanced ensemble with the past two sequels.
Sadly the story here mostly revolves around Mr. Chow, a character who should not be one of the main parts of the film.
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