The main character here is Fanny Price (Frances O'Connor, A Little Bit of Soul, Love and Other Catastrophes), a poor little girl who's mother married for love.
Emmet (voiced by Chris Pratt) is
the main character here, prostate whose life is as ordinary as it could be.
Unlike those other earlier films which often featured good men making some bad decisions, for sale
the main character here is one of the most monstrous men of the past three decades.
Instead of a former sports agent serving as the lead,
the main character here is Bernie Webber (Chris Pine)-- a conservative member of the Coast Guard who never met a regulation he wasn't willing to follow.
Although Shakespeare is not
the main character here, his time is superbly brought to life and his words cleverly woven into the novel.
As the participants at the Literature Live Jane Austen festival debated about the main character of «Mansfield Park» in the «Fanny Wars,» I expect that some book clubs might have «Lily Wars» regarding whether or not they like
the main character here.
Whereas previous games in the series had you select courses of with a small number differing stages and different characters on top of that, since there's only one
main character here, things progress a bit differently.
Not exact matches
The transportation effect is really evident
here: people place themselves in the situation being told, reimagining themselves as the
main character.
A precise statement of what the correspondence or the clash might be is not easy to produce and is not necessary
here, since our
main purpose in these remarks is merely to emphasize the point that value experiences depend for their
character upon the kinds of relationships that exist between subject and object.
The ox remains the subject in 22:1; but it is well to follow the chapter division because the theme of physical violence, dominant down to chapter 22,
here gives way in the
main to regulations of a broader and less personal
character.
But rather than responding under Twitter's 140
character constraint, I'd like to address
here a few of the
main arguments currently being advanced by industry in defense of BLBT.
The
main character in my novel, Click: An Online Love Story, writes in her profile: «I cry at Hallmark commercials, love the band Spider Fire, enjoy baking and cooking (and make the world's greatest chocolate chip cookies — no exaggeration
here!)
The
main draw
here is the raucous fun to be had watching each
character inhabit the other's underpants.
There are some cracking reference gags
here, whether it's Prince Charming's slow - motion hair flick (Heartbreakers), the wire rescue of our
main characters (Mission: Impossible) or Donkey fearing that he will melt when it rains (The Wizard of Oz).
Everyone
here is funny within the terms of the
characters, although the standouts of the
main cast are Chandler, who exudes unexpected depth in his loser disguised as a winner once things really go south, and McAdams, who brings some bubbly but believable charm to the chaos.
The DVD release doesn't mess with that formula in the least: the most notable special feature we get
here is «missing photos» from the camera the
main characters lost and a gag reel.
This is a very creative and unique series all the
characters get the spotlight
here and there with some nice development especially from our
main star Murphy he is really the glue holding this all together it's amazing seeing his journey from the start to the end of the season.
Had the movie been about the best friend
character, and the ways in which she deals with the «
main plot,» then we might have something
here.
Obviously, with a film based on a true story, adhesion to the facts and respectfulness towards those alive or dead is expected but
here our
main characters came across as mainly worthy and slightly dull with a storyline and rhythm that hum along at a comfortable speed with ever shifting up a gear.
I get that Channing Tatum and Jonah Hill are the
main attraction
here, but it would have been nice to have zoomed out for a moment and taken in some of the other
characters here.
The brand new Beauty and the Beast poster is
here — and it gives us a peek at all the
main characters we know and love!
Here, the trio of
main characters are examined only superficially, with scant attention...
The
character development involved is flawless, as we grow to like, and in some senses love, the
main players, thanks in large part to the terrific Academy Award winning screenplay by Dalton Trumbo (Spartacus, Papillon),
here credited as Ian McLellan Hunter due to a blacklisting that forced him to write under a pseudonym.
Since the story unfolds at such a brisk clip (and spends a lot of time with a good amount of supporting
characters such as Michael Caine, Morgan Freeman, Mark Ruffalo, and Melanie Laurent), the Horsemen don't really have enough screentime to create believable
characters, but that's not the
main attraction
here anyway.
The acting was a very mixed bag considering most of the
main characters are miscast i mean come on Thor as a hacker come on, Viola Davis was the best part of the movie as the no nonsense Carol Barrett and it seemed she was the only one trying
here.
Here it has the condescending effect of telling the
main character to shut up and take it like a man.
As I said earlier, revenge movies usually start out with the horrendous crime — a cheap way to get us to root for the
main character — but
here Blair has no such luxury.
Here's something interesting that you do in almost any game: You've got the
main story beats, and you've got to make sure that all four
characters have a role in getting through each of these story beats.
Amos (relative unknown Boyd Holbrook, terrific)-- the lone survivor — along with Owen (Jacob Lofland from Mud,
here equally as strong)-- a boy who has lost his father — and Diane (Elizabeth Banks, quite fine)-- the wife of the mine manager — form the three
main characters around whom swirls the town's drama.
EC: As opposed to what takes place in regard to Miller's Crossing,
here we tormented the
main character in order to create some comic effects.
The existence of relatives and friends
here only serves to show the world in which the two
main characters — jazz drummer Andrew (Miles Teller) and instructor Terence Fletcher (J.K. Simmons)-- live in.
The Shape of Water's path to Oscar glory was arguably an odd one from the beginning, a monster movie / melodrama genre mashup starring two
main characters who can't talk isn't exactly Dances with Wolves or The English Patient over
here.
Its really nice to see that the
main focus to this title centered around team work and that they didn't just decide to add a 2nd
main character into the mix
here.
I don't always need my
main characters to be likable, but why am I bothered about it
here?
At two hours, with a dozen
main characters, two major mysteries unraveling over the course of the running time and even a cute, scene stealing dog, there's too much
here.
Under the jury president, Jane Campion, the best films so far in
main competition
here have revolved around female
characters — complex, imperfect, beautifully drawn these leading roles offer up a counter to the majority of films that get paid attention to
here in the US, on the festival and awards circuit leading up to the Oscars.
Final Verdict: Baymax might be the
main draw
here, but the story and characterisation around the
character is so well - crafted that you don't want it any other way.
The two
main characters work
here, with Kate (Olivia Wilde) working in the office side of things and Luke (Jake Johnson, whom you may recognize from the TV show «New Girl «-RRB- being more involved in the manual labor.
At the end when the
main character was saying «Kill me I'm
here», that was so F-ing stupid.
However, the localization efforts
here are admirable and the interaction between the
main characters make for some playful banter.
This target audience will likely be just as naïve as the
main characters presented
here, and fail to recognize the negative consequences associated with Maddy and Olly's behaviors.
No more is that fantasy put display than in the scene I have chosen to highlight
here in which the
main character gets up from her wheelchair, walks casually to the middle of all the adjoining hospital corridors, holds up her arms in front of her and proceeds to tear up the place with machine gun bullets she is imagining are coming out of her fingertips.
Because Thor and Banner are two of the
main stars
here, their relationship has the opportunity to really develop
here, showing how well the two
characters can work together while maintaining a strong fraternal rivalry.
Character actor Walton Goggins has a great face and excels in supporting turns but is completely flat
here playing the
main villain.
Seriously, he's like Rasputin
here), but for the byplay between the two
main characters.
The soundtrack
here is amazing, even if it is often used to «annoy» the
main characters.
Such scenes would usually provide depth and reason for the
main character's actions but
here they feel cheap and forced to the point of being laughable.
But it seems, from a read of the script and hearing things
here and there, that James Franco's performance as Milk's lover, Scott Smith, is going to be the one to watch as he enjoys much more screen time than Brolin and obviously has more of a supporting connection to the
main character throughout.
Spock is turning into a tricky one to get right, seeing as he is clearly the most intriguing of the
characters we have at hand
here, but it is always too easy to use him as your
main event, which has caused the biggest problems with an unbalanced ensemble with the past two sequels.
Sadly the story
here mostly revolves around Mr. Chow, a
character who should not be one of the
main parts of the film.