Sentences with phrase «main exhibition space on»

After a renovation overseen by architect Annabelle Selldorf of Selldorf Architects, the building has almost 10,000 square feet throughout five floors, with main exhibition spaces on three levels.

Not exact matches

(New Frontier exhibition space will also be housed at Kimball Art Center, and the VR Bar will bring mobile content to the Music Cafe on Main Street in the evenings.)

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.

Pieces included in the exhibition will be selected by a panel of jurors and on view in the main gallery space at Manifest in Cincinnati's the East Walnut Hills neighborhood.

In addition to the main art fair taking place on Randall's Island over the weekend a number of participating galleries in and around Manhattan's Chelsea neighborhood are taking part in an event geared to attract private clients and potential new buyers to their principal exhibition spaces.

The fact that Terence Haggerty's large site - specific wall paintings in the main space will remain on view during Greet Billet's exhibition, will provide the public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.

On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.

Goliath has exhibited extensively on local group exhibitions including Alterating Conditions: performing performance art in South Africa at Goethe on Main & the Bag Factory, Transformations: Women's Art from the late 19 Century at the Johannesburg Art Gallery and SPace at Museum Africa.

This solo exhibition by London - based, Kenyan - born artist, Michael Armitage, brings together a new body of work that draws on the chapel - like qualities of the SLG's main space.

Engaging exhibitions and lectures on photography are the main focus at Holden Luntz Gallery, a sleek two - story Worth Avenue space that seeks to educate, entertain and engage.

As a result, the 2017 Texas Artist of the Year exhibition Trenton Doyle Hancock: Texas: 1997 - 2017 has relocated to Rice University and is currently on view at the Rice Gallery space, 6100 Main St, Houston, TX 77005.

The pupils experimented with this possibility for themselves: they made choreographed interventions into the main gallery space during Heman Chong's exhibition, directing each other's movements; they drew up proposals for artworks covering their school buildings; they created a performance on Peckham Rye Park, working together as one body.

- Solo exhibition for the artist of year - the winner (individual artist or 1 team) will be eligible for travel and accommodation - production (printing, framing or related presentation material)- exhibition exposure at the Festival's main exhibition space / outdoor - inclusion in art magazine and any related press - long term festival representation and promotion on official website - publications / catalog - being seen by a substantial number of visual arts professionals and the media - having their work viewed by an international panel of influential experts in the field of photography

«Invisible» is spread across three separate, nearby locations: Schoeni's main gallery on Old Bailey Street, the Hollywood Road branch and the gallery's newest exhibition space, at 8 Chancery Lane — formerly used as the gallery's storage space.

Solid Maneuvers is part of MCASB's Beyond 2 ° exhibition, on view at our main space galleries.

In his piece, Formless Figure (2015) now on view in the main exhibition room at Robert Wilson's Watermill Center, Arsham engages the viewer by challenging the very wall of the space to perform in a unique, mysterious way.

Using the gallery's main exhibition space as her canvas, the artist masked the floor with a large foam stencil, painting over it and the surrounding walls in sprayed - on, bright acrylic paints, before lifting the stencil to create large, white, disconcerting voids upon entering the space.

On a floor area of about 3,000 square feet, the pavilion houses a main exhibition gallery, marked by large glazed facades on the east and west sides and flanked by two narrow spaces which can also accommodate small art exhibitionOn a floor area of about 3,000 square feet, the pavilion houses a main exhibition gallery, marked by large glazed facades on the east and west sides and flanked by two narrow spaces which can also accommodate small art exhibitionon the east and west sides and flanked by two narrow spaces which can also accommodate small art exhibitions.

In Paul Morrison's first solo exhibition in London since 2008, for which he has executed a major architectural intervention on the façade of the gallery and installed a monumental white sculpture within the main space, the artist extends his enquiry into the nature of representation, and the representation of nature.

The vast complex of The Store, a new creative space on London's Strand, provides the perfect setting for «The Infinite Mix», an ambitious survey of sound and moving image in contemporary art; curated by Hayward Gallery director Ralph Rugoff, this is the gallery's main off - site exhibition during its two - year refurbishment.

Tommy Fitzpatrick's current exhibition Crystal Cities, on view through Nov. 4, includes ten compelling, colorful, acrylic - on - canvas paintings of interlacing planar forms that command the main space of Holly Johnson Gallery.

Among eleven works in the exhibition are eight new sculptures on view for the first time, including «V Formation,» a large - scale installation conceived for Herron's main gallery space.

His work is currently being exhibited in London's prestigious Victoria and Albert Museum as part of the science fiction - themed exhibition Memory Palace based upon author Hari Kunzru's futuristic vision of a dystopian London, and next on his agenda is a solo exhibition entitled Controlled Spaces in Portland's Breeze Block Gallery in their main space, alongside UK - based Carl Cashman in Gallery 2.

2007 Appendix Appendix Radio Play, Performa 07, New York, US In the Stream of Life, Betonsalon, Paris, FR For Sale, Cristina Guerra Contemporary Art, Lisbon, PT Wouldn't it be nice, Centre d'art contemporain, Geneva, CH Words fail me, MoCAD, Detroit, US Projecktion, Lentos Art Museum, Linz, AT How soon is now, Luis Seoane Foundation, Coruna, ES Language of Vision, mima Middlesborough Institute of Modern Art, UK Without, Yvon Lambert, Paris, FR Zero, Zero, S, Lyon Biennale, Lyon, FR Plankjes, tak, Atelier als Spermedium, Artist Space for Contemporary Art, The Hague, NL Twice told tales, Galerie Michel Rein, Paris, FR You have not been honest, Museo D'Arte Donnaregina, Naples, IT Whenever It Starts It Is The Right Time, Frankfurter Kunstverein, Frankfurt am Main, DE Blackberrying, Christina Wilson Galerie, Copenhagen, DK Der Droste Effekt, Esther Schipper, Berlin, DE Prediction — Exhibition Trouble, Paris, FR Un touchable, Patio Herrianom - Museo de Arte Contemporáneo, Valladolid, ES Some Time Waiting, Kadist Art Foundation, Paris, FR Kit Bashing, Western Bridge, Seattle, US On the Future of Art School, STORE, London, UK

After the success of his latest exhibition in the main gallery space in Madrid, James presents his work in southern Spain with a combination of his old works on paper and his latest paintings.

The space is managed by non-profit arts organization Para / Site Art Space with its main exhibition space located on 4 Po Yan Street, Sheungspace is managed by non-profit arts organization Para / Site Art Space with its main exhibition space located on 4 Po Yan Street, SheungSpace with its main exhibition space located on 4 Po Yan Street, Sheungspace located on 4 Po Yan Street, Sheung Wan.

We have exhibition project spaces, adjacent arts bookstores and print workshops located at Parkwood and Arts on Main, the major new arts hub adjacent to downtown Johannesburg.

The title of the exhibition is also the title of the life size photo sculptures on view in the gallery's main space.

Chicago Architecture Biennial 2015: a capsule exhibition within the Biennial's main show focuses on the future of Chicago, with proposals including a peninsula on the Chicago River and a landscape of sunken spaces.

The main space of the exhibition presents reader - looker - responders with an array of handwritten classroom exercises and lesson plans, scrawled on large papers with interconnecting arrows and bubbles — «WRITE ON YOUR WALLS (Right on your walls)» — instructions along with diagrams, protest posters, and a limited selection of pieces by some of the artists referenced or implicated by Stein and Miller: Anni Albers, Jasper Johns, Eduardo Paolozzi, Yves Tanguy, Bridget Riley, and a few otheron large papers with interconnecting arrows and bubbles — «WRITE ON YOUR WALLS (Right on your walls)» — instructions along with diagrams, protest posters, and a limited selection of pieces by some of the artists referenced or implicated by Stein and Miller: Anni Albers, Jasper Johns, Eduardo Paolozzi, Yves Tanguy, Bridget Riley, and a few otherON YOUR WALLS (Right on your walls)» — instructions along with diagrams, protest posters, and a limited selection of pieces by some of the artists referenced or implicated by Stein and Miller: Anni Albers, Jasper Johns, Eduardo Paolozzi, Yves Tanguy, Bridget Riley, and a few otheron your walls)» — instructions along with diagrams, protest posters, and a limited selection of pieces by some of the artists referenced or implicated by Stein and Miller: Anni Albers, Jasper Johns, Eduardo Paolozzi, Yves Tanguy, Bridget Riley, and a few others.

Presented throughout Pace's main gallery and an adjacent space at 6 Burlington Gardens, the exhibition will feature an installation of seven vibrant, volumetric sculptures and a selection of recent works on paper.

At Eva Presenhuber's New York location, Schnyder presents the center piece of the exhibition in the main space of the gallery: 38 small - sized paintings from the 1995 cycle «am Thunersee 1 - 38» (on Lake Thun 1 - 38).

This exhibition is on view at our main gallery at 4 East 77th St as well as our project space located at 30 East 74th St.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

The exhibitions of works by Zin Helena Song and Scott Anderson will be on view at CES Gallery's Main Gallery and Focus Space respectively, from March 21st through April 18th, 2015 in Los Angeles, USA.

Curated by Yvonne Farrell and Shelley McNamara, the bienniale's main exhibition focuses on the concept of «free space» — in this case, new ways of seeing the world.

Rush Arts has two main activities, the first focusing on arts education and working with children of all ages, the second consisting of an exhibition program with two gallery spaces, one in Chelsea and the other in Clinton Hill, Brooklyn.

The main galleries are the largest exhibition space, located up the beautiful glass stairway, on the second floor.

Exhibitions change on a monthly basis with solo shows in the main spaces and smaller shows in the adjoining galleries.

While UMOCA takes advantage of various exhibition rooms within its space, the museum's central focus is the sprawling main gallery, visible from the public entrance on the top floor and accessible by traveling down the staircase to the lower level.

The first exhibition to appear in the main space on KHB's first floor will be a solo project by the Slovak - Hungarian artist Ilona Németh (* 1963).

While Children of a Lesser God presents no radical thematic or stylistic departures for Vaughn, the exhibition is a strong one — especially the part in the gallery's main space on the ground floor, where canvases from the artist's Wildlife series have been hung -LSB-...]

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

In our annex space (M. David Studio), across the hall from the main gallery we will also have an exhibition of works curated by Mary DeVincentis titled Aporia, a brick and mortar version of the online exhibit featured on

The exhibition also includes THE WORLD OF GILBERT & GEORGE (1981), a feature - length film written and directed by the artists, projected on a large screen in the gallery's main space.

After seeing Mpane's work first at VOLTA NY and then at Skoto Gallery in New York last year, I was pleasantly surprised to find an intimate presentation of his work tucked away in the rear exhibition space of Haines Gallery, where paintings by Mike Henderson are currently on view in the main gallery.

The west facade, the main entrance, is made of milled laminated glass on a rigid frame system, and the east facade is composed of a corrugated black metal panel system and transparent glass.The most striking feature of the building is the inventive use of a moving exhibition space that can serve as an extension of the gallery floor.

From February 7 to March 16, on three consecutive Mondays when the space is closed to the public, the exhibition will be altered and a new re-configuration is going to take place in order to test how artworks react to each other within Abrons Arts Center's main gallery.