Sentences with phrase «main exhibitions planned»

Not exact matches

Curators Lunchtime Talk Series Meeting Point - IMMA Main Reception Friday 11 August, 1.15 - 2 pm / Drop in / No booking required Join Rachael Gilbourne, Exhibitions, IMMA, for a gallery talk exploring key themes and works presented in the exhibition Weekend Plans.

But the long - term plan is to operate a permanent exhibition space here alongside the main museum in Dusseldorf.

Curators Lunchtime Talk Series: Drop in / Friday 11 August, 1.15 - 2 pm Meeting Point - IMMA Main Reception / No booking required Join Rachael Gilbourne, Exhibitions, IMMA, for a gallery talk exploring key themes and works presented in the exhibition Weekend Plans.

Three main initiatives on the front burner: a major exhibition of artists working in Mexico City during San Antonio's Tricentennial Celebration in 2018; a project series of small exhibitions of new work by international emerging or under - recognized artists similar to DMA's Concentrations series; and a new plan and goals for building the collection.

Our long - planned outdoor exhibition space is now under construction to the east of the main building.

Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by Curator Heather Pesanti, Albright - Knox Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time - Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo); among others.

At one point there was a plan to paint the canvases but in the end it seemed better to make the flimsiness of the watercolors do the main work of supporting the exhibition, rather than demoting them in relation to real painting (an attempt to become a studio artist for two weeks in Berlin did not feel great).

Among their solo exhibitions Ultimate Substance, B3, Biennale des bewegten Bildes 2013, Frankfurt am Main DE; Ultimate Substance, Extra City, Antwerp BE (2013); Ultimate Substance, Neuer Berliner Kunstverein, Berlin, DE; Liverpool Biennial, FACT, Liverpool UK; living truthfully under imaginary circumstances, Transmission, Glasgow UK; Ultimate Substance, Secession, Vienna AT (all 2012) living truthfully under imaginary circumstances, Hollybush Gardens, London; The Empty Plan, Focal Point Gallery, Southend UK; Curated by: The Last Days of Jack Sheppard, Galerie Krobath, Vienna AT; and The Empty Plan, Kunsthall Oslo NO (all 2011).

The main space of the exhibition presents reader - looker - responders with an array of handwritten classroom exercises and lesson plans, scrawled on large papers with interconnecting arrows and bubbles — «WRITE ON YOUR WALLS (Right on your walls)» — instructions along with diagrams, protest posters, and a limited selection of pieces by some of the artists referenced or implicated by Stein and Miller: Anni Albers, Jasper Johns, Eduardo Paolozzi, Yves Tanguy, Bridget Riley, and a few others.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Pertaining to the development, planning, and maintenance of exhibitions, the exhibition records include correspondence, loan agreements, installation layouts and photographs, and publicity for exhibitions at the main museum, travel - only shows, and exhibitions at the Whitney's past branches: Downtown, Equitable Center, Fairfield County, and Philip Morris (Altria).

Architecture being the main space of action, where planning, construction, appropriation and discourse take place, this art exhibition gathers four video installations and one wall piece, presenting different approaches to this space of action.

The 27,000 - square - foot structure, known as Building # 7, has been fully restored for the exhibition by Bruner / Cott & Associates architects, which has closely integrated the building into the museum's main circulation plan through a series of elevated walkways, a dramatic new vertical lightwell, and new stairways.

(exhibitions / workshops / travelling / working / studying / planning to study) 3) What have been / are the main challenges for you in developing your work and artistic practice (inc professional development) since graduating 4) What kind of support, advice and guidance in the visual arts do you think would be most helpful for those selected for Platform?