Sentences with phrase «main focus of this film»

Its refusal to linger on the sexy, flashy or gratuitous is also a good move from the directors, it instead makes Linda's story the main focus of the film and is all the better for it.

The story is based on the experiences of Jonathan Asser (as a prison therapist; which is one of the main focuses of the film.

These questions were asked during the investigation following the event, but thankfully, they were not the main focus of this film.

First - time director James Vanderbilt also wrote the script, adapted from Mapes» own memoir, which is why she is clearly the main focus of the film and, unfortunately, not Rather.

I felt his scenes at work, where he was designing a plane with his co-worker, Ben (Sean Gunn), were a good way to add drama and moments of comedy, without feeling forced, but the romance which comes to focus a little further into the film feels unnecessary and takes away from the main focus of the film — the relationship between Po and his father.

The material we are fed is more than compelling enough to convince us the Emily's struggles are the main focus of the film.

While the main focus of the film deals with the infamous bailout that took place late last year, he also finds a huge amount of sins committed against those with less by those with more.

I would have liked Feiffer to have more screen time, although understandably she wasn't to be the main focus of the film.

Not exact matches

At the end of the day, though, even though the company experiments with films and design sets centered around popular franchises, traditional LEGO bricks are still the main focus.

REU participants will conduct original research via specially designed student projects within three main foci: 1) Microgel and Hydrogel Nanoparticles: Designing environmentally sensitive nanoparticles for a variety of applications and fundamental studies of volume phase transitions; 2) Anisotropic Soft Matter Thin Films: Driving self - assembly of soft matter to develop thin films with unique properties tied to the shape anisotropy of the materials; and 3) Soft Matter Fluid Flow: Striving to better understand and to improve mixing in liquid soft matter systems and use liquid flow to test and understand biological phenomena.

In the end, this is again a very good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest of this whole movie is to the idea behind it) and more on the variety of monsters that were created for this film.

The film does a great job setting up the familial relationships between it's two main characters and in fact this is more of the focus than their romance.

Towards the end it picks up, when I forgot the main plot of the film, and it focused on the son and his politician father.

The main points of focus here are the script and the fact that the film took time to become a hit, aquiring it's core audience through home video and television.

While a number of the fairy - tale oriented characters are pretty funny, the main three characters that the film chooses to focus on (Shrek, Donkey and Princess Fiona), are an absolute bore, if not completely unlikable.

Searchlight's main competition has been Focus Features, the prestige film division of Universal, which this year racked up an impressive 14 nominations for «Phantom Thread» and «Darkest Hour.»

Far from the main focus in the film, these two have such a chemistry that suggests intimacy related to common interests, instead of genuine identities.

The film focuses on a main trio of characters: rocker Mike (Roman Bilyk), his wife Natasha (Irina Starshenbaum), and newcomer Viktor (Teo Yoo).

How does the focus of the film change when JFK and Jackie become secondary characters instead of the main focus?

There are only four main characters in the film, and two of them are robots: Swedish actress Alicia Vikander's imprisoned, eerily alluring Ava is the focus.

One of its two screenwriters, Josh Singer, also a writer for «Spotlight,» notes in an interview that while the new film's «three main themes are journalism, feminism and moral leadership,» the movie puts a business focus on the company.

Of course with a film that solely depends on «is she or isn't she», suspense is the main ingredient for a film like this, and story focuses on little else.

The main problem with the film is that it lacks focus — after telling the girls» stories, the directors seem unwilling to dig deeper and don't explore the concept of online bullying to any satisfactory degree, while the flashy animation techniques seem disjointed and ultimately serve as a distraction.

Each of the four segments of the film focuses on a character who Tom and Gerri care for in some way but the main character who features throughout the film is Gerri's work colleague and friend Mary (Lesley Manville).

The film needed a tighter focus on its main story and a large plot point of Russell ending up in jail seems utterly pointless in a tale that seemingly already had the goods needed to flesh out a satisfying journey.

If you just focused on the main competition films at Cannes, you'd see plenty of great movies, but you'd miss out on the many smaller treasures on offer in sidebar slates like Directors» Fortnight and Critics» Week.

The main focus is on the two versions of the titular hero who appear in the film: Michael Douglas as Dr. Hank Pym, the original Ant - Man, and Paul Rudd as Scott Lang, Pym's successor.

The first commentary features only Wright and Simon Pegg in a discussion that mainly focuses on the production aspects of the film, while the second commentary leaves a lot more room for joking around between the film's five main characters.

Paul McGuigan's film, which has a script by Max Landis, focuses on the interplay between the main two, and the debate about whether Frankenstein is pushing the boundaries of science and giving people hope or literally creating monsters.

Eastwood's direction of the film should be the main focus of Oscar night for the film, with an incredibly impeccable management of translating the F.X. Toole story on to the screen and treating a major studio release like an independent feature.

Rest of Cast: Let me reiterate, there is definitely enough quality actors in this film, and they should have turned the focus on the SCHOOL as the main character.

While some may see the film as lengthy and lacking focus, the only aspect of the film that did actually bother me is the poor work done in aging the main characters.

And the film's main thematic concern — what it is to be human — is a strong focus without attempting to answer the question of Deckard's nature.

Produced and filmed during Noel - Tod's year - long residency with Chisenhale Gallery and Victoria Park, the film focuses exclusively on children and animals — two of the main groups who use the park each day — and imagines a near future in which adults have mysteriously disappeared, and where dogs provide a link with the knowledge of the past, whilst children represent the future.

the program also shows berlin and l.a. as sister cities who despite their differences, look back on a long and broad film tradition, reaching from mainstream - cinema to artistic experimental films — which are the main focus of this program.

Since inception, the fair has expanded to include focused Sectors devoted to film, outdoor sculpture, works in edition, and curated shows of historical significance in addition to the main Galleries Sector.

Interiors - spaces inhabited both physically and mentally - still form her main subject matter, but for this show she abstained from the walk - in film installations she's become known for and focused on sculptures: small - scale models of rooms, mostly with the same floor plan though otherwise unalike, and sculptures of furniture, such as beds and armoires.

Developing her artistic practice across drawing, film and performance, presents works dealing with the snake handling in Egypt, focusing on the relationship between the practices of the Rifâ» iyya (one of the main Sufi orders in Egypt associated with snake handling) and the aspects of everyday life.

Ostensibly composed of sections of found film, it is set in Dublin, with its main focus being the Formal Gardens at the Royal Hospital Kilmainham, where IMMA and their exhibition are located.

In the Red Brick Warehouse No. 1, the selection of Gutai films not only is a main draw but also seems a key to the curatorial focus on performance.

The final Guardians of the Galaxy Playset will focus on the main storyline told in the film (the Guardians will battle with Ronan the Accuser as they both seek to wield a stolen Infinity Stone.