Sentences with phrase «main gallery entrance»

There are 16 bike rack spaces available for visitors located outside the main gallery entrance on Newport Street.

Not exact matches

In the main building, which is fronted by a covered terrace on both storeys, the master suites flank a central «art - gallery» foyer leading to the main entrance.
As one approaches the entrance to the ground - floor main gallery, it becomes clear that something is afoot: the open arch has been closed, sealed by a sculpted barricade of metal, white concrete and plywood.
Representative of his continued experimentation with computer language, one black and one uncolored, embossed print of a computer graphic used in Poemfield minimally preface one's entrance into the main gallery where Poemfield No. 1, No. 2, No. 3, No. 5, and No. 7 vibrantly and loudly pulsate across surrounding walls.
Assisted or ramp access is available at Saatchi Gallery's main entrance.
The first sculpture takes up the negative space or «space between'the hallway and staircase leading to the gallery's main entrance.
With Hot Rod 1 in the main gallery and a full - scale motorcycle, Cagiva, collaged and displayed in the center of the entrance gallery, Letscher leads the viewer into a way of reading the entire show.
The Byers Gallery is part of the Design Studios on Broad, at 390 E. Broad St., adjacent to the main entrance on the first floor.
At the entrance to the gallery, a massive crochet structure engulfs the main space and invites the viewer to wander through it, as the exhibition slowly unfolds beyond the knitted net.
The original main entrance has been uncovered on the east side of the Goodwin Gallery, though it no longer functions as such.
The galleries are located just inside the main entrance of the Center for the Arts to the left.
Elevators are located through the main entrance doors providing additional access to the 2nd floor gallery, offices, and studios.
Tear - away handouts with all of the floor plans were also provided at the back entrance to the main gallery, so visitors could review them while moving through the installation.
These include Wave Hill's expansive Lower Lawn and Elliptical Garden, with breathtaking panoramas of the Palisades and the George Washington Bridge; the stately lawn in front of the main entrance of Glyndor Gallery, with the copper beech forming a magnificent backdrop; and the secluded setting of the Aquatic Garden.
A storefront space located just south of the Center for Architecture's main entrance, available for gallery installations and special events.
Though the glass doors at the entrance, one can see further sandbags in the main foyer and lower gallery spaces that are ostensibly shoring up the walls of the museum.
A large horizontal building houses all main spaces, including most of the exhibition galleries; its ground floor accommodates the entrance lobby, the main court, a restaurant, a museum store, and a children's gallery, all accessible free - of - charge by the visitors.
Much of the ground floor is near - complete: a huge Richard Serra sculpture, Sequence — two spirals of weathered steel transported to the museum on 11 flat - bed trucks — has long been in place at one glass - walled gallery entrance; a dozen people had just lifted a 26ft - wide Calder mobile to help in its suspension over the main atrium.
At the gallery's main entrance, an old chapel organ stands awash in red lighting beneath a suspended tumbleweed sculpture.
It is the latest in a series of sculpture commissions to occupy the elegant neoclassical galleries, which stretch back 86 metres from the museum's main entrance on the banks of the Thames.
In 2010/11 work began on the Millbank project; an upgrade of the galleries in the South quadrant in order to increase capacity and improve the conditions for the display of art, as well as transforming the appearance of the main entrance.
The entrance area, I call Main gallery, is about three 17 feet... Continue reading →
Walking through Piano's just - completed Whitney building recently, I thought not only of the Kimbell's travertine stairs, which lead from the east entrance to the main floor and are washed with soft light from the galleries» vaults, but also of Kahn's Yale University Art Gallery and Yale Center for British Art, where natural light illuminates the stairwells, marking important transitional passages in the architecture.
Its main gallery features solo and group exhibitions of contemporary photographic, media and digital arts, while sound works are presented in its audio art gallery and site - specific installations in its surround gallery, the latter a ten - metre - long glass enclosure that surrounds the main entrance of the facility.
Site - Specific Art Prefix ICA commissions the creation of original site - specific installations for exhibition in its surround gallery, a ten - metre - long glass enclosure the surrounds the main entrance to the facility.
Although the museum has stayed open throughout the renovations, its main entrance has been closed since April 2012, in addition to 10 galleries which re-opened in May after extensive refurbishment.
The corridor has two large entrances into the main gallery, where printing presses once churned beneath a saw - toothed roof that allows light in from the north.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
From the entrance, the public reach the main galleries through a long ramped path adjacent to the main facade.
Matthew Ronay will produce a new installation for Pérez Art Museum Miami's Patricia Papper Project Gallery adjacent to the museum's main entrance.
«Drawn to Nature» runs through June 16 in the Glyndor Gallery at Wave Hill, 675 West 252nd Street (main entrance at West 249th Street and Independence Avenue), Bronx.
The entrance area, I call Main gallery, is about three 17 feet long walls, and one of the wings, called «Alcove gallery,» has two 16 feet long walls and one 8 feet wall.
These were added in the 1890s to compensate for the lack of contemporary portraits of medieval Scots in the gallery's collection at the time, as was the large processional frieze inside the main entrance hall, painted by William Hole.
«Tandem Pursuits: Armor & Ichthyology» runs through Dec. 1 at the Glyndor Gallery at Wave Hill, 675 West 252nd Street (main entrance at West 249th Street and Independence Avenue), the Bronx.
While UMOCA takes advantage of various exhibition rooms within its space, the museum's central focus is the sprawling main gallery, visible from the public entrance on the top floor and accessible by traveling down the staircase to the lower level.
Along with his exhibition at the Art Gallery of Ontario, Jungen recently completed a series of public sculptures commissioned for the Canada Plaza, the main entrance of The Kinnear Centre for Creativity and Innovation, at the Banff Center, Alberta.
In 1997, MPEA purchased Marshall's work from a Los Angeles gallery and it was put on display near one of the main entrances of the South Building.
Upstairs, in the main gallery, video footage by Diva TV (short for Damned Interfering Video Activists) plays on the wall closest to the entrance, chronicling one protest in which activist dressed as clowns pranced around New York streets before being rounded up by police, and another notorious protest that occurred at St. Patrick's Cathedral in 1989.
The west facade, the main entrance, is made of milled laminated glass on a rigid frame system, and the east facade is composed of a corrugated black metal panel system and transparent glass.The most striking feature of the building is the inventive use of a moving exhibition space that can serve as an extension of the gallery floor.
The Window Box is located outside Gallery 1313's main entrance in the courtyard of 1313 Queen Street West in Toronto.
A commissioned work for the exhibition, Jennifer Marman's and Daniel Borins» Stripped (2012), is a curtain of PVC strips across the entrance of the main gallery onto which the artists have appropriated and abstracted the visual style of document censorship and redaction.
The Imaginary Architecture of Love flows from the museum's entrance lobby into the main gallery, moving through the former produce warehouse's corners and cracks while responding to structural details such as arched windows and poured - in - place columns.
It is the latest in a series of new sculpture commissions to occupy the elegant neoclassical galleries, which stretch back 86 metres from the museum's main entrance on the banks of the Thames.
The art space and gallery are immediately visible and accessible from the main entrance.
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