Sentences with phrase «main gallery space as»

In celebration of the competition's 10 year history, successful entrants will have their work displayed in Turner Contemporary's main gallery space as part of the 2017 summer exhibition programme, featuring British sculptor Phyllida Barlow, who is representing Britain in the prestigious Venice Biennale, as well as one of her former students, Kenyan artist Michael Armitage, alongside JMW Turner.

This series is installed in the main gallery space as a sequence of diptych and triptych paneled photographs that trace a growing ribbon of light against the curtains of the artist's home.

Not exact matches

This serves as a kind of prelude for the maze - like installation that dominates the main gallery, as the artist steers a viewer's attention toward a specific concept in much the same way the installation leads visitors to follow a specific path through the space.

Three metre high paintings with titles such as Overcoming Optimism and Back on the Worry Beads occupy the main space of the gallery.

In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.

This location has a larger Main Gallery space measuring over 1,200 square feet and a second space known as The Project Room, which measures 400 square feet.

The show takes place at the Johannesburg Art Gallery, in partnership with the generous support of the Goethe Institute, as well as Prohelvetzia, and the Goodman Gallery at the Goodman Gallery Project space at Arts on Main.

Summer Wheat's exhibition transforms Smack Mellon's main gallery into an interior garden space that serves as a respite from the harsh realities of the outside world.

Presented mainly at the Goodman Gallery's new project space at Arts on Main, they include new large - scale photographs which extend the artist's formal vocabulary, as well as older photographs which are exhibited here for the first time.

The Nineties features galleries that are both new to the fair and presented within the main section, as well as era - defining spaces that no longer exist.

2011 saw the inauguration of H Project Space, on the second floor of the H Gallery Bangkok, as an experimental space that functions adjunct to the main proSpace, on the second floor of the H Gallery Bangkok, as an experimental space that functions adjunct to the main prospace that functions adjunct to the main program.

As one of the city's largest non-profit exhibition spaces, Creative Alliance's Main Gallery offers space for artists to stretch out and try new things.

At the entrance to the gallery, a massive crochet structure engulfs the main space and invites the viewer to wander through it, as the exhibition slowly unfolds beyond the knitted net.

As a result, the 2017 Texas Artist of the Year exhibition Trenton Doyle Hancock: Texas: 1997 - 2017 has relocated to Rice University and is currently on view at the Rice Gallery space, 6100 Main St, Houston, TX 77005.

Through projections and light on a main wall and throughout the campus, the work aims to explore connections between the individual identities of the galleries and artists at Bergamot Art Center as a unified space.

The pupils experimented with this possibility for themselves: they made choreographed interventions into the main gallery space during Heman Chong's exhibition, directing each other's movements; they drew up proposals for artworks covering their school buildings; they created a performance on Peckham Rye Park, working together as one body.

Presented as a three - channel projection in the gallery's main space, it is an excerpt from a larger series of eight videos the artist produced in kitchens in and around New York City.

The most ambitious of his choreographic «services» to date, No. 5: Dare to Keep Kids Off Naturalism extends for fifty hours across ten days as four performers occupy the SLG's main gallery, utilising modular costumes to create ever - changing fictive situations that reconsider the relationship between their theatrical sensibility and the exhibition space.

«Invisible» is spread across three separate, nearby locations: Schoeni's main gallery on Old Bailey Street, the Hollywood Road branch and the gallery's newest exhibition space, at 8 Chancery Lane — formerly used as the gallery's storage space.

Parallel with the 4th Berlin Biennale (25 March — 30 April 2006) Arndt & Partner opended a Special Exhibition Space one floor above the main gallery space at Zimmerstrasse, Berlin, showing sculptural positions by new gallery artists, such as Florian Baudrexel, Karsten Konrad, and Veron UrdarSpace one floor above the main gallery space at Zimmerstrasse, Berlin, showing sculptural positions by new gallery artists, such as Florian Baudrexel, Karsten Konrad, and Veron Urdarspace at Zimmerstrasse, Berlin, showing sculptural positions by new gallery artists, such as Florian Baudrexel, Karsten Konrad, and Veron Urdarianu.

The main gallery of Madrid's Palacio de Velázquez is an expansive, uninterrupted space well suited to theatrical gestures, but few artists have succeeded in pulling off quite such an eloquent coup de théâtre as Heimo Zobernig.

The main gallery spaces will feature examples of large - scale works featuring evocative photographic images from various sources such as books about experimental theater or puppetry, as well as Japanese textile designs, all screen - printed onto different fabrics that are layered and stitched together.

We exhibit artists» work in our main gallery eleven months a year, and often in our two other public spaces as well.

Using the gallery's main exhibition space as her canvas, the artist masked the floor with a large foam stencil, painting over it and the surrounding walls in sprayed - on, bright acrylic paints, before lifting the stencil to create large, white, disconcerting voids upon entering the space.

The exhibition ICON is taking over all of the gallery space, including the two main rooms that serve as a backdrop for this major show.

Rob Kennedy is as much curator as artist, and has insinuated weird, enigmatic films into the workshop areas and storage spaces of the CCA, as well as in the main galleries.

For the rest of the season, starting January 2015, the videos which were made from or served as inspiration for the workshops will be on display in the Videorover project space, adjacent to the main gallery.

In the main gallery, tendrils dangling from a masked, blond suspended creature, originally made in 2007, reached down to the floor — the creature presiding over the space as an unaggressive sort of guardian.

Among this year's changes we can find the integration of the IMPULSE section, a platform for emerging galleries, into the main fair, as well as the launching of the POINTS section, curated by Toomer, which highlights the work of alternative spaces and non-profit organizations.

Fitzroy is one of the main cultural draws, the bohemian neighbourhood known for its rooftop bars, vintage shops and secondhand bookstores, as well as galleries such as Brunswick Street Gallery, a studio and exhibition space for independent local artists, curated by Kathleen Ashby.

The museum's circulation pattern offers visitors glimpses into the vault's storage space as well, with its sliding racks of art visible from the complex descending staircase that visitors follow after exploring the main gallery on the third floor.

Known for graceful sculptures that use raw materials such as drywall, mud, and wood beams, Overton will create an elegant arrangement of long metal pipes across architectural voids between the Museum's main galleries and performance space and between the performance space and lobby.

MAGALI REUS: AS MIST, DESCRIPTION Mar 23 - May 27, 2018 London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions designed specifically for the South London Gallery's main space.

His work is currently being exhibited in London's prestigious Victoria and Albert Museum as part of the science fiction - themed exhibition Memory Palace based upon author Hari Kunzru's futuristic vision of a dystopian London, and next on his agenda is a solo exhibition entitled Controlled Spaces in Portland's Breeze Block Gallery in their main space, alongside UK - based Carl Cashman in Gallery 2.

Her performance works [5][8] include a series of site - specific gifting performances called Limited, Limited Edition which she has presented at Socrates Sculpture Park, in Long Island City, Queens; [9] in Jamaica, Queens; at the Incheon Women Artists» Biennale in Incheon, South Korea; [10] at On Stellar Rays gallery in the Lower East Side; in three locations in Newark, New Jersey for Aljira Center for Contemporary Art, [11] in a school yard in East Harlem; on 14th Street as a part of the Art in Odd Places performance festival, and on H Street NE in Washington D.C. [12] For Bad Kanji (2015), she painted temporary kanji tattoos on viewers at the Spring / Break Art Show, held in the historic office spaces above New York City's main post office, the James A. Farley Post Office.

Denise Bibro Fine Art moved to its current Chelsea location in 1997, and encompasses the main gallery as well as a project space, Platform, providing over 4,000 square feet of exhibition space.

Adjacent to the main exhibition space is a pop - up gallery shop, which also functions as an installation piece.

True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.

This seems even more apparent in Bougainvillea - Sitges (1989 - 90) that dominates the main gallery space and created an impact that was physical as much as visual.

Her expansive piece «The Privilege of Conveyance» (2016, mixed media on paper) wrapped around the main surface of the gallery wall to inhabit the wall's side as two dimensions turned into three, both on the surface of her paper and in space.

The exhibitions are sited not only within the main Gallery and adjoining Resource Room, but also incorporate a separate exhibiting strand in the Gallery's Window Space as well as touring activity to other gallery and non-traditional art Gallery and adjoining Resource Room, but also incorporate a separate exhibiting strand in the Gallery's Window Space as well as touring activity to other gallery and non-traditional art Gallery's Window Space as well as touring activity to other gallery and non-traditional art gallery and non-traditional art spaces.

As visitors exit this work, they will be met by two new monumental film installations facing one another across the main gallery space, two subtle variations of Boltanski's recent series Animitas.

Situated at different heights and angles within the main gallery, the seven sculptures confound expectations and present new configurations as one walks around and interacts with them, heightening one's experience of space and form.

This exhibition is on view at our main gallery at 4 East 77th St as well as our project space located at 30 East 74th St.

A particularly strong piece, The Lifted X (1965), sits in the center of the main gallery and meets visitors as the first sculpture they experience in the space.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

When including Joseph Havel's sculptures in the «Floor Plan» show, I was most interested in how these pieces engage the outdoor space, and the courtyard as an extension of the main gallery space in this contemplation of a floor plan.

Kunsten's Main Gallery will feature a work, which uses the space as a cathedral of light, while the Sculpture Park will feature a work that enters into a dialogue with the surrounding nature and the architectural setting.

As one walks in the main space of the gallery, «Navigator» (2011) introduces the show's leitmotif: contrasted vertical / horizontal bands in palimpsest.

Marino and I are at her pump project studio, which overlooks the main gallery, and acts as a crow's nest for the space's activities.