Not exact matches
Yet, just as the original Star Wars
films gave us a tantalising glimpse into the history
of the
main characters, so Chesterton leaves us in no doubt that his own childhood was
of immense importance to the development
of his
ideas.
In the end, this is again a very good horror comedy which needs to focus less on the
main characters (lets face it, they are cliches and the interest
of this whole movie is to the
idea behind it) and more on the variety
of monsters that were created for this
film.
As absorbing as the
ideas are behind the
film, the project just wouldn't work without the skill
of the two
main actors, who have to say so much with just a look, a subtle expression or a gesture in order to let us know what they're thinking.
Other faux trailers included «Don't,» «Thanksgiving» and «Werewolf Women
of the S.S.,» and while they were all certainly better than the two
main films («Planet
of Terror» and «Death Proof «-RRB-, they were never meant to be actual full - length motion pictures (director Robert Rodriguez had different
idea with this one, obviously).
I kept thinking
of that all the time and that was the
main idea that I took to Fabian, that I wanted to make a
film about when someone loses someone who is very important to him and how to keep going.
Along with discussing the more obvious aspects
of making the
film, the duo reveals some
of the other
ideas that were never used, including a short - lived plan to have MacReady's brother as the
main protagonist.
The
film rekindles the
idea of impossible love, as the
main character, Erica (Foster,) a vigilante murderer is attracted to the police officer (Terrence Howard) pursuing her.
The screenwriters background in short
films and television is on full display as the script just jumps from one
idea to the next, following the deterioration
of the
main character.
In fact, that
idea is the
main plot point
of Lego's wildly popular feature
film... take something and make it better using your imagination.
Drawing on both contemporary and historical texts, Ruscica's
film deconstructs the
idea of the travelogue itself as romanticised history, factual document and idealised experience Ruscica's
main area
of interest lies in examining -LSB-...]
The curators with the ten architectural teams for Venice Takeaway, in the
main gallery space housing the Research Emporium which presents the
films, objects, photography and writing from the teams on their trips around the globe in search
of new
ideas to change British architecture.