Earlier points in the trailer suggest Dutch may not have the full backing of the female outlaw, or Bill Williamson, and it seems likely
a main narrative thread could revolve around Morgan's efforts to keep Dutch's gang together in spite of his partner's increasing paranoia.
Woven around
this main narrative thread is the politics of the various groups that inhabit the metro, primarily the Neo-Nazis and the Communists, both of whom somehow carried their ideals with them into the dark, dank world of the underground.
Truth be told the quality of both the writing and
main narrative thread is all over the place, bouncing madly from genuinely beautifully written moments with emotional impact and outstanding twists sure to leave you with your jaw on the floor to scenes with clumsy dialogue and ideas that just didn't work out as well as I would have liked, though exactly how much of this inconsistency can be put down to translation issues is hard to judge.
The way side - quests are paced is quite brilliant, as rather than simply letting you complete the whole mission in one go you'll find progress has to be halted while other things happen in
the main narrative thread.
Earlier points in the trailer suggest Dutch may not have the full backing of the female outlaw, or Bill Williamson, and it seems likely
a main narrative thread could revolve around Morgan's efforts to keep Dutch's gang together in spite of his partner's increasing paranoia.
Not exact matches
As far as your comment as to the relevance of my contribution to this
thread, I feel I have just used more colorful language to express my
main narrative; Religion should be private, and kept completely separate from science, education, and state.
The other parts of the Bible relate themselves naturally to this
main thread of historical
narrative.
This is a culmination film ten years in the making and we are pulling the
main story
threads from all of the different franchises into one unifying
narrative.
Taking the city of Torino as its
main inspiration, «SHIT AND DIE» lies on a
narrative thread drawn by a series of objects that the curators have sourced from a selection of established yet unconventional institutions and collections in the city.
In each of the four rooms of the Pavilion there are two video projections — one presenting the
main motif of the room and the other the ghost
narrative, a continuous
thread running through the exhibition spaces.