Sentences with phrase «main space of the museum»

Fahamu Pecou, Sheila Pree Bright and Masud Olufani have all been given the opportunity to hold solo exhibitions in the main space of the museum that has advanced their professional careers.

Not exact matches

From museums featuring war veterans, model railroads, air and space and Latino culture, the main attraction is the San Diego Natural History Museum, San Diego Museum of Art and the Museum of Photographic Arts.

Also located in the Linde Family Wing is the Henry and Lois Foster Gallery, the Museum's main space for special exhibitions of contemporary art.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

The International Center for Photography is currently presenting a large exhibition of Latin American photography, the Museum of Modern Art has devoted its main exhibition space to Brazil's Lygia Clark, and the Bronx Museum of the Arts is looking at the legacy of modernist architecture in Latin American cities.

Other main group exhibitions include The King and the Mockingbird, Vermillion Sands, Copenhagen, Denmark, 2016; Yinchuan Biennale 2016 — For an Image, Faster Than Light, Museum of Contemporary Art Yinchuan, Ningxia, China, 2016; SHE — International Women Artists Exhibition, Long Museum, Shanghai, China, 2016; Tutorials, Pino Pascali Foundation Museum, Polignano, Italy, 2016; Bentu, Chinese Artists in A Time of Turbulence and Transformation, Foundation Louis Vuitton, Paris, 2016; Unordinary Space, Aurora Museum, Shanghai, 2015; CAFAM Future, Central Academy of Fine Art Museum, Beijing, 2015; Now You See, Whitebox Art Center, New York, 2014; 7th Shenzhen Sculpture Biennale, OCT - Contemporary Art Terminal, Shenzhen, 2012; stillspotting nyc, Solomon R. Guggenheim Museum, New York, among others.

Lew and Locks named the sixty - three participants, whose works will fill two of the four main gallery floors of the Whitney (including the 18,000 - square - foot Neil Bluhm Family Galleries on the fifth floor) and numerous other spaces throughout the Museum.

Developed in close collaboration with the artist and straddling two sites, DHC / ART's presentation of sculptures and video evokes a natural history museum display in the main building, while a series of video installations occupy the satellite space.

MASS MoCA curator Denise Markonish talks about: The immense size of the museum (300,000 sq. ft.), including the football field - sized main exhibition space, and how despite its being three hours from the big cities (NYC, Boston...), it gets tremendous...

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

The Main Gallery reception desk, exhibition spaces and museum shop located at the Zoellner Arts Center are staffed by a dedicated group of volunteers.

Goldstein's work has been exhibited at Museum of Contemporary Art, Los Angeles, MMK Museum fur Moderne Kunst, Frankfurt am Main, Whitney Museum of American Art, New York, MAGASIN Centre National D'Art de Grenoble, France, Kunstlerhaus, Stuttgart, Germany, Centre d'Art Contemporain, Geneva, The Groningen Museum, the Netherlands, Artists Space, New York, Haus der Kunst, Munich, Metropolitan Museum of Art, New York, Hamberger Bahnhof, Berlin, CCA Watts, San Francisco, Austin Museum of Art, Texas, Andy Warhol Museum, Pittsburgh, Pennsylvania, Kunstmuseum, Basel, Institute of Contemporary Art, Philadelphia, Institute of Contemporary Arts, London, and many more since the early 1970s.

Founded on Ridgefield's historic Main Street in 1964, the Museum enjoys the curatorial independence of an alternative space while maintaining the registrarial and art - handling standards of a national institution.

A Space for Dialogue 48, Discomfort Zone, Fluxus and Performance Art from the 1960's and 1970's, Kimia Shahi, Class of 2009, Levinson Public Relations Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 4 - March 1, 2009.

A Space for Dialogue 63, Okeanos, International + Contemporary Reflections on the Sea, Maria Fillas, Class of 2011, Levinson Intern, Main Lobby, Hood Museum of Art Dartmouth College, Hanover, New Hampshire, March 12 - May 6, 2011.

The Warehouse Gallery March 1 — May 12, 2012 In her first museum solo - show, the artist was asked to produce a new body of work that addresses the Warehouse Gallery's space (main gallery and the vault), and to experiment and venture out onto new terrains.

In her first museum solo - show, the artist was asked to produce a new body of work that addresses the Warehouse Gallery's space (main gallery and the vault), and to experiment and venture out onto new terrains.

SAM's desire to further serve its community was realized in 2007 with the opening of two stunning new facilities: the nine - acre Olympic Sculpture Park (designed by Weiss / Manfredi Architects)-- a «museum without walls,» free and open to all — and the Allied Works Architecture designed 118,000 - square - foot expansion of its main, downtown location, including 232,000 square feet of additional space built for future expansion.

These projects at 231 Bowery also seek to foster a new relationship between the artists and the public by allowing artists to create work outside the confines of the main museum building and in closer proximity to the energy of the street and to the creative space of the artist's studio.

An aura of mystery and sadness is created, in the main space, by a large group of museum showcases destroyed and robbed.

Though the glass doors at the entrance, one can see further sandbags in the main foyer and lower gallery spaces that are ostensibly shoring up the walls of the museum.

The museum is currently composed of two interconnected buildings: the YBCA Forum — which houses the center's main lobby, temporary exhibition spaces, workshops, and a conference room; and the 755 - seat YBCA Theater.

Occupying the three main floors of the museum, and including a range of work from the artist's early career that investigates the representation of the female body, the event moved through to her more recent video installations that transform spaces into surreal dreamlike environments.

The major show, curated by internationally renowned author Simon Njami, is covering the Museum für Moderne Kunst Frankfurt am Main's entire space of 4,200 square meters, and includes twenty - three works produced explicitly for this occasion.

A large horizontal building houses all main spaces, including most of the exhibition galleries; its ground floor accommodates the entrance lobby, the main court, a restaurant, a museum store, and a children's gallery, all accessible free - of - charge by the visitors.

The billboards show photographs of a cardboard scale model of the museum's main gallery space that I had made in my studio.

He was responsible for the press, and managed the first benefit action for the exhibition space Portikus in Frankfurt, and also organised a series of different exhibitions together with the Museum für Moderne Kunst (MMK) in Frankfurt am Main.

The museum's circulation pattern offers visitors glimpses into the vault's storage space as well, with its sliding racks of art visible from the complex descending staircase that visitors follow after exploring the main gallery on the third floor.

Known for graceful sculptures that use raw materials such as drywall, mud, and wood beams, Overton will create an elegant arrangement of long metal pipes across architectural voids between the Museum's main galleries and performance space and between the performance space and lobby.

His work is currently being exhibited in London's prestigious Victoria and Albert Museum as part of the science fiction - themed exhibition Memory Palace based upon author Hari Kunzru's futuristic vision of a dystopian London, and next on his agenda is a solo exhibition entitled Controlled Spaces in Portland's Breeze Block Gallery in their main space, alongside UK - based Carl Cashman in Gallery 2.

He blames the museum for «sucking the life out of Main Street,» two blocks away, by offering office space; for not stepping up to help other parts of downtown by, for example, partnering to find a use for the historic former Mohawk Theater movie house; and for offering free admission to local residents only one day a year.

2007 Appendix Appendix Radio Play, Performa 07, New York, US In the Stream of Life, Betonsalon, Paris, FR For Sale, Cristina Guerra Contemporary Art, Lisbon, PT Wouldn't it be nice, Centre d'art contemporain, Geneva, CH Words fail me, MoCAD, Detroit, US Projecktion, Lentos Art Museum, Linz, AT How soon is now, Luis Seoane Foundation, Coruna, ES Language of Vision, mima Middlesborough Institute of Modern Art, UK Without, Yvon Lambert, Paris, FR Zero, Zero, S, Lyon Biennale, Lyon, FR Plankjes, tak, Atelier als Spermedium, Artist Space for Contemporary Art, The Hague, NL Twice told tales, Galerie Michel Rein, Paris, FR You have not been honest, Museo D'Arte Donnaregina, Naples, IT Whenever It Starts It Is The Right Time, Frankfurter Kunstverein, Frankfurt am Main, DE Blackberrying, Christina Wilson Galerie, Copenhagen, DK Der Droste Effekt, Esther Schipper, Berlin, DE Prediction — Exhibition Trouble, Paris, FR Un touchable, Patio Herrianom - Museo de Arte Contemporáneo, Valladolid, ES Some Time Waiting, Kadist Art Foundation, Paris, FR Kit Bashing, Western Bridge, Seattle, US On the Future of Art School, STORE, London, UK

Are there as many big shows on the 6th floor of the Museum of Modern Art or on the main spaces at the Hammer Museum?

In the museum's main gallery, a cleanly finished natural wood beam hovers in space over a pair of hinged glass plates.

WASHINGTON - The main gallery space of the National Gallery's Anne Truitt exhibition is a modestly large but tall room, where for years the museum displayed the beloved cutouts of Henri Matisse.

However, this gallery was broken off from the main gallery spaces of the upper floors and thus was literally marginalized, having limited impact on the main museum narrative.

ParisCONCRET, «Personal Space,» 3 - person exhibition, Paris, France 2008 Rocket Gallery, «Merger: New Minimal Painting in Dialogue With Contemporary Furniture Design,» group exhibition, London, U.K. PULSE New York Contemporary Art Fair, Artware Editions, Group Exhibition Reed Gallery, University of Cincinnati, «Weight of the World,» group exhibition 2007 Reynolds Gallery, one - person exhibition, exhibition essay by Stephen Westfall, Richmond, VA Lamar Dodd School of Art Main Gallery, University of Georgia, «Cowboy Magic,» one - person exhibition, exhibition essay by Saul Ostrow McCaig Welles and Rosenthal Gallery, Brooklyn, NY, «Wide Open,» group exhibition McDonough Museum of Art.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Constable, Delacroix, Friedrich, Goya, Albertinum, Galerie der Neue Meister, Dresden, Germany Open Spaces / Secret Places, Sammlung Verbund, Wien, Austria Making it up: Photographic Fictions, Victoria and Albert Museum, London, United Kingdom 2012 Lost Places — Orte der Photographie, Hamburger Kunsthalle, Germany Malerei in Fotografie — Strategien der Aneignung, Städel Museum, Frankfurt, Germany The Residue of Memory, Aspen Art Museum, Aspen, Colorado This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago Fresh Widow — Fenster - Bilder seit Matisse und Duchamp, K20 Kunstsammlung Nordrhein, Westfalen - am - Grabbeplatz, Germany Making History, Museum für Moderne Kunst (MMK), Frankfurt / Main, Germany Coup Double, FRAC Aquitaine, Bordeaux, France The Studio, Sites of Production, Kunstmuseum Luzern, Lucerne, Switzerland Open Spaces, Secret Places, Museum der Moderne Salzburg, Salzburg, Austria 2011 You Have Been There, Marian Goodman Gallery, New York Photography is Calling, Sprengel Museum, Hannover, Germany Streetlife und Homestories - Fotografien aus der Sammlung Goetz, Museum Villa Stuck, Munich MMK 1991 - 2011: 20 Jahre Gegenwart, Museum für Moderne Kunst, Frankfurt 2010 101 Collection: Route 1 — R for Replicant, CCA Wattis Institute for Contemporary Arts, San Francisco, California Doppeleffekt, Kunsthalle zu Kiel der Christian - Albrechts - Universität, Kiel, Germany Silent Revolution — A new presentation of the permanent collection, K20K21 Kunstsammlung Nordrhein - Westfalen, Düsseldorf, Germany 2009 Cézanne and Beyond, Philadelphia Museum of Art, Philadelphia Esposizione Universale — l'arte alla prova del tempo, Galleria d'Arte Moderna e Contemporanea di Bergamo (GAMeC), Bergamo, Italy 2007 On History, Fundacion Santander Central Hispano, Madrid, Spain Edit!

The aptly named Bone Yard, the main exhibition space for the Neon Museum in Las Vegas, prompts comparison to both Rudolf Nureyev: A Life in Dance at the de Young Museum and Wade Guyton: OS, the artist's mid-career retrospective at the Whitney Museum of American Art.

With an emphasis on emerging practices, the program will provide three artists with studio space on the third floor of Lawndale Art Center at 4912 Main Street in the heart of Houston's Museum District.

Also under him, the gloomy main lobby of the museum was transformed into a space for site - specific installations.

LOUISVILLE, Kentucky — At the foot of the stairs leading down into the main gallery space of the 21c Museum Hotel Louisville hangs a kinetic digital portrait of pop star Britney Spears in an ornately gilded frame.

The Dream Machine, a reimagined Airstream travel trailer refashioned as a traveling exhibition space, will be parked at the main entrance of the Parrish Art Museum from Thursday, July 2 through Sunday, July 5.

While UMOCA takes advantage of various exhibition rooms within its space, the museum's central focus is the sprawling main gallery, visible from the public entrance on the top floor and accessible by traveling down the staircase to the lower level.

One side deals with a grid of symbols that act as a ledger to become familiar with the lexicon before entering into the main exhibition space, where as the counter side, aminimal landscape with the binary symbols for A and B, can be read from outside of the museum through the window.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

In conjunction with his exhibition in MOCCA's main space, Luis Jacob has been invited to curate an exhibition for the recently inaugurated National Gallery of Canada at the Museum of Contemporary Canadian Art program.

SELECTED GROUP EXHIBITIONS and SCREENINGS The Concordia Biennial: The Art of Teaching, Concordia Gallery, Concordia University, St. Paul, MN, 2016 It's so hard to live without you, Helsingborgs Dagblads Photo Salon, Landskrona Photo Festival, Landskrona, Sweden, 2016 The Golden Hour, See 18 Film Screening Room, MSP International Airport, Minneapolis, MN 2016 - 17 North of the 45th Parallel, DeVos Museum, Marquette, MI, 2016 Experimental Cinema: Pixels, Minneapolis International Film Festival, St. Anthony Main Theater, Minneapolis, MN, 2016 Society of Scottish Artists Annual Exhibition, RSA Gallery, National Galleries of Scotland, Edinburgh, 2015 This From There, Circa Gallery, Minneapolis, MN, 2015 Photography Since the Millennium, Louisville Photo Biennial, Carnegie Center for Art and History, New Albany, IN, 2015 SPE Combined Caucus Juried Exhibition, Ogden Museum of Southern Art, New Orleans, LA, 2015 SPE Combined Caucus Juried Exhibition, UCF Fine Arts Gallery, Orlando, FL, 2015 Perspectives, MN State Arts Board, St. Paul, MN, 2014 Faux / Real, Non-Fiction Gallery, Savannah, GA, 2014 Finders and Keepers, Duchesne Academy (participating Fotofest space), Houston, TX, 2014 Acquisitions and Debuts of the Hillstrom Museum of Art, St. Peter, MN, 2013 Art in the Age of Globalization: Outsourced, Minneapolis Institute of Art, MN, 2012 - 2013 What Can not Be Cured Must Be Endured, Paul Robeson Gallery, Newark, NJ, 2012 Terraforming: Contemporary discourse in landscape photography, King Street Gallery, Silver Spring, MD, 2012 Then + Now, Hillstrom Museum, St. Peter, MN, 2012 Intersections, Minneapolis College of Art and Design Gallery, Minneapolis, MN, 2012 EA$ T / WE $ T: A Global Look at Capitalism, New Harmony Gallery of Contemporary Art, New Harmony, IN, 2011 Faculty Exhibition, Schaeffer Gallery, Gustavus Adolphus College, St. Peter, MN, 2010 2008 McKnight Fellows Exhibition, Franklin Artworks, Minneapolis, MN, 2010 Re-Generate, Re-Image, Re-Focus: New Directions in Photography, Priscilla Payne Gallery, Bethlehem, PA, 2009 Yummy, Nexus Foundation, Philadelphia, PA, 2007 Visual Noise, UMC Art Gallery, University of Colorado, Boulder, CO, 2007 Imagining Namibia, The Art Center of St. Peter, St. Peter, MN, 2006 Soul Searching, Cyrus M. Running Gallery, Concordia College, Moorhead, MN, 2006 WCA International Video Shorts Festival, Boston, MA, 2006 Cuba Libre, The Art Center of St. Peter, St. Peter, MN, 2004 Faculty Exhibition, Carver Center for Arts and Technology, Baltimore, MD, 2003 SPE Regional Conference Exhibition, Manchester Craftsman's Guild, Pittsburgh, PA, 2002 True Confessions, Charles Theater, Baltimore, MD, 2000 On Sight, The School of Visual Arts, New York, NY, 2000 The Photographic Persona, Belknap Gallery, Univ. of Louisville, Louisville, KY, 1999 The Y2K Solution, Rutgers University, New Brunswick, NJ, 1999 AugenMusik (installation / performance), Peabody Conservatory, Baltimore, MD, 1999 Emerging Artists, Maryland Federation of Artists, Annapolis, MD, 1999 LaGrange National, LaGrange College, LaGrange, GA, 1998 Choice, Tate Gallery, University of Georgia, Athens, GA, 1998 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1997 She Defies Gravity, Ekhartsberga Gallery, McKees Rocks, PA, 1996 Exposures, Garfield Artworks, Pittsburgh, PA, 1996 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1995 Arts on Tour, Vine Street Gallery, Sharon, PA, 1994 Manchester Craftsman's Guild Staff Exhibition, Pittsburgh, PA, 1994

The ICA does face the task of having to distinguish itself from the myriad contemporary art organizations now operating in art - clogged downtown Los Angeles — including the under - construction Main Museum, a non-collecting institution that will open its principal exhibition spaces in 2018.