Sentences with phrase «main story of the films»

The main story of the film follows Gigi (Goodwin) as she tries to decipher the signals of all of her wrong - turn dates.

One of the reasons for this is probably because it's not following the main story of the films, and is going off on a tangent, but I'm sure you'll...

One of the reasons for this is probably because it's not following the main story of the films, and is going off on a tangent, but I'm sure you'll agree, it looks damn good.

Not exact matches

I actually enjoy these sorts of films, as the writing is generally of high caliber, and the exotic locales and vibrant scenery make for an enjoyable cinematic experience, even if the main story is a bit dull.

As much as I loved Inglourious Basterds, that film was a series of digressions from the main plot, but this film is actually centered on the story he lays out at the beginning.

As for the main appeal of the film, that also rests on two things: the rags - to - riches story of our hero, and the cuteness of the car.

Good production values for a low budget film and good acting from the main characters and most of the cast and good pace but the story feels empty, cliché, flaw and lack of depth.

Unfortunately that means that the film is an extremely streamlined adaptation, with few of the subplots, and a fair amount of condensing of the main story.

There are two main stories really, one which sees Kronk back with «Yzma» again and the other revolving around his job as a camp counselor for the Junior Chipmunks, something that was touched on at the end of the first film.

A decent character study whose main strength lies in two great performances by Foster and Harrelson, who shine in a sad story that deals with the psychological consequences of a terrible job, but the film also suffers from some tiresome pacing and unnecessary scenes.

The film purports to tell the story of the figure skater Tonya Harding, and of her role in the notorious hammer attack on her main rival, Nancy Kerrigan, in the run - up to the 1994 Winter Olympics.

Director Karel Reisz and screenwriter Robert Getchell create a tightly woven drama with two strong main characters and a number of fine supporting roles, and the love story at the film's center is convincing.

What Hela lacks on paper, Cate tries making up for it in Hela's aura and she partly succeeds as well but when you find that even her henchman Skurge (Karl Urban) has more of a story arc that the film's main villain, you know there isn't much to her anyway.

Some of the main characters and stories in the film include: A speech by the Dalai Lama about the inter-connectivity of humanity.

But my main issue was that the story didn't draw me in enough, the uselessness of the Warriors Three, and the borderline slapstick humor mid way during the film.

Even if the main story seems oddly familiar, it's the unique vision at the heart of the film that keeps this like the pies made daily at Joe's Diner — innovative, always fresh, and made from personal inspiration.

The film is bolstered by her knack for dialogue and character, but also in not pressing too hard in order to get laughs that aren't there, letting smaller conversations play out naturally, and having supporting characters mirror the main story in a fashion which draws out interesting tidbits without stopping the overall momentum of the character's journey at large.

Possibly around the time the film was drafted as «The Star Wars: From the Adventures of Luke Starkiller,» Lucas was on the lookout for his story's main hero.

I understand why Johnny Depp is credited as the main actor, not because he is a bigger draw at the box office, but because he as Tanto starts off in the film telling the story of how the Lone Ranger came to be.

You're getting no more or no less than you'd expect from a movie like The Movie Never Stopped, but I was glad to see Simmons get a chance to help carry a film rather than simply move around the edges of the main story in a supporting role.

So far, the main story that every film (not just the Avengers films) has been a part of, is a lager story that will conclude in «Infinity War - Part 1 & 2», which «then», the «Infinity / Thanos» story will end, and then, the next big storyline and phase «4» begins.

Additionally, it might be interesting to some fans that even though this film depicts an epic love story where Gerda was the main support system for Lili, this is a bit of a stretch.

In the end, the main achievement of «Knightfall» may be its effectiveness in reminding the viewer of better films and more exciting versions of stories influenced by the group's myth.

Crazy Donny (Giovanni Ribisi) shows up again to menace the bear; one of the main characters has a near - death experience; Sam «Flash Gordon» Jones, who enlivened the first film, seems to be wedged into the second story out of friendly obligation.

Lorraine Warren's back story plays a key role in the central story of the film and it ties into the main story with the Perron's seamlessly.

On one level, the film, written and directed by Leigh Whannell (Saw, Insidious), trots out a very familiar sort of action - hero origin story: Victimized by violent crime in a cyberpunk future, main character Grey Trace (Logan Marshall - Green) vows to hunt down the men who killed his wife.

Catching Fire director Francis Lawrence (Water for Elephants, I Am Legend) returns for the first of two installments adapting the third and final book in Suzanne Collins» massively popular young adult trilogy, and the main question is, does it need two films to tell the story?

Like the Harry Potter films, Matthew Vaughn's (Layer Cake) treatment does spend an inordinate amount of time on secondary characters and superfluous side stories, to the point where it's hard to discern there being a main story for long durations.

Ang Lee's big - screen adaptation of Yann Martel's bestseller «Life of Pi» opens this week, and while the film's main stars may be Suraj Sharma as Pi and a CGI tiger, actor Irrfan Khan almost steals the whole show as the older Pi, who narrates the story.

Its refusal to linger on the sexy, flashy or gratuitous is also a good move from the directors, it instead makes Linda's story the main focus of the film and is all the better for it.

But I came at an interesting inflection point at the story of the group because after they banded together, ISIS started to kill members of their group and they were forced to flee and so when I started I knew that one of the main through lines of the film would be the exodus of Syria to Turkey and Turkey to Europe as they were being hunted by ISIS and as they were on the run and forced to flee.

Super Stunt Squad doesn't follow the story of its film counterpart — it's not even a racing game, one of the main aspects of the film.

Like in the book, many of the main characters in the story come to vivid life in the film, including the powerful Gatsby and Daisy, the woman whose true feelings are never fully realized in either work.

The story is so remarkable you almost can't help but being skeptical that it wasn't crafted just to be the basis of a film some day — massive international touring band loses their second main lead singer, and needs to...

The rest of the film is made up of short vignettes that take us through 1950s Hollywood, introducing a lovable set of characters that roughly blend into the main story.

The main one is that Seal was an unofficially contracted employee of the CIA, which definitely had their own fingers in a whole lot of pies in Central America in the late 1970s and 1980s, when the film's story is set.

It is hard to ignore their parts of the story, but because it is of little concern to the main characters, compared to their ultimate goal of rescuing Minho and getting as far away as they can from everything, the film didn't feel bogged down by this aspect either.

This is a culmination film ten years in the making and we are pulling the main story threads from all of the different franchises into one unifying narrative.

Marketing for the film filled me with much trepidation — would they stick to the main story, or would they «Hollywood - ize» the film, taking away the heart and soul of the story for a more cookie - cutter approach that bears little resemblance to the source material?

The story is based on the experiences of Jonathan Asser (as a prison therapist; which is one of the main focuses of the film.

The story takes place in present day, 15 years after the events of the film, and may switch the races of the two main characters.

As with other reviews, my main issue with the film was the shallow take on the moral dilemma of the story with the timely spaceship mishap allowing a neat and tidy wrap - up.

If the film is trying to convey the importance of the main character, nearly everything is at least somewhat significant in the life story of that person.

Every scene is constructed with a need for mass appeal, targeting slapstick for the kiddies and plenty of old film references for the adults, and almost all of these are a distraction from the main story, rather than a means to enhance the characters or plot.

Luckily, this remake of the 1943 film My Friend Flicka (that starred a very young Roddy McDowell as the main character) has stayed true to the essence of Mary O'Hara's story, even if the lead role was given to a girl instead of a boy.

Ever since the release of the first trailer of Avengers: Infinity War, diehard fans had been poring meticulously over every single frame and still from the movie, released via both official and unofficial channels, trying to figure out the main story beats of the superhero ensemble film.

Based on a children's book of the same name by Judith Viorst, Alexander and the Terrible, Horrible, No Good, Very Bad Day is packaged as a kids film with Alexander kicking off the story as the main protagonist.

The film tells Tonya Harding's life story from the perspective of its main protagonists, Tonya herself in the present day (Margot Robbie), her abusive ex-husband Jeff Gillooly (Sebastian Stan) and her even more monstrously abusive and confidence sucking, chain - smoking mother, LaVona Golden (Allison Janney).

The film is episodic in nature, alternating between watching the main character (presumably Sands) at different points in his life, and the story of the fall of Adam and Eve.

The main crux of the story is Batman and Robin's relationship, as Val Kilmer's Dark Knight is introduced to Chris O'Donnell's Boy Wonder over the course of the film, treating us to the first (and only) successful interpretation of the dynamic duo apart from the»60s Adam West film.