Sentences with phrase «main story scenes»

Not exact matches

«Lisac's backdrop may be the political scene, but his story is in the heart of his main characters, their flaws and aspirations.

The Authority, led by storyline COO Triple H and his real - and story - wife, Stephanie McMahon, was born, and they had no use for Bryan in the main event scene.

After the opening scene - setting chapters, the reader is well rewarded with many nuggets: the story of his tramps around France mapping its geology; his fortitude in redistil - ling pure water for 101 days to prove that it would not turn into «earth» (he later proved that it consisted of hydrogen and oxygen); his marriage; his tests for tobacco adulteration; his brush with death at the gunpowder factory; his examination of mesmerism; his tragic final years; and, of course, his main discoveries and contributions, including his exchanges with the English scientist Joseph Priestley.

Despite the lessening of madcap energy, Shrek the Third is still quite funny in parts, with some fresh throwaway gags to produce chuckles now and then from characters you'd think they probably should have jettisoned long ago, but are secretly glad they've kept around (the Gingerbread Man, Pinocchio, etc.) The fact that they are keeping in nearly all of the characters introduced in the series thus far is a bit of a double - edged sword, as they do provide a certain respite from the main characters that are already cycling through the same jokes all over again, but on the other hand, it's getting to the point that the high overhead of injecting scenes for all of these characters takes away from the focus of the story at large.

I didn't even realize there was more story after the big scene with the main villian.

A decent character study whose main strength lies in two great performances by Foster and Harrelson, who shine in a sad story that deals with the psychological consequences of a terrible job, but the film also suffers from some tiresome pacing and unnecessary scenes.

The Extras The Franco brothers and screenwriters Scott Neustadter and Michael H. Weber join Wiseau and Sestero (appearing via telephone) for an audio commentary, which exists for two main reasons: Wiseau giving the true story about things that happen in the film and Franco pressing Wiseau for more behind - the - scenes information about himself and The Room.

This movie has a good main cast, the story is good, and it has a lot of good action scenes.

The main bonus is a 7-1/2 minute Behind - the - Scenes Featurette with writer - director Kenny Riches explaining his motivations for creating this story and the film's production (oddly, he cites Pee Wee's Big Adventure as a strong influence).

Entering the main flow of the story relatively late, Don Cheadle steals all his scenes as a live - wire, trigger - happy old buddy of Easy's from Texas, while Sizemore and Mel Winkler, as colorful underworld figures, make strong impressions.

The main plot drive the story so much, there aren't many scenes to provide for character development or to make the overall film interesting.

The trailer also includes scenes of the story that is inserted into the main narrative, a story written by Jake Gyllenhaal's character that will feature most of the supporting cast and serves as a possible threat to his ex-wife, played by Amy Adams.

For starters, no one is kidnapped this time around, and the villains are so far removed from the story that the main antagonist only appears in the opening scene and shortly again at the end.

Dominika and the other main characters in the Moscow scenes speak English with the kind of heavy Russian accents you associate with Smersh or Spectre agents in Bond stories.

It's a funny scene that certainly adds a lot to Gerry's character, but in the context of the story it seems self - serving to give such significant insight to a supporting character while the main cast only gets a cursory backstory at best.

If these scenes set themselves a lower bar than the unassumingly deft character work of the main story, with its lively attention to adolescent anxieties, «Superbad» at its best goes right through knockabout to land in deliciously obscene places — notably a staggering succession of doodles in which tumescent cocks take on various extraordinary guises.

Every scene is constructed with a need for mass appeal, targeting slapstick for the kiddies and plenty of old film references for the adults, and almost all of these are a distraction from the main story, rather than a means to enhance the characters or plot.

One of the best examples of this is the framing device for the main on - ship action: modern - day scenes in which an aged Rose (Gloria Stuart) tells her story to an expedition crew (led by Bill Paxton) searching for a legendary blue diamond called «The Heart of the Ocean.»

Although the film is short at 86 minutes, even that seems too long — there is fully half - an - hour of scene - setting during which the story makes no progress before the two main characters find themselves on the island, and once they arrive there significant chunks of the time is filled with their rolling in the sand or with musical numbers designed to let Madonna strut her stuff.

During that same early scene, two of the story's main villains are introduced.

The main story line is very basic and, although there are some good moments for certain characters (Gugu Mbatha - Raw completely owns the scene where she breaks down), it doesn't allow for a whole lot of real character development.

Notably, while there are male characters in the cast (including husbands and fathers), they aren't the main characters and barely appear present in the trailer — suggesting an approach similar to the The Women where the staging of scenes emphasizes that the female characters» story is happening primarily in spaces unique to them and often overlooked in other films.

The scenes generally have nothing to do with the main story, which makes sense when you consider that these were made well after the original Megadimension Neptunia VII launched in 2015 in Japan.

The main extra on Warner's New Year's Eve Blu - ray is a running commentary by Marshall, who not only falls into the trap of simply describing either the action or dialogue of a scene instead of imparting much background information and stories about the production (going unaddressed, disappointingly so, is the widely reported last - minute Heigl - for - Berry recast, with the latter rejoining the project in a smaller capacity once her schedule cleared), he does so in a sing - song fashion that presumably is supposed to come off folksy - friendly but quickly becomes more than a little obnoxiously self - amused.

I clocked it only in the bonus chapter where the hidden objects scenes are considerably simpler than in the main story.

It is during these emotional scenes that the film is able to be effective, though Anderson isn't able to carry over the poignancy or sense of terror to other scenes, as the artifice of the main story, as well as the weakness of the main villain, snap things back to the mundane.

It's not necessarily an economical film, as there are whole scenes which have nothing to do with the main story, such as the meeting between McDormand and Steve Park, the lonely friend from the past that tries to have an affair with her.

«Blue Is the Warmest Color» Yes, the sex scenes are explicit, but they are both necessary to the love story and tangential to the film's main ambition, which is to illuminate the life of its young protagonist, played by Adèle Exarchopoulos, in full.

The scene involves male character LeFou, who in a side - plot to the main story tries to come to terms with his feelings for the film's male antagonist, Gaston.

By now, we are accustomed to the smart - assed commentary that disfigured mutant mercenary Wade Wilson (Reynolds) offers as he narrates his life story, but it's still odd to see our main character blow himself to bits in the opening scene.

Help students track a story's main ideas and supporting details by having them illustrate important scenes.

«North by Northwest» — Director Alfred Hitchcock's editing and main title sequence notes — Composer Bernard Herrmann's music notes — Photos and documents from Alfred Hitchcock's papers: — story department photos — storyboards and photos of crop duster sequence — production schedules and daily scene reports — hair and makeup tests — costume sketches

These temples are a majestic set of graceful buildings with intricate and beautiful artwork and the main temple is 3 stories high and has some lovely scenes and stone pillars inside.

aside from... lets say... Shadow of the Colossus... but even then... the main story is told through cut scenes...

I thought Two - Face might have been one of the main villains based on the advertising (hell, his image was one of the first ones ever revealed when the game was announced) so I was pretty disappointed that he only appeared for one scene in the main story and a side - mission later on.

Dice have made an effort to make bad Company 2 a more dark and mature story, sadly this has resulted in the main characters swearing every couple of sentences and much of the humour has been lost but it still contains the occasional line to make you smile and the often cheesy scenes will also bring a smile to your face, though most likely not on purpose.

With the main focus being on the events that are set a few years after Season Two, there is a fair amount of backstory added in there too in the form of flashback scenes and the game throws you in to one of these straight away where our new protagonist is introduced at the very start of the outbreak, which sets the tone of the main story in present day seamlessly.

The story was terrible but what I made it fun was the cheesy cut scenes that drove the whole comical point of how terrible the plot is, my main gripe was that there were not enough of them.

Some of this includes «ambient» audio logs that play in the background, scenes on the computer screens to help players find out what's going on, and or cut scenes where players will meet NPCs that help unfold the backstory as well as the main story itself.

The story is told in a slightly different fashion to the main game — with most of the cut scenes being told in an animated, black and white comic style, sometimes switching back to the game's normal in - game scenes before dropping you into the action.

With two scenes and six endings, this playable teaser takes between 5 - 10 minutes to complete, and should prepare you for the main game, answering the big questions raised in that story, like: Why is there a killer clown in the woods?

Batman is able to stray from the main story to investigate recent crimes broadcasted by the game's panic - stricken police scanners, the player can then choose to proceed to the scene of the vile crime and utilize the game's most recent iteration of detective vision to uncover the crude perpetrator.

Players have to jump through some hoops to play online co-op in Monster Hunter World, as the game doesn't allow players to join friends on main story missions where they haven't already seen all the cut - scenes.

I found myself very satisfied with the quality of acting, special effects, fight scenes and narrative consistency and how seamless it integrates and fades back to the main game: the scenes never outstay their welcome and are as action - packed and intriguing as the story found in normal gameplay.

The story mode is based around a former rising star in the Grand Prix circuit, the main character wants to make a comeback to the racing scene after serving a two - year sentence for illegal racing.

The story mode is the main attraction, offering up 20 episodes of fighting with cut scenes mixed in.

The difference are changes of dialogue, information regarding back - story and cut scenes but the main story core remains the same but it gives the player a nice replay boost which is always a welcoming addition as it will have players replay the game at least once to experience both sides of the story.

Tales of Hearts R is next title in the long running TALES OF RPG series and brings a classic tale of discovery and adventure to Western audiences with beautifully animated cut scenes conveying the story of the game's main character, Kor Meteor, as he trains with his grandfather in the ways of the sword.

The voice acting can be a bit stiff sometimes, and a few of the scenes are groan - worthy at best, but the main cast and important story scenes are done quite well.

The main story contains a high amount of cut scenes (skippable) where Raiden works for a security company involved in various activities including protecting important leaders — foreign and domestic.