Sentences with phrase «main subjects of my work»

I've always been concerned with how art is displayed, but this retrospective made me realized that it has actually been one of the main subjects of my work.

My mother has been one of the main subjects of my work since 2001.

The exhibition highlights the work of seven artists that do not necessarily consider light to be the main subject of their work.

Not exact matches

In his main work, Difference and Repetition (1968), he has shown why the conception of concrete immediacy in and between occasions must not be considered naive in a post-Hegelian sense, but post-Hegelian altogether.15 In order to achieve this aim, Deleuze replaces the categorization of the world into the general and the individual in favor of the distinction of the universal and the singular.16 On the level of abstraction, «mediation» describes the analysis of that which is subjected to a «law.»

Now comes America, the main subject of Yale professor Butler's alluring work.

The subject of the meeting was dealt with under five main divisions: The faith by which the church lives, the witness of the church, the life and work of the church, the environment of the church, and co-operation and unity.

And on this subject, I believe there are four main areas of his game that needs work.

Because apparently that's how sex works... Even though this is not one of the game's main subjects, Kratos can definitely be included on the pervert video game characters list due to the intensity and amplitude of the act.

In urban schools students come and go all day.No 45 minutes is like the time that preceded it or the time that will follow.Urban schools report 125 classroom interruptions per week.Announcements, students going, students coming, messengers, safety aides, and intrusions by other school staff account for just some of these interruptions.It is not unusual for students to stay on task only 5 or 10 minutes in every hour.Textbook companies and curriculum reformers are constantly thwarted by this reality.They sell their materials to schools with the assurance that all the students will learn X amount in Y time.They are continually dismayed to observe that an hour of school time is not an hour of learning time.Many insightful observers of life in urban schools have pointed out that it is incredibly naive to believe that learning of subject matter is the main activity occurring in these schools.If one observes the activities and events which actually transpire — minute by minute, hour by hour, day in and day out — it is not possible to reasonably conclude that learning is the primary activity of youth attending urban schools.What does the process of changing what one does every 45 minutes and even the place where one does it portend for fulfilling a job in the world of work?If one is constantly being reinforced in the behaviors of coming, going, and being interrupted, what kind of work is one being prepared for?

While creating your argumentative term paper topic remember one tip from experienced paper writing helper: the reader should clearly understand the main subject of your argumentative term papers with the help of argumentative term paper topic you offer for your work.

Aside of the relatively trivial subject matter — compared to NSA's systematic abuses, for example — it works as a sharp commentary on the economics of sharing in general (the information you share is Facebook's main asset) and the subtle manipulation of users» behavior happening through interfaces.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.

After setting the stage with some philosophical analysis of the themes and techniques of Expressionist art, Foster engages his main subject — how «the work of several young artists reflects critically upon the language of Expressionism.»

A synthesis of pop and kitsch, focus on producing bricolages out of objects from an urban environment and waste, humor and wit were some of the main subjects prevailing in their works.

During the last few years, there has been a drastically increased interest in her work which became the subject of numerous shows including the Museum für Moderne Kunst in Frankfurt am Main, the Musée d'Art Moderne de la Ville de Paris, the Kunsthalle, Zurich, the Serpentine Galleries in London, and the Moderna Museet, Stockholm which organized the retrospective in 2012 named Sturtevant: Image Over Image.

, Karin Weber Gallery introduces three artists, all of whom engage with light in their individual, highly distinctive ways — be it as their main subject, or to enhance and enliven their work.

He lives and works in Toronto and the main subject of his «Liminal» series is based on people with their heads in the clouds, but that says nothing about the artist himself.

In the exhibition «Light Revealed», Karin Weber Gallery introduces three artists, all of whom engage with light in their individual, highly distinctive ways — be it as their main subject, or to enhance and enliven their work.

The main characteristic of her work is that her subject matter includes her personal feelings about an unrooted childhood when she had to leave The Soviet Union and move to America, the clashing cultures and nature's magnificence.

Sillman's work has been the subject of numerous solo exhibitions at institutions including: Albright Knox Art Gallery, Buffalo, New York; Drawing Center, New York; Portikus, Frankfurt am Main, Germany; Kunsthaus Bregenz, Austria; and The Hirshhorn Museum and Sculpture Garden, Washington, D.C. Beginning at the Institute of Contemporary Art, Boston in 2014, Sillman's solo exhibition, «one lump or two,» traveled to the Aspen Art Museum in Colorado and the Center for Curatorial Studies at Bard College, New York.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: the Stedelijk Museum, Amsterdam (1982); Tate Gallery, London (1982); Whitechapel Gallery, London (1987); Kunsthalle Düsseldorf (1987); Centre Georges Pompidou, Paris (1987); Whitney Museum of American Art, New York (1987); San Francisco Museum of Modern Art (1987); Museum of Fine Arts, Houston (1987); Musée d'Art Contemporain de Nîmes, France (1989); Staatliche Graphische Sammlung, Munich (1989); Palais des Beaux - Arts, Brussels (1989); Fruitmarket Gallery, Edinburgh (1989); Museum of Contemporary Art, Chicago (1989); Museo de Arte Contemporáneo de Monterrey, Mexico (1994); Fundació Joan Miró, Barcelona (1995); Galleria d'Arte Moderna di Bologna (1996); Schirn Kunsthalle, Frankfurt / Main (2004); Museo Nacional Centro de Arte Reina Sofía, Madrid (2004); Rotonda della Besana, Milan (2007); Tabakalera, Donostia - San Sebastián (2007); Museo di Capodimonte, Naples (2009); Art Gallery of Ontario, Toronto (2010); Museo Correr, Venice (2011); J.F. Willumsens Museum, Frederikssund, Denmark (2013); Brant Foundation Art Study Center, Greenwich, CT (2013); Dallas Contemporary (2014); Dairy Art Centre, London (2014); Museu de Arte de São Paulo, (2014); NSU Art Museum Fort Lauderdale, FL (2014); and University of Michigan Museum of Art, Ann Arbor (2015).

Among the main female protagonists that inspired this research are Balkis Sharara, Rifat Chadirji's wife who in 1979 carried copies of his works into and out of Abu Ghraib allowing him to author three of his seminal books while in the prison; artist Nuha al - Radi whose diaries of 1990/91 describe the dynamics in the lives of Baghdad's people beyond the news coverage; an unknown young woman who stands out in the festivities of the gymnasium's 1990 new year concert; Fahrelnissa Zeid who was herself an artist (most recently the subject of a major exhibition at Tate Modern) and the wife of the Iraqi Ambassador in London when Le Corbusier received a telegram confirming the approval of his first design proposal for Baghdad; poet Iman Mersal who paid a solidarity visit to Baghdad under siege in 1993; Zaha Hadid whose architectural drawings influenced the imagination of architectural students in the 1990s; and others.

In contrast to the compressed energy of the block works, Clearing, a three - dimensional drawing in space is five kilometers of arcing metal rod which turns the Main Gallery into a vast energy chamber contesting the architectural definition of space and making the viewer its subject.

Jeff Koons would make sculptures by aligning the inflatable toys again mirrored and transparent plexiglass tiles.Rabbits and flower represented the main subjects of his readymades that served as a base for many of his later steel works.

One of the major figures of German photography, Thomas Struth is an incomparable contemporary photographer whose main body of work concentrates on documenting a wide range of subjects such as urban scenes, rain forests and group, candid portraits.

His work has been the subject of numerous museum exhibitions, including the Museum of Contemporary Art, Los Angeles (2001); the Fundació Joan Miró, Barcelona (2006); MoMA, New York (2006,) the National Galleries of Scotland, Edinburgh (2006); Kunstmuseum Wolfsburg, Germany (2007); Tate Britain, London (2010), Museum für Moderne Kunst Frankfurt am Main (2011) and the Tel Aviv Museum of Art (2013).

Her work has been the subject of numerous solo exhibitions organized by museums such as the Fundació Antoni Tàpies (Barcelona), the Institute of Contemporary Art (Boston), the Museum of Contemporary Art (Los Angeles), Portikus (Frankfurt am Main) and Vienna Secession, as well as numerous group exhibitions, including at the International Center of Photography (New York), Institute of Contemporary Art (London), Centre Georges Pompidou (Paris), MACBA (Barcelona) and the Museum of Contemporary Art (Chicago).

The main subject of the artistic work of Frédéric Vincent is curatorial practice in all its forms - exhibitions curated by artists, by writers, philosophers or art critics.

His paintings, sculptures, and works on paper have been the subject of numerous retrospective exhibitions at museums including: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; Fundació Joan Miró, Barcelona, 1995;; Galleria d'Arte Moderna di Bologna, Bologna, 1996;; The Guggenheim Museum, Bilbao, 1997; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Palazzo Venezia, Rome, 2007; Rotonda della Besana, Milan, 2007; The Art Gallery of Ontario, Toronto, 2010; and Museo Correr, Piazza San Marco, Venice, 2011.

The truth about the scientific work that is the main subject of the tree - ring related discussions here is both more boring, in some respects, and more interesting than you would believe.

Graduate Trainee Resourcers Graduate Recruitment roles based in Fareham, near Portsmouth You will need to be a graduating in 2018 with a university degree (in any subject) We are looking for undergraduates who are finishing their degree this year who would be interested in working as a trainee Recruitment Resourcer, where the main focus of work will be telephone relationship building with candidates.

At present, I work as a junior officer at the University of New Jersey, and I have had finance as the main subject.