Sentences with phrase «main wall of the room»

Because this main wall of the room is so colorful and pattern - filled, I decided to go really soft and neutral with the rest of the space.

Not exact matches

The overall concept is inspired in a non-traditional library and two of the walls of the main room covered in library - like shelves full of food items.
Custom screens separate a semi-private dining area while the main dining room offers views of the bar area and raw bar, designed as a jewelry box displayed along the opposite walls.
The main focal point of the room will be the feature wall that displays a custom calligraphy.
It is easy to recognize a Waldorf classroom: beautifully painted walls, soothing atmosphere, natural materials at every glance and most important, the centerpiece of the room, a beautiful chalk drawing detailing the main lesson of the day.
«A lively crowd of Wall Streeters and business executives were having lunch in the Anglers and Tarpon Club, in a second floor dining room adjacent to the main building.
Friezes with clay rosettes decorated the walls of the main rooms, and stairways led up to a throne room (where the king met his subjects) and ceremonial chambers at a higher level.
main bedroom decor ideas medium size of bedroom furniture ideas interior wall ideas bedroom accessories ideas room master bedroom decorating ideas 2015.
We also used a portion of the grant funds to renovate our main cat room with new washable walls and an epoxy floor.
Back in the main building, deluxe rooms include a lacklustre breakfast and have TV, air - con, fridge and bathtubs and are very smart and quite well priced, while the standard rooms in this building are a little more depressing, being effectively windowless (a view of a wall doesn't count), and are more dreary affairs.
All guests have access to our Great Room with its wall of windows, main deck with hot tub and our private beach with helicopter pad.
It offers a Spacious Great Room with Imported Italian Honed Marble Floors, Wall - to - Wall, Floor - to - Ceiling Ocean Views, Two Very Private and Spacious, Luxurious Master Bedroom Suites with Stunning Pillow Top Ocean Views, a State of the Art Kitchen with Stainless Steel Appliances, Granite Countertops, Custom Designed Island Inspired Furnishings, Two Lanais with a Private Lanai off the Main Floor Master, an abundance of Natural Sunlight, Refreshing Tropical Breezes and Breathtaking Ocean Views which will make your stay in our Villa THE Experience of a Lifetime.
INDOOR LIVING: - Open - plan living room with walls of glass doors leading onto the pool terrace giving guests the option of open - air or air - conditioned comfort - Oversized cream sofas - 60inch LED TV, Apple TV, DVD and iPod - Two dining tables of reclaimed teakwood, seating six each - Teakwood island serves as a buffet, bar and cooking station - Fully - equipped chef's kitchen capable of serving 20 guests OUTDOOR LIVING: - 12m x 5m free - form tension - edge swimming pool - Expansive ironwood deck bridging the main living pavilion and the beach furnished with poolside beanbags, sun loungers and daybeds - A shoreline pergola with oversized daybed and semi-circular seating area - Gardens and lawn leading directly onto the beach
BEDROOMS MASTER SUITE: - Housed in its own pavilion separated from the living and dining area - King - sized bedroom with vaulted ceiling, dark teak floors, glass doors leading out onto a private deck with garden and ocean views - TV lounge with comfortable sofas, large flat - screen TV with DVD player - Small reading room which «floats» above the fish pond with glimpses of the pool - Huge dressing room - Semi-open ensuite bathroom with large rectangular terrazzo bathtub, his - and - hers vanities, and walk - in rain shower - Private garden - Air - conditioned GUEST BEDROOMS 1 & 2: - Both guestrooms are housed in a separate pavilion adjacent to the dining area — designed for children but flexibly accommodate adults - One room has a queen - sized bed with large flat - screen TV and DVD player, while the other one has twin beds and a small outdoor balcony - A corridor with built - in - robes connects the two bedrooms while also giving access to the shared bathroom - Shared bathroom features grey slate walls and flooring, indoor terrazzo bathtub and walk - in shower, additional outdoor shower with water feature - Large shared wooden deck - Air - conditioned GUEST SUITES 1 & 2: - Two - bedroom guesthouse located 50m from the main house for privacy - Queen - sized beds complimented by light and airy cream walls and teak floors - Garden bathrooms with indoor shower and glass sliding doors leading onto a wooden deck - Adjoining living area for the two rooms - Self - contained kitchen with breakfast bar and stools
In the main dining room brickwork walls are met by dark timbers, with touches of copper in the kitchen, allowing you to take a step back into the past.
Robin Room is part of the main house, has a double bed, wall - to - wall carpeting, a TV and a full en - suite bathroom.
A 42» inch Samsung LCD TV resides on the wall and a comfortable array of sitting options are located in the main room.
Apart from the main swimming pool enjoyed by guests, there are 2 luxury rooms with wall - to - wall folding glass doors leading onto decks with their own private plunge pools and views of Table Mountain.
The main house of the villa features a central living / dining room surrounded on three sides by walls of glass and screen.Comfortable -LSB-...]
Then, as the road after the road has winded down to sea level, you're greeted by a huge, newly constructed annex to KC Grande Resort where some of the rooms are either just a few metres from the main road or have views towards a concrete wall of the block in front.
Rosewood is used for the walls, floor, and furniture of the main room.
Main living space with soaring ceilings, oversized windows that fill the home with natural sunlight and walls of glass sliders that open to your wrap around deck from the living room.
If painting as a practice is viewed with far more skepticism today, the sense of conversation evoked by the works on this wall — and in a smaller room off the main gallery, which is also filled with the art of Schloss's friends and acquaintances — rings eerily familiar.
A total of 14 black and white photographic works, framed in white and unmatted, and hung against cream colored walls in the main gallery space, the smaller side room, and the entry area.
Picasso's home movies are projected in a discreet central room, while two newsreels run on flat screens on walls of the main gallery.
In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7
The wall partially obscures the view into the gallery space, hiding a life - sized sculpture of an androgynous adolescent that is suspended from the ceiling of the main gallery room.
Once you're inside, you can explore the current exhibition; dine next to Fallen Fruit: The Practices of Everyday Life, the vivid installation lining the walls at Proof on Main, or sleep in Asleep in the Cyclone a multicolored site - specific installation that doubles as a guest room.
The new site - specific work occupies all four walls and the floor of the gallery's main exhibition space, with immersive room - wraps and several new vinyl works.
The main room feels overwhelming in scale, full of over-sized and crudely modeled ceramic sculptures, towering red dripping sculptures that look like some sort of giant animal's tendons freshly ripped from its body, and spray - painted canvases hanging on the walls.
In his piece, Formless Figure (2015) now on view in the main exhibition room at Robert Wilson's Watermill Center, Arsham engages the viewer by challenging the very wall of the space to perform in a unique, mysterious way.
More powerful still is Buren's «A Perimeter for a Room» (2011), a new work made in situ for the Lisson Gallery's main space, in which a glowing panels of Plexiglas follow the perimeter of the room, washing the walls with colRoom» (2011), a new work made in situ for the Lisson Gallery's main space, in which a glowing panels of Plexiglas follow the perimeter of the room, washing the walls with colroom, washing the walls with colour.
Prouvost built another room off the main suite, a kind of Wantee 2, in which you climb through a hole in the wall and struggle up a crazily tilted carpeted floor.
Once you reach the main gallery floors, the experience becomes more focused: the rhythm through the rooms is broken only occasionally, when a wall peels back to allow glimpses of the city.
True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.
On the barn - sized walls of the main room, large - scale paintings by Keith Haring, Damien Hirst, and Julian Schnabel rubbed up against more modest - sized works by Phillip Gabriel, Kathryn Kerr, and David Sherry, as well as scores of works by relative unknowns.
The main display consisted of two partitioned installations: Untitled (1992/2012), featuring 22 red aluminum squares in shallow relief that extended across two adjacent walls, and Untitled (2012), eight rectangular titanium panels positioned vertically on the floor at alternating angles, which had the effect of disrupting their relationship with the long room in which they were installed.
The main room of the Hufkens gallery for this exhibition from floor to ceiling and wall to wall will be entirely filled with a polyhedral space - frame into which the body of the viewer is invited to wander.
While one of the show's main elements consists of a large grid - like installation encompassing individual works from each artist, there are also collaborative works, including a sculptural installation, a series of wall paintings, and a back - room installation consisting of a generative video work projected on the grid of a garage door and several palm fronds strewn about the floor.
The second section, Collecting to astonish, collecting for research, begins in three visually impressive rooms, dedicated to Venetian explorers, which narrate the history of scientific expeditions by using an intentionally «old - fashioned» style; explorers» memorabilia and artifacts are placed into imposing glass and wood cabinets in the main gallery, while a number of hunting trophies and stuffed animals are arranged onto the walls of the two adjoining rooms.
It will include a collection of approximately 30 sculptural Soundsuits in the main gallery, offset by a room of seven newly commissioned artworks surrounded by a wall - based tapestry inspired by Cave's childhood watching the night sky.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
In place of interior walls, Buell uses her art collection to casually define the spaces in the large main room.
Finally, Perry will install a selection of paintings on the walls of the main room which contain abstracted images from the video.
Also in the main room is a series of wall art pieces, which consists of aluminum plates with percussion, resin and white paint; the pieces are from the period between 2011 and 2017.
Grabner's black - and - white paintings hang on the walls of Cohan's large main room.
For this installation, which occupies all four walls and the floor of the Berlin gallery's main exhibition space, Barbara Kruger created one of her greatest immersive room - wraps, as well as placed a few new vinyl works in the gallery space.
For this installation, which occupies all four walls and the floor of the Berlin gallery's main exhibition space, the artist has created one of her immersive room - wraps and several new vinyl works.
In - room measurements indicated and listening tests confirmed that in spite of its small main driver, this speaker was best kept well clear of walls, whereupon it delivered a very respectable bass performance.
Completing the main level is the den / library which features built - in shelving on two walls and could also make a great media room. Upstairs you will find a large second living or recreational space, a loft area, large covered balcony with incredible views of Mt. Ashland and a workout room (could easily be a 4thbedroom).
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