Sentences with phrase «mainstream culture of his times»

Not exact matches

More Unicorn Births: While it takes the same amount of time to become a unicorn, tech culture has become much more mainstream.

Strat believed that we must make a careful and credible case for discerning the meaning of the challenges thrown up by the mainstream secular culture: «There is a place and a time for making a stand, but there is also a place and a time for considered reflection, especially if there may be some hope of attacking the disease at its root.

Successful social adaptation, to either mainstream secular culture or the ecclesiastical sub-culture is no longer the measure of psychological health that it once was in kinder, gentler times.

Talks: «Mainstreaming Midwives: The Politics of History,» «Birth across Cultures: An Evolutionary Perspective,» Daughter of Time: The Postmodern Midwife,» «Ritual in the Hospital: Giving Birth the American Way,» «The Technocratic, Humanistic, and Holistic Models of Birth and Health Care»

With meditation fast becoming mainstream, the mission behind The Big Quiet is to deepen our real - time interactions with others and make meditation a part of our culture — much like music, art and food — fostering a sense of community and interconnectedness.

The basics Surfing has been a part of Polynesian culture for centuries, but these days it's a mainstream pastime, with coastlines around the country dotted with surfers, no matter the time of day.

With the growing mainstream popularity of comic book movies, conventions, video game culture, and other mediums once considered niche and nerdy, the time is ripe for geek - centric businesses to thrive.

This is around the same time coming - of - age movie maestro John Hughes gave Ferris a day off, but unlike his contemporary, Oliver seems oblivious to mainstream pop culture.

Given his demeanor and the color of his spines — black and red — Shadow seems like a creation molded from the emo music and culture that was breaching the mainstream around the same time as his debut.

2008 Democracy, Creative Time, Armory, NY Art and War, CEPA Gallery, Buffalo, NY Firewalkers, Steafan Stux Gallery, NY Group Show, D.E.N.Contemporary Art, Culver City, CA 7 Beauties, Contrasts Gallery, Beijing and Shanghai, curated Lilly Wei The Other Mainstream II, Arizona State University Art Museum, AZ Exploding the Lotus, curated by Jaishri Abichandani and Jane Hart, Art and Culture Center of Hollywood, Hollywood, Florida Pandora's Box, curated by Amanda Cachia, Dunlop Art Gallery, Regina Saskatchewan, Canada Facing East, Facing West, curated by Amze Emmons and Zoe Charlton, Martin Art Gallery, Muhlenberg College, Allentown, PA The Furious Gaze, curated by Xabier Arakistain and Muara Reilly, Montehermoso Cultural Center,Vitoria - Gasteiz, Spain Of this Tale I Can not Guarantee a Word... Royal College of Art, Londof Hollywood, Hollywood, Florida Pandora's Box, curated by Amanda Cachia, Dunlop Art Gallery, Regina Saskatchewan, Canada Facing East, Facing West, curated by Amze Emmons and Zoe Charlton, Martin Art Gallery, Muhlenberg College, Allentown, PA The Furious Gaze, curated by Xabier Arakistain and Muara Reilly, Montehermoso Cultural Center,Vitoria - Gasteiz, Spain Of this Tale I Can not Guarantee a Word... Royal College of Art, LondOf this Tale I Can not Guarantee a Word... Royal College of Art, Londof Art, London

18th Street's origins reflect a turbulent time when the mainstream of art and culture was being called into question for exclusionary tendencies and an attraction to the ever - present lure of money.

Similar to her well - known previous series of work Domino / Dominó, Bibiana Suárez uses the format of the game in the Memoria (Memory) installation to draw our attention to the history of exchanges - sometimes amicable and other times confrontational - between Latinos of different origins and mainstream American culture.

Instead of the hostile and vitriolic reception originally accorded The Dinner Party by the mainstream critics, it was hailed by Roberta Smith in the New York Times who described the piece as ``... almost as much a part of American culture as Norman Rockwell, Walt Disney, the WPA murals and the AIDS quilts.»

In this Marxist - influenced essay, Greenberg claimed that true avant - garde art is a product of the Enlightenment's revolution of critical thinking, and as such resists and recoils from the degradation of culture in both mainstream capitalist and communist society, while acknowledging the paradox that, at the same time, the artist, dependent on the market or the state, remains inexorably attached «by an umbilical cord of gold».

(ii) The Forum discussed a wide range of issues, but the one issue that discussion returned to time and again was the challenge faced by Indigenous youth in coming to terms with their Indigenous identity and the recognition provided to their culture in mainstream Australian society.

Mainstream culture increasingly questions the cost of spending more time, more thought, and more emotional energy on flesh - and - blood intimacy: «It's just not worth it!»